work

30 January–01 May 2016

Universal Anthem – Société Réaliste (2013)

Société Réaliste, Universal Anthem, 2013

Société Réaliste’s Universal Anthem (2013) is a score written for 12 instruments, based on the mathematical medium of the national anthems of the 193 member states of the United Nations. Working with Frédéric Mauclère, Société Réaliste developed a computer program which is able to count median musical transcriptions. It was then used to create the “averaged” UN anthem, which was adapted to an orchestra with the help of composers Cora Miron and Horváth Balázs. Within the exhibition Unstated (or, Living Without Approval) the work is presented as a sound piece based on the original calculations. A new performance of the work takes place as a closing event to Unstated, hosted by the Centraal Museum, Utrecht (1 May 2016).

Performance

A new performance of the work takes place as a closing event to Unstated, hosted by the Centraal Museum. Read more via the link below.

performance
01.05.2016
Universal Anthem performed by Zuilens Fanfarecorps

Suggestions from the archive

Exhibitionary

Screening

15 July 2021, 18.30-20.00

Fragments of Repair/Gathering VI: Invisible Bridges

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 15 July 2021, the sixth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s Reason’s Oxymorons (2015) and a conversation between Kader Attia (Berlin) and Stefania Pandolfo (medical anthropologist, Berkeley, CA).

Screening

24 June 2021, 17.30-20.00

Fragments of Repair/Gathering V: The Object’s Interlacing

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 24 June 2021, the fifth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s The Object’s Interlacing (2020), followed by a conversation between Souleymane Bachir Diagne (philosopher New York/Dakar) and Wayne Modest (material culture curator and researcher, Amsterdam/Rotterdam).

Education Program

21 June, 19.00–7 July, 21.00 2021

Course: Art as Politics

An Online Extension of BAK Public Studies

A new edition of the online course Art as Politics, taking place on the following dates: 21, 23, 28 and 30 June & 5 and 7 July 2021. The course, taught by BAK’s Maria Hlavajova, brings those involved and/or interested in art, theory, and social action into collective conversation.