Thomas

representative We Are Here, Amsterdam

related


Performance by Black Quantum Futurism du
Performance by Black Quantum Futurism during the culminating event of the training Community Futurisms, organized in the context of the project Trainings for the Not-Yet, 23 November 2019, BAK, basis voor actuele kunst, Utrecht, photo: Nick Thomas
Performance by Denise Valentine during U
Performance by Denise Valentine during Unforgetting, a public program part of Trainings for the Not-Yet, 29 September 2019, photo: Thomas Orbon
Performance by Black Quantum Futurism
Performance by Black Quantum Futurism

New World Academy #2: Collective Struggle of Refugees. Lost. In Between. Together.

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Call the Witness, installation, Roma Pav
Call the Witness, installation, Roma Pavilion, 54th Venice Biennale, 2011. Photo: Victor Nieuwenhuijs
Learning Place, FORMER WEST: Documents,
Learning Place, FORMER WEST: Documents, Constellation, Prospects, Berlin, 18–24 March 2013, photo: Ernie Buts
Marwa Arsanios, Chart for the Usership o
Marwa Arsanios, Chart for the Usership of Land, prints on paper, 2022, installation detail, Usufructuaries of earth, chpater one, exhibition, BAK, basis voor actuele kunst, Utrecht. Ten banners each depiciting a sentence that address the rig
Hemish Spiritual Pathway (detail), 2019,
Hemish Spiritual Pathway (detail), 2019, drawing
JJJJJerome Ellis, Self-Portrait, 2021
JJJJJerome Ellis, Self-Portrait, 2021
Seahorse with Q-tip, Sumbawa, Nusa Tengg
Seahorse with Q-tip, Sumbawa, Nusa Tenggara Barat, Indonesia, 2017, photo: Justin Hofman, courtesy Justin Hofman.
Adriana Knouf, TX-1, 2020, three resin
Adriana KnoufTX-1, 2020, three resin spheres containing the artist’s hormone replacement medications: one with a fragment of Spironolactone pill, one with a fragment of Vivelle Dot estradiol patch, and one with handmade abaca sculpture. Each s
Wall chart depicting an international ne
Wall chart depicting an international network of avant-garde magazines from the 1920s in the section “Platforms of the Avant-Garde: Der Sturm in Berlin and Mavo in Tokyo” of Hello World: Revising a Collection, Hamburger Bahnhof—Museum für
Nina Støttrup Larsen, The Cut, The Pun
Nina Støttrup LarsenThe Cut, The Punch, The Press, 2021, video still detailing an image of a coffee plantation on a 50 CFA franc banknote, 1946–1958.

New World Academy Reader #2: Collective Struggle of Refugees. Lost. In Between. Together.

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