Lecture

15 November 2007

Why Dissent is Impossible in Holland


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A Russian anarchist, having moved to the Netherlands in the 1990s, initially saw the country as a haven of freedom. Yet he soon thought otherwise, experiencing as he did that his efforts at non-conformity were channelled in such a way as to take all radicality out of them. This example is illustrative of a wider point: though in some respects tolerant of deviant behavior, the Dutch do not have a word for “dissent,” and have few traditions of sustained opposition to state and society. In his keynote address, James Kennedy uncovers the historical reasons for this and looks in particular at what citizenship has—and has not—meant over the years. The relative absence of dissent in Dutch public life, in particular in respect to immigration and religious expression, is discussed in the context of Kennedy’s understanding of the notion of “active citizenship.” According to Kennedy, from the beginning of the 1960s till the mid-1980s, the Netherlands enjoyed the status of a gidsland—a leading nation, exemplary in terms of how its public life was based upon an activist model of citizenship. Yet, having lost its status, today the country struggles to come to terms with how to define a “good citizen” (the worrying prevalence of the refrain “Can Muslims be good, democratic citizens?” is but one example ) or even how and where to actually carry on the public debate about living together. Regarding the need for a “site” for public debate on these issues and for dissent from the prevailing consensus, can art or science provide society with such space?

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Suggestions from the archive

Education Program

29 June–16 July 2020

Course: Art as Politics [Rerun on Request]

Due to popular demand, BAK Public Studies offers a rerun of the online course Art as Politics, taking place on the following dates: 29 June & 2, 6, 9, 13, and 16 July 2020.
This digital extension of BAK Public Studies, taught by Maria Hlavajova, is prompted by the urgency to continue collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present.

Education Program

8-26 June 2020

Course: Art as Politics [Open Call closed]

BAK Public Studies offers the new online course Art as Politics. This digital extension of BAK Public Studies is prompted by the urgency to continue collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present.

Dates: Mondays and Thursdays on 8, 11, 15, 18, 22, and 25 June 2020, 19–21 hrs CET. [Please note: Open Call now closed].

13 March, 19.30–14 March, 22.00 2020

European Forum for Advanced Practices (EFAP) at BAK [NOT TAKING PLACE]

Including two public programs with Paul Goodwin, Ima-Abasi Okon, Abbas Zahedi, Jihan El-Tahri, Irit Rogoff, Florian Schneider, and Maria Hlavajova

[WILL NOT TAKE PLACE | Update 12/3: unfortunately these EFAP presentations will not take place.]

Come to BAK on Friday 13 and Saturday 14 March for two public programs as part of the European Forum for Advanced Practices (EFAP), a self-organized, international gathering of practitioners, scholars, and organizers from transdisciplinary realms of art and education. With, on the Friday, a conversation between Paul Goodwin, Ima-Abasi Okon, and Abbas Zahedi; and on the Saturday a screening and a lecture by Jihan El-Tahri. With introductions by Irit Rogoff, Florian Schneider, and Maria Hlavajova.

Gathering

7 March 2020, 20.00-23.00

BAK, basis voor Yallah Sabaya

Special International Women's Day edition

On Saturday 7 March 2020 BAK, basis voor actuele kunst, Utrecht hosts a special International Women’s Day edition of Yallah Sabaya! Yallah Sabaya (“Come ladies! Enjoy yourselves!” in Arabic) is a special evening where dance and music connect women from all over the world. All women, no matter where they are from, are welcome on […]