Discursive

13 December 2018, 19.30-21.30

Propositions #7/4: Reenact

77sqm_9:26min, 2017, courtesy Forensic Architecture

With Stefanos Levidis (Forensic Architecture, London), Natascha Sadr Haghighian (People’s Tribunal “Unraveling the NSU Complex” and Initiative 6 April, Kassel), and Lisa Ito (Concerned Artists of the Philippines, Manila)

If politics is a performance—or at least performative—then the staging and enactment of political events can serve as a means to inscribe new histories within the public memory. Theatrical devices can be used to open up the past to scrutiny and speculation, the present to reflection and mobilization, and the future to apprehension and collective imagination.

Focusing on the evidentiary method of reenactment, Stefanos Levidis and Natascha Sadr Haghighian discuss 77sqm_9:26min, 2017, a counter-investigation into the testimony of Andres Temme in relation to the murder of Halit Yozgat in Kassel on 6 April, 2006. Lisa Ito introduces the Concerned Artists of the Philippines’s collective responses to rising fascism and participation in the country’s anti-dictatorship struggle.

Part of Propositions #7: Evidentiary Methods

Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice and part of the BAK series Propositions for Non-Fascist Living (2017–2020)—expands upon the notion of forensic justice in a series of lectures, screenings, and workshops on methodologies for articulating claims within the multidimensional space of aesthetics, law, architecture, politics, and ecology. The series deepens the understanding of works by, or made in collaboration with, Forensic Architecture, including investigations that are not presented in the exhibition. Focusing on techniques and innovative evidentiary methods at the intersection of law, art, politics, and the changing media landscape employed in the forensic practice, the gatherings create a space for dialogue and exchange between concrete cases examined by Forensic Architecture and other ongoing political struggles in the Netherlands and beyond. The series is conceived in collaboration with Nick Axel (architectural theorist, Amsterdam).

Made possible by

Suggestions from the archive

Education Program

14 December 2018

Mapping Histories: Conversing on Visuality and Subalternity

workshop by Lisa Ito

On 14 December 2018 art historian and activist Lisa Ito gives a workshop “Mapping Histories: Conversing on Visuality and Subalternity” as part of the Royal Academy of Art Non Linear Narrative master’s program. The workshop is held at BAK in the framework of Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice.

18 April 2019, 19.00-21.00

Special Viewing: Seven Addresses (2019)

Op 18 april 2019 om 19.00 uur is er bij Het Utrechts Archief een speciale openstelling van het werk Zeven adressen (2019) van kunstenaarsduo Sander Breure & Witte van Hulzen. De kunstenaars zijn deze avond aanwezig bij de tentoonstelling. Het werk is onderdeel van de tweedelige tentoonstelling The People Are the City, georganiseerd door BAK, basis voor actuele kunst in het Stadskantoor Utrecht (te zien t/m 2 mei 2019) en Het Utrechts Archief (te zien t/m 5 mei 2019).

Exhibition

30 March–05 May 2019

The People Are the City

The People Are the City is a two-part exhibition which takes place in the public areas of the Municipal Offices of the City of Utrecht and at The Utrecht Archives. The exhibition at the Utrecht City Office reflects on the extraordinary coming together of the people of Utrecht in the collective performance What Is the City but the People? on 15 September last year. The second part of the show, on display at The Utrecht Archives, presents the new work Seven Addresses (2019) by artists’ duo Sander Breure and Witte van Hulzen.

Exhibition

31 October–31 December 2004

Cordially Invited, episode 3

Cordially Invited examines the issue of hospitality in relation to a topic of major global, political, and moral consequence today: migration. The project explores these issues through the notion of a cordial invitation, understood here as a symbolic tool which can be used to negotiate between two imaginary, unattainable ideals: the unrestricted right to move across political and economic boundaries, and the unqualified acceptance such rights imply.

Exhibition

Lecture

Lecture

Lecture

Lecture

Lecture

Lecture Program

12 November–17 December 2005

Undercurrents

Undercurrents is a dynamic, informal forum for reflection about what is behind the contemporary state of warfare. It is developed as an equal parallel to the exhibition Soft Target. War as a Daily, First-Hand Reality.