Education Program

14 December 2018

Mapping Histories: Conversing on Visuality and Subalternity

workshop by Lisa Ito

On 14 December 2018 art historian and activist Lisa Ito gives a workshop “Mapping Histories: Conversing on Visuality and Subalternity” as part of the Royal Academy of Art Non Linear Narrative master’s program. The workshop is held at BAK, basis voor actuele kunst, Utrecht in the framework of Propositions #7: Evidentiary Methodsthe public program in the context of the exhibition Forensic Justice. The workshop is informed by the evidentiary method of reenactment and Ito’s experience with the Concerned Artists of the Philippines and the collective’s ongoing response to rising fascism through creating counter-narratives and establishing a broad base of cultural and social participation in the country’s anti-dictatorship struggle. The workshop aims to identify a shared sense of what narratives matter and to discern existing conceptual and visual tools for making sense of such stories and articulating these to publics beyond one’s own circles.

The Non Linear Narrative at the Royal Academy of Art, The Hague (KABK) is a two-year master’s program that merges investigative methods of journalism and forensics with processing technologies of computer science and visual arts.


In collaboration with

Suggestions from the archive

Learning

10 May, 12.00–12 May, 18.00 2023

Complaint Making: Setting Up Conflict-Positive Spaces for Community Building Praxis

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Performative

10 May, 12.00–12 May, 18.00 2023

The Diamond Mind II

In this dance training, the people will use a one-minute film of their own movement as material for a booklet—a sixteen page signature—that distributes their presence, their gesture, as an act of EQ. 

Learning

3 May, 12.00–4 May, 18.00 2023

Too Late To Say Sorry? 

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Learning

28 April, 12.00–29 April, 18.00 2023

Huisje, Boompje, Beestje (D.A.F.O.N.T.)

In this rare masterclass, retired teacher and artist Glenda Martinus teaches participants a thing or two about painting with Microsoft Word. Martinus shares tips, tricks, and secrets on how to use this software to its unexpected potential as a drawing tool. Participants learn how to draw three basic objects—a house, a tree, and an animal—in a seemingly innocent exercise that perhaps contains more layered social commentary. Drawing the worlds we desire does not require expensive tools or education, simply a curiosity to understand how the monster’s tools can topple the house of the master.