Panel Discussion

29 November 2007

The Netherlands, for example

Citizens and Subjects: The Netherlands, for example is a critical reader with contributions by artists, philosophers, and social scientists based in the Netherlands. In texts and conversations, they engage with the sentiments of fear and other key issues that define the current atmosphere of anxiety in the West, exploring in-depth the Netherlands as an “example.” Immigration, the colonial past, the normalization of violence and new image wars, as well as issues of cultural citizenship and the place of art vis-à-vis these concerns are debated in order to explore the potential for emancipatory thinking in the fields of scholarship and artistic practice today. The critical reader is published instead of a (promotional) catalogue that would traditionally accompany an exhibition in a national pavilion at the Venice Biennale. Alongside Aernout Mik’s video and architectural installation in the Dutch Pavilion and this series of lectures and seminars, the critical reader is one of three equal, interconnected yet autonomous parts of the entire project. In an increasingly privatized world in which artistic and cultural production are frequently showcased in the service of late capitalism and neoliberal goals, Citizens and Subjects insists on an art that is public and engaged with the world. Here, art can be understood as a site where larger networks of cultural, political, and social discourse intersect, thus creating new possibilities—a site where ideals that could potentially counterbalance problematic developments in the public sphere can be reimagined.

In collaboration with

Suggestions from the archive

Exhibitionary

Screening

15 July 2021, 18.30-20.00

Fragments of Repair/Gathering VI: Invisible Bridges

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 15 July 2021, the sixth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s Reason’s Oxymorons (2015) and a conversation between Kader Attia (Berlin) and Stefania Pandolfo (medical anthropologist, Berkeley, CA).

Screening

24 June 2021, 17.30-20.00

Fragments of Repair/Gathering V: The Object’s Interlacing

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 24 June 2021, the fifth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s The Object’s Interlacing (2020), followed by a conversation between Souleymane Bachir Diagne (philosopher New York/Dakar) and Wayne Modest (material culture curator and researcher, Amsterdam/Rotterdam).

Education Program

21 June, 19.00–7 July, 21.00 2021

Course: Art as Politics

An Online Extension of BAK Public Studies

A new edition of the online course Art as Politics, taking place on the following dates: 21, 23, 28 and 30 June & 5 and 7 July 2021. The course, taught by BAK’s Maria Hlavajova, brings those involved and/or interested in art, theory, and social action into collective conversation.