Discursive, Screening

7 October 2017, 17.30-18.30

Born in Flames, 1983

Screening with live commentary and conversation

Film Poster of Lizzie Borden's Born in Flames, 1983, reprinted in The Independent: Film and Video Monthly, November 1983

Like an evening at the cinema when you are disturbed by your neighbors’ comments on the film, educator, curator, and BAK 2017–2018 Fellow Sepake Angiama engages in live commentary and conversation during a screening of the film Born in Flames (1983), directed by Lizzie Borden. The film address questions of feminism, gender politics, race, surveillance, and police brutality, and these same topics form the foci of the talk.

Part of Propositions #1: What We Mean.

Suggestions from the archive

Exhibition

18 October 2018–27 January 2019

Forensic Justice

Forensic Justice is an exhibition and a series of public programs with Forensic Architecture, a London-based independent and interdisciplinary research agency comprised of, among others, artists, scientists, lawyers, filmmakers, and architects.

Lecture

Lecture

Lecture

Lecture

Lecture

Exhibition

Lecture

Lecture Program

Discursive, Exhibition, Publication

11 January–01 March 2009

The Return of Religion and Other Myths

The Return of Religion and Other Myths is a large-scale multifaceted project, consisting of the exhibition The Art of Iconoclasm, a discourse program taking place in early 2009 titled On Post-Secularism, and the publication of a BAK Critical Reader on the subject in 2009. The project explores the popular assumption of the return of religion to the public sphere, contemporary politics, and the media in the West as a constitutive “myth.”

Lecture

Learning

10 February–31 March 2009

Curating (Beyond) Exhibitions: Critical Curatorial Practices and Contemporary Society

Master course organized by Utrecht University and BAK. The course, structured as a series of lectures and seminars, explores the dynamic field of curating vis-ŕ-vis the challenges that artistic and intellectual practices are presented with by contemporary society, and takes the year 1989—which marks the end of the Cold War—as a starting point from which to explore the practice of curating.

Lecture