Screening

21 June 2018, 20.00-22.00

Film screening The Making of Justice (2017) & Artist Talk

Sarah Vanhee, The Making of Justice, 2017

On Thursday evening 21 June 2018, BAK organizes a special screening of artist Sarah Vanhee’s film The Making of Justice (2017). After the screening, there will be a conversation between artist Sarah Vanhee and scholar Frans-Willem Korsten.

The Making of Justice is a movie about seven prisoners who are writing a crime film together with Vanhee. Like the main character in the film they are making, they are all guilty of murder. To shape the story, they draw on their own experiences, ideas, and desires. The viewer can only guess whether they are using fiction as a means of confirming, transcending, or transforming their present situation. In the course of the film, the writers discuss criminality as a parallel reality, the nature of justice, and what a society would be like if it were oriented toward healing rather than retribution.

“The justice system is not synonymous with justice itself. The justice system means the application of rules, but justice is a human capacity,” says one of the men. The image of the “criminal” is always elusive in the film, both in terms of form because the lens always remains out of focus, and content because the authors and their characters appear first as people and only after as offenders.

Starting time: 20:00 hrs
Language Q&A: English
Language film: Flemish with English subtitles

Tickets:
€7,50 entrance ticket (excluding administration fee)
€5 discount ticket* (excluding administration fee)

Free passes available. The solidarity fund for this event collectively sponsors the attendance of those who otherwise cannot afford an event pass. If possible, we encourage you to make a donation to the solidarity fund. If you otherwise would be unable to purchase a ticket, we encourage you to reserve a sponsored pass.

Discount: students, CJP, <18 years, seniors

Suggestions from the archive

Learning

10 May, 12.00–12 May, 18.00 2023

Complaint Making: Setting Up Conflict-Positive Spaces for Community Building Praxis

Vishnu would like to share feminist governance tools (FGT) focused on three of many tiers in community building praxis. FGT is based on the values of equity with an emphasis on creating psychologically safe environments, drawing on the use of consent. Decision-making processes, setting up conflict-positive spaces, and complaint-making as diversity work will form the body of this three-day training. Rooted in Vishnu’s autho-ethnographic practice, this work will explore the power dynamics that impact decision-making processes.

Performative

10 May, 12.00–12 May, 18.00 2023

The Diamond Mind II

In this dance training, the people will use a one-minute film of their own movement as material for a booklet—a sixteen page signature—that distributes their presence, their gesture, as an act of EQ. 

Learning

3 May, 12.00–4 May, 18.00 2023

Too Late To Say Sorry? 

A bad apology can ruin a friendship, destroy a community, or end a career. In this workshop, we will investigate the impact of apologies on our relationships and our worlds. Why and how do we make apologies? What can giving and receiving apologies teach us about values and integrity? Should you apologize for something you don’t really feel sorry for? We will explore conflict and how we like to be in conflict with others. We will dive into our own boundaries. We will seek to understand how honoring limits becomes an act of building (or freeing) better worlds capable of holding so many, many more of us.

Learning

28 April, 12.00–29 April, 18.00 2023

Huisje, Boompje, Beestje (D.A.F.O.N.T.)

In this rare masterclass, retired teacher and artist Glenda Martinus teaches participants a thing or two about painting with Microsoft Word. Martinus shares tips, tricks, and secrets on how to use this software to its unexpected potential as a drawing tool. Participants learn how to draw three basic objects—a house, a tree, and an animal—in a seemingly innocent exercise that perhaps contains more layered social commentary. Drawing the worlds we desire does not require expensive tools or education, simply a curiosity to understand how the monster’s tools can topple the house of the master.