Discursive, Performative

7 October 2017, 22.15-22.45

Germination, 2017

Performance

Otobong Nkanga, Preliminary Recipe for a Support System, digital drawing, collage and acrylic on paper, 2016–2017

Otobong Nkanga comes together with soap maker Evi Lachana to expand upon the idea of soap—a ubiquitous product essential to our health and central to Nkanga’s work Carved to Flow, 2017. As part of documenta 14, the artist started a performative soapmaking laboratory in Athens, later selling the soap in Kassel.

In the performance Germination, Nkanga evokes the previous phases of Carved to Flow and meditates on the networked geographies, traditions, histories, and people engaged in the production of soap, proposing it as a model of social, economic, and conceptual circulation.

Part of Propositions #1: What We Mean.

Suggestions from the archive

Discursive

18 October 2018–24 January 2019

Propositions #7: Evidentiary Methods

Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice and part of the BAK series Propositions for Non-Fascist Living (2017–2020)—expands upon the notion of forensic justice in a series of lectures, screenings, and workshops on methodologies for articulating claims within the multidimensional space of aesthetics, law, architecture, politics, and ecology.

Exhibition

18 October 2018–27 January 2019

Forensic Justice

Forensic Justice is an exhibition and a series of public programs with Forensic Architecture, a London-based independent and interdisciplinary research agency comprised of, among others, artists, scientists, lawyers, filmmakers, and architects.

Lecture

Lecture

Lecture

Lecture

Lecture

Exhibition

Lecture

Lecture Program

Discursive, Exhibition, Publication

11 January–01 March 2009

The Return of Religion and Other Myths

The Return of Religion and Other Myths is a large-scale multifaceted project, consisting of the exhibition The Art of Iconoclasm, a discourse program taking place in early 2009 titled On Post-Secularism, and the publication of a BAK Critical Reader on the subject in 2009. The project explores the popular assumption of the return of religion to the public sphere, contemporary politics, and the media in the West as a constitutive “myth.”

Lecture

Learning

10 February–31 March 2009

Curating (Beyond) Exhibitions: Critical Curatorial Practices and Contemporary Society

Master course organized by Utrecht University and BAK. The course, structured as a series of lectures and seminars, explores the dynamic field of curating vis-ŕ-vis the challenges that artistic and intellectual practices are presented with by contemporary society, and takes the year 1989—which marks the end of the Cold War—as a starting point from which to explore the practice of curating.