Collective study program

17 April–03 July 2021


Fragments of Repair/La Colonie Nomade

A collective study program realized in the framework of the multi-part project Fragments of Repair

Three-month collective study program La Colonie Nomade, which was hosted by La Dynamo de Banlieues Bleues in Paris, from 17 April to 3 July 2021

A collective study program realized in the framework of the multi-part project Fragments of Repair (17 April–26 September 2021), convened by BAK, basis voor actuele kunst, Utrecht with artist Kader Attia and La Colonie, Paris and hosted by La Dynamo de Banlieues Bleues, 9 Rue Gabrielle Josserand, 93500 Pantin, Paris

17 April–3 July 2021

Fragments of Repair/La Colonie Nomade is a three-month collective study program conceptualized and conducted by political theorist, feminist, and decolonial activist Françoise Vergès. Along with Fragments of Repair/Kader Attia (an exhibition of Kader Attia’s sculptures, collages, and video installations at BAK) and Fragments of Repair/Gatherings (an online series of lectures, conversations, and assembly forms, convened by Wietske Maas at BAK and at, La Colonie Nomade takes place in the framework of the multi-part project Fragments of Repair (17 April–26 September 2021). The project is convened by BAK, basis voor actuele kunst, Utrecht with artist Kader Attia and La Colonie, Paris. As La Colonie currently assumes a nomadic existence, La Colonie Nomade is hosted by La Dynamo de Banlieues Bleues, Pantin, Paris. The documentation of La Colonie Nomade will be made available soon.

In Fragments of Repair, Attia proposes the notion of “decolonial repair” as a tactic to engage with planetary urgencies of collective mental health in a world wounded by the Covid-19 pandemic. Injury, wound, and repair have been key concepts across Attia’s artistic practice, especially in relation to the material and immaterial injustices of colonial violence that persist into the present. The current conditions bring these injustices into sharper relief, while adding additional injuries through chronic uncertainty, social isolation, exhaustion, loss, and fear. What pathways can repair—not a return to past ways, but an itinerary shaped by demands for decolonization and the politics of restitution—offer to life in and out of the viral and psychological pandemonium?

Fragments of Repair/La Colonie Nomade expands on this narrative, drawing on decolonial strategies as a means of meaningful survival and collective acts of repair in spite of the cruel capitalist “economy of exhaustion.”

Exhaustion—mental and bodily depletion—is endemic to capitalism. Capitalism is premised on extractivism that produces a constant exhaustion of all forms and forces of living—humans and animals, soil and subsoil, oceans and rivers, air and water—for the well-being of a select few. The Covid-19 pandemic has magnified capitalism’s underlying health epidemic of exhaustion and the psychic debility—including but not limited to anxiety, depression, and feelings of isolation—that arises from it. During quarantines and lockdowns there are, on the one hand, people with relative privilege working from home who manage their social and work connections through Zoom. Yet on the other hand, there is a spectral labor of millions of people—many women, many people of color—who keep the city sanitized, care for the sick and the elderly, and deliver food and goods to those who can afford to stay inside. This lopsided equation of those dependent on people working and living in increasingly exhausting conditions is part of what Vergès has described as the “economy of exhaustion.” In Vergès’s words, the economy of exhaustion has “a long history in the modern world: it started with colonial slavery, mining human energy to death; the Industrial Revolution adopted this logic, exhausting the bodies of white workers and children until they finally obtained a reduction of work hours and hard physical labor thanks to the exhaustion of racialized bodies in the colonies. Liberal and neoliberal countries still rest on mining to exhaust the bodies of migrants and people of color.”[1]

Aligning with decolonial perspectives, how could repair as decolonial strategy allow for brief moments of joyful surviving, as opposed to just bare, exhausted survival? How does decolonial practice as repair help develop collective tools for emancipation and resistance? How could repair, as a pragmatic intervention in one’s own life, enable escape from the dominant subjectivity of the neoliberal economy of exhaustion? How might people think together and enact repair in the wake of a pandemic which has been precipitated by that which is broken (social, ecological, and economic injustices)? And, in the face of what is irreparable, how can one understand repair as imperfect, unfinished, and always ongoing, in opposition to the routine of repairing all kinds of wounds and hiding their scars, which is, as Attia has shown, deeply tied to European modernity?

Fragments of Repair/La Colonie Nomade aims to go beyond a mere reporting on the conditions of the world and seeks to imagine and enact collective strategies and concrete gestures of repair. It also aims to inquire about the place and role of art in a politics of repair in the neoliberal-capitalist context of extraction and exploitation by (cultural) institutions, of savage inequalities, of intractable racism, sexism and xenophobia, and of global devastation of the lives of the racialized and the poor. Aware of the cultural institutions’ complicity in this situation, the conveners of La Colonie Nomade seek to offer a safe place where complicity is openly debated and resisted.

Fragments of Repair/La Colonie Nomade is closely entwined with Fragments of Repair/Gatherings, an online series of lectures, conversations, and assembly forums, which is a part of its curriculum. Fragments of Repair/Gatherings also attends regularly to the artworks in Fragments of Repair/Kader Attia by means of (online) screenings and conversations, which are a departure point for the collective study that facilitate thinking about, reimagining, and practicing repair in and through art.

Download the syllabus for Fragments of Repair/La Colonie Nomade here.


Fragments of Repair/La Colonie Nomade video, edited by Alexandra Eguiluz is the documentation of the 17 April–3 July 2021 collective study experience.


[1] Françoise Vergès, “Capitalocene, Waste, Race, and Gender,” e-flux journal, no. 100 (May 2019),

BAK’s activities are made possible through financial contributions by the Dutch Ministry of Education, Culture and Science and the City Council, Utrecht. Fragments of Repair is organized in the framework of BAK’s research itinerary Propositions for Non-Fascist Living (2017–ongoing), and has received aditional funding from: VSBfonds, Utrecht; BankGiro Loterij Fonds, Amsterdam; BNG Cultuurfonds, The Hague; Fonds 21, Utrecht; Prins Bernhard Cultuurfonds, Utrecht; Institut français des Pays-Bas, The Hague; and Institut für Auslandsbeziehungen (ifa), Stuttgart.

BAK’s main partner in the field of education and research is HKU University of the Arts Utrecht.

In collaboration with

Made possible by

Suggestions from the archive


10 May, 12.00–12 May, 18.00 2023

Complaint Making: Setting Up Conflict-Positive Spaces for Community Building Praxis

Vishnu would like to share feminist governance tools (FGT) focused on three of many tiers in community building praxis. FGT is based on the values of equity with an emphasis on creating psychologically safe environments, drawing on the use of consent. Decision-making processes, setting up conflict-positive spaces, and complaint-making as diversity work will form the body of this three-day training. Rooted in Vishnu’s autho-ethnographic practice, this work will explore the power dynamics that impact decision-making processes.


10 May, 12.00–12 May, 18.00 2023

The Diamond Mind II

In this dance training, the people will use a one-minute film of their own movement as material for a booklet—a sixteen page signature—that distributes their presence, their gesture, as an act of EQ. 


3 May, 12.00–4 May, 18.00 2023

Too Late To Say Sorry? 

A bad apology can ruin a friendship, destroy a community, or end a career. In this workshop, we will investigate the impact of apologies on our relationships and our worlds. Why and how do we make apologies? What can giving and receiving apologies teach us about values and integrity? Should you apologize for something you don’t really feel sorry for? We will explore conflict and how we like to be in conflict with others. We will dive into our own boundaries. We will seek to understand how honoring limits becomes an act of building (or freeing) better worlds capable of holding so many, many more of us.


28 April, 12.00–29 April, 18.00 2023

Huisje, Boompje, Beestje (D.A.F.O.N.T.)

In this rare masterclass, retired teacher and artist Glenda Martinus teaches participants a thing or two about painting with Microsoft Word. Martinus shares tips, tricks, and secrets on how to use this software to its unexpected potential as a drawing tool. Participants learn how to draw three basic objects—a house, a tree, and an animal—in a seemingly innocent exercise that perhaps contains more layered social commentary. Drawing the worlds we desire does not require expensive tools or education, simply a curiosity to understand how the monster’s tools can topple the house of the master.