Lecture

23 September 2014

And So We Participate

On 23 September 2014, BAK’s artistic director Maria Hlavajova presents a lecture titled And So We Participate at the symposium The Museum as a Workshop, organized by the Centraal Museum, Utrecht (for more information on the symposium and the forthcoming publication of the same title, see here). The lecture is a part of a series of public and internal exchanges between the two key Utrecht-based art institutions, BAK and Centraal Museum, who, in the course of 2014–2016, explore various collaborative possibilities and contribute to rethinking the mission of the art institution in today’s rapidly changing global condition.

The collaboration comprises a parallel and mutually entwined series titled Future Vocabularies—Future Collections. While Future Vocabularies (2014–2016) is a discourse-driven research, learning, exhibition, and publication series aimed at rethinking our conceptual vernaculars in face of changing social, economic, and political contexts today, Future Collections examines various modes of embedding such present-day, future-oriented discourse into the key activity of the museum: that of art collecting.

Future Vocabularies—Future Collections departs from an acknowledgment of the present-day global condition, undergirded by the culture of networks (social, digital, religious, and other) and the proliferation of resistance forms and collective initiatives. Observing new politics and alliances in the streets and collective mobilizations across the world, the program asks how artistic, intellectual, and activist practices might help to build an understanding of the changes this new reality brings for the notions of “audience” and the “public.” Future Vocabularies—Future Collections reflects on the consequences these changes bear on the work of a middle-sized discursive art institution and the museum. Rather than taking the research of “future vocabularies” as a thematic exercise on issues of “survival,” “the posthuman,” or “degrowth,” the program mobilizes it as a method of acting in the world today. Accordingly, the two institutions seek ways of mutualizing their respective resources of space, time, competencies, knowledges, finances, and other in order to establish a model of sustainable cooperation with these newly evolving “future publics.”

The collaboration between BAK and Centraal Museum has been made possible by the DOEN Foundation, Amsterdam.

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Suggestions from the archive

BAK, basis voor

21 June 2019, 20.00-23.00

Yallah Sabaya

BAK, basis voor Yallah Sabaya

Yallah Sabaya (“Come, ladies! Enjoy yourselves!” in Arabic) is a special evening just for women, an evening where dance and music connect women from around the world. All women, from every country or culture, are welcome to meet, chat, and dance. Yallah Sabaya is organized by Welkom in Utrecht, De Voorkamer, and BAK, basis voor actuele kunst, Utrecht.

BAK, basis voor...

2 March 2019, 14.00-17.00

Utrecht for Her: Voices of New Women

BAK, basis voor New Women Connectors

New Women Connectors and BAK, basis voor actuele kunst, Utrecht present the gathering Utrecht for Her: Voices of New Women. Utrecht for Her: Voices of New Women gathers refugee and migrant women from all backgrounds to learn about and share challenges that women newcomers experience, and how to veer these challenges toward solutions for policy and community forums to act upon effectively.

Gathering

12 April 2019, 14.30-17.00

Let’s Mobilize for a Europe We Want: Voices of New Women

BAK, basis voor New Women Connectors

New Women Connectors and BAK, basis voor actuele kunst, Utrecht present the gathering Let’s Mobilize for a Europe We Want: Voices of New Women. The gathering is part of a series BAK, basis voor… in which BAK joins forces with other organizations in addressing shared urgencies and developing propositions for “being together otherwise”.

18 September–22 December 2019

Training Program Trainings for the Not-Yet

Trainings for the Not-Yet, a project by BAK, basis voor actuele kunst and artist Jeanne van Heeswijk in collaboration with many others, consists of an exhibition as a series of “community learnings,” performative workshops, artworks, learning objects, and conversations. The training program of the project encompasses community-to-community trainings, with artists, organizers, activists, dancers, cooks, and more, that take place every week during the project.