Lecture, Conversation

23 November 2015, 19.00

Over the Ruins of Amazonia: Colonial Violence and De-colonial Resistance at the Frontiers of Climate Change

During the so-called “development decades” of the Cold War, the Earth’s systems experienced the exponential impact of what climate scientists call the Great Acceleration: “the most rapid transformation of the human relationship with the natural world in the history of humankind.” That transformation was accompanied by, and intrinsically related to, the enforcement of a generalized state-of-exception across the Third World, followed by widespread environmental destruction. This project traces the cartography of the modern-colonization of Amazonia, mapping the relations between the environmental and political violence that lay at the foundations of the contemporary Anthropocene, and which unfold to the geopolitical-geophysical conditions of climate change. Rather than the collateral, unintended effect of “growth,” “development,” or “progress,” global climate change is viewed here as the product of colonial violence directed against both human and nonhumans, peoples and environments, societies and territories. With this perspective remote-sensing archaeological excavations of such forms of environmental violence in Amazonia unearth the history of a territory whose nature is deeply cultural, shaped, and reshaped by political conflicts.

“Over the Ruins of Amazonia: Colonial Violence and De-colonial Resistance at the Frontiers of Climate Change,” lecture by Paulo Tavares on 23 November 2015 in the context of the exhibition Forest Law at BAK, basis voor actuele kunst, Utrecht.

Suggestions from the archive

Education Program

14 December 2018

Mapping Histories: Conversing on Visuality and Subalternity

workshop by Lisa Ito

On 14 December 2018 art historian and activist Lisa Ito gives a workshop “Mapping Histories: Conversing on Visuality and Subalternity” as part of the Royal Academy of Art Non Linear Narrative master’s program. The workshop is held at BAK in the framework of Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice.

18 April 2019, 19.00-21.00

Special Viewing: Seven Addresses (2019)

Op 18 april 2019 om 19.00 uur is er bij Het Utrechts Archief een speciale openstelling van het werk Zeven adressen (2019) van kunstenaarsduo Sander Breure & Witte van Hulzen. De kunstenaars zijn deze avond aanwezig bij de tentoonstelling. Het werk is onderdeel van de tweedelige tentoonstelling The People Are the City, georganiseerd door BAK, basis voor actuele kunst in het Stadskantoor Utrecht (te zien t/m 2 mei 2019) en Het Utrechts Archief (te zien t/m 5 mei 2019).

Exhibition

30 March–05 May 2019

The People Are the City

The People Are the City is a two-part exhibition which takes place in the public areas of the Municipal Offices of the City of Utrecht and at The Utrecht Archives. The exhibition at the Utrecht City Office reflects on the extraordinary coming together of the people of Utrecht in the collective performance What Is the City but the People? on 15 September last year. The second part of the show, on display at The Utrecht Archives, presents the new work Seven Addresses (2019) by artists’ duo Sander Breure and Witte van Hulzen.

Exhibition

31 October–31 December 2004

Cordially Invited, episode 3

Cordially Invited examines the issue of hospitality in relation to a topic of major global, political, and moral consequence today: migration. The project explores these issues through the notion of a cordial invitation, understood here as a symbolic tool which can be used to negotiate between two imaginary, unattainable ideals: the unrestricted right to move across political and economic boundaries, and the unqualified acceptance such rights imply.

Exhibition

Lecture

Lecture

Lecture

Lecture

Lecture

Lecture Program

12 November–17 December 2005

Undercurrents

Undercurrents is a dynamic, informal forum for reflection about what is behind the contemporary state of warfare. It is developed as an equal parallel to the exhibition Soft Target. War as a Daily, First-Hand Reality.