Lecture, Screening

21-22 May 2015

Anthropocene/Capitalocene

What possible consequences could an awareness of a collective sense of ecological responsibility in the era of the Anthropocene hold for our ethical agency and political consciousness?

With contributions by: Keti Chukhrov (poet, art theorist, and philosopher, Associate Professor at the Russian State University for Humanities and Visiting Professor at the European University of St. Petersburg, St. Petersburg. Head of the Theory Department of the National Centre for Contemporary Arts, Moscow); Katerina Kolozova (Professor of Philosophy, Gender Studies, and Sociological Theory at University American College–Skopje and Director and Senior Researcher at the Institute of Social Science and Humanities, Skopje); Jussi Parikka (media theorist, writer, and Professor in Technological Culture and Aesthetics at the Winchester School of Art, University of Southampton, Southampton); Iris van der Tuin (Associate Professor of Liberal Arts and Sciences at Utrecht University, Utrecht); and Timotheus Vermeulen (Assistant Professor in Cultural Theory and Head of the Centre for New Aesthetics, Radboud University Nijmegen, Nijmegen).

On 22 May Keti Chukhrov screens her film Love Machines:

“Love Machines questions the dismissal of anthropocentrism, folk, and identity politics of today’s shift to a post-humanist philosophy. The film brings forth the confrontation between the animal, human, and over-human (bio-techno-intelligence) forces that clash in the search for collective sensitivity and discourses of emancipation. On the one hand the outdated modes of human existence fall into the trap of essentialist values, on the other hand the accelerationist ethics cast the majority of people as retarding the technological upgrading of the “human.” Is then, the human an “anthropos” at all, a species with thinking capacities, whose evolutional domination is gradually expiring, or is it an ethical condition that has been a project since numerous revolutions but has never reached its goal? If it is an extinguished realia then the main question is surely the following: What is the subjectivity that would at the same time strive for bio-elemental disjunction and bio-technological hybridity and claim the political event; and is it possible to sustain such a program at all? Who will be those whose cognitive and ethical expectations still cling to the notion of “human”—are they excluded or considered to be a backward surplus population? And would not the dogmatism of the post-humanist condition occur to be as despotic as the “humanist” once had been?”

Posthuman Glossary is a part of BAK’s research program Future Vocabularies (2014–2016) and its chapter Human-Inhuman-Posthuman, which is developed in dialogue with BAK Research Fellow Professor Rosi Braidotti and organized in collaboration with the Centre for the Humanities, Utrecht University, Utrecht.

In collaboration with

Suggestions from the archive

Exhibitionary

Screening

15 July 2021, 18.30-20.00

Fragments of Repair/Gathering VI: Invisible Bridges

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 15 July 2021, the sixth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s Reason’s Oxymorons (2015) and a conversation between Kader Attia (Berlin) and Stefania Pandolfo (medical anthropologist, Berkeley, CA).

Screening

24 June 2021, 17.30-20.00

Fragments of Repair/Gathering V: The Object’s Interlacing

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 24 June 2021, the fifth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s The Object’s Interlacing (2020), followed by a conversation between Souleymane Bachir Diagne (philosopher New York/Dakar) and Wayne Modest (material culture curator and researcher, Amsterdam/Rotterdam).

Education Program

21 June, 19.00–7 July, 21.00 2021

Course: Art as Politics

An Online Extension of BAK Public Studies

A new edition of the online course Art as Politics, taking place on the following dates: 21, 23, 28 and 30 June & 5 and 7 July 2021. The course, taught by BAK’s Maria Hlavajova, brings those involved and/or interested in art, theory, and social action into collective conversation.