work

30 January–01 May 2016

New World Summit, Rojava – Jonas Staal (2015)

The New World Summit installation at BAK includes:

New World Summit—Rojava, Part I

October 2015, Derîk, Cezîre Canton, Rojava
Documentation of the first part of the New World Summit in Rojava that brought together representatives of the Democratic Self-Administration of Rojava with representatives of other stateless and autonomist organizations from all over the world. This assembly was organized as part of an international delegation to Rojava, in celebration of the beginning of the construction of a new public parliament developed by the New World Summit with the Democratic Self-Administration of Rojava.

Rojava Film Commune
Interviews with representatives of the Rojava Film Commune (Diyar Hesso, Onder Çakar, Şéro Hindé, and Khwshman Qado) a collective of filmmakers founded in 2015 with the task to represent the values and ideals of the Rojava Revolution. The wall print shows a screening organized by the Rojava Film Commune in the cultural center of the city of Qamiişlo, of the film The Kid (1921) by Charlie Chaplin.

Abdullah Abdul and Masun Hamo
Interviews with artists Abdullah Abdul and Masun Hamo, whose sculptural works reconstruct the lost and looted historical sites of Mesopotamia, considered to be the birthplace of Kurdish history, politics, and culture.

People’s Parliament Rojava
2015–2016, Derîk, Cezîre Canton, Rojava

Visual design, photo documentation, and architectural model of a new public parliament and the surrounding park, developed by the New World Summit together with the Democratic Self-Administration of Rojava. The parliament takes the form of an “agora,” a public space that represents the ideals of the Rojava Revolution and its practice of stateless democracy. The fragments of flags that form the canvasses covering the parliament each belong to one of the local organizations at the heart of the project of political self-governance: the Movement for a Democratic Society (Tev-Dem); the Democratic Union Party (PYD); the Syriac Union Party (SUP); Star Union of Women (Yekiîtîiya Star); the Rojava Democratic Youth Union (YCR); and the flag of the autonomous region of Rojava itself. The public parliament will be inaugurated with a second summit in April 2016.

Suggestions from the archive

Exhibition

12 September–28 November 2010

Vectors of the Possible

The exhibition examines the notion of the horizon in art and politics and explores the ways in which art works can be said to set up certain horizons of possibility and impossibility, how art partakes in specific imaginaries, and how it can produce new ones, thus suggesting other ways of imagining the world.

Congress

Event

Screening

Conversation

Lecture

18 March 2011, 20.00

Lecture by David Riff on Olga Chernysheva

On Tuesday, 15 March 2011 at 20.00 hrs, Moscow-based art critic and writer David Riff delivers a lecture on Olga Chernysheva’s practice in which he considers the artist’s repurposing and reinvention of realism in her work, as well as the critical and political implications of this approach, particularly in the context of today’s Russia.

Exhibition

Exhibition

22 May–24 July 2011

Call the Witness

group exhibition curated by Suzana Milevska

The exhibition Call the Witness includes works by seven extraordinary artists who actively work from within and beyond their Roma identities. The works take up the role of “testimonies,” which in their own languages bear witness to past sufferings (such as the Holocaust) and of present and future anxieties, which seem to so intimately relate to the very existence of the Roma in our world. Each of these artists actively speculates about another possibility, and from within the Roma subjectivity proposes that we imagine how things could be otherwise.

Exhibition

01 June–09 October 2011

Call the Witness, Roma Pavilion

Call the Witness is a project of the Roma Pavilion, which takes place as a collateral event in the framework of the 54th International Art Exhibition – La Biennale di Venezia 2011. A makeshift exhibition evolving over the course of the Venice Biennale preview days through the flux of live “testimonies”— works of art, performances, talks, and conversations by and with artists, thinkers, and politicians—Call the Witness considers the situation of the Roma and Roma art as emblematic of a world filled with inequality and oppression today, and in solidarity with the largest minority in Europe speculates about another, hopeful future.

Screening

08 October–03 December 2011

Cinematic Narratives from Elsewhere public program: film screenings and discussions curated by Christina Li

Cinematic Narratives from Elsewhere is a film-based public program of screenings and discussions that accompanies the exhibition Spacecraft Icarus 13: Narratives of Progress from Elsewhere at BAK. The program presents alternative accounts of the impact of sociopolitical changes brought about by western-driven discourses of progress and modernity in the so-called “Third World.”

Exhibition

09 October–23 December 2011

Spacecraft Icarus 13: Narratives of Progress from Elsewhere

exhibition curated by Cosmin Costinas

The exhibition Spacecraft Icarus 13: Narratives of Progress from Elsewhere presents a number of artistic positions by international artists from different generations that reflect upon alternative visions for the future and models for political and cultural change that have emerged in response to the new conditions of the post-Cold War era.

Screening

Exhibition

05 February–29 April 2012

Christoph Schlingensief: Fear at the Core of Things

Christoph Schlingensief (1960–2010) was one of the most seminal if controversial theater, film, and contemporary art figures of his generation. The exhibition Christoph Schlingensief: Fear at the Core of Things attests to his striving towards Lebenskunstwerk—a work of life-art.

Education Program

23 October–27 November 2018

Course Art and Politics

“Art and Politics” is an inaugural course of a new public school for art and politics organized by BAK, basis voor actuele kunst in Utrecht. In six weekly sessions, the participants learn about how contemporary art relates to the political in an accessible way.

Congress

29 September 2012

3rd FORMER WEST Research Congress, Part Two

Following the deliberations during Part One titled Beyond What Was Contemporary Art (April 2012, Vienna), Part Two of the 3rd FORMER WEST Research Congress takes place on 29 September 2012 and bases its discussions on a question ushered in—somewhat unexpectedly—by theorist and curator Irit Rogoff in her closing keynote address for Part One: “What on earth do they mean when they say art?”

Exhibition

29 September–23 December 2012

How Much Fascism?

exhibition curated by What, How & for Whom/WHW

Group exhibition with works by Burak Delier, Etcétera…, Avi Mograbi, Marina Naprushkina, Trevor Paglen, Cesare Pietroiusti, Jonas Staal, Mladen Stilinovic, SUPERFLEX, Milica Tomic, and Lidwien van de Ven.

Congress

18-24 March 2013

FORMER WEST: Documents, Constellations, Prospects

Artworks, talks, discussions, rehearsals, and performances in various constellations of documents and prospects offer a multitude of encounters with the public for negotiating the way of the world from 1989 to today, and thinking beyond.

Learning

18-24 March 2013

FORMER WEST: Documents, Constellations, Prospects—Learning Place

a week-long educational performance with around 200 students from educational institutes around the world

During a week-long educational performance, around 200 students from educational institutes around the world engage on topics such as the commodification of knowledge, critique of creativity, and functioning of edu-industries in today’s cognitive capitalism.

Exhibition

11 April–01 June 2013

After History: Alexandre Kojève as a Photographer

The James Gallery at The Graduate Center, CUNY announces the conceptual and experimental exhibition guest curated by Boris Groys, After History: Alexandre Kojève as a Photographer, on view from 11 April till 1 June 2013. The exhibition presents the photographs, collected postcards, and hand-drawn itineraries of the French-Russian philosopher Alexandre Kojève (1902–1968) to compose a visual exposition of his philosophy. Made in collaboration with BAK, basis voor actuele kunst, The James Gallery is the only US venue for the exhibition.

Exhibition

Education Program

Education Program