Screening

5 July 2018, 19.30-21.30

Film Screening Spectres (2011) & Artist Talk

Sven Augustijnen, Spectres, 2011, courtesy Sven Augustijnen

On 5 July 2018 from 19.30–21.30 hrs we welcome you at BAK, basis voor actuele kunst for a screening of Spectres by artist Sven Augustijnen. The film is screened for the first time in Utrecht, followed by a conversation between the artist and BAK curator Matteo Lucchetti. This screening is part of the exhibition First Person Plural: Empathy, Intimacy, Irony, and Anger, on show until 22 July 2018. Entrance to the exhibition is included in the film ticket.

In 2011, fifty years after his assassination, former Prime Minister and independence leader of Congo Patrice Lumumba is back to haunt Belgium. Augustijnen follows a former top-ranking Belgian civil servant who was in Elisabethville the tragic day of the killing as he attempts to exorcise the ghosts of this past. Set to “St John Passion” by composer Johann Sebastian Bach, Spectres (2011) is a feature-length film that exposes the fine line between legitimization and historiography and the traumatic issues of responsibility and debt.

In 2011, Spectres won the Public Libraries Prize and GNCR Prize and received a special mention from the jury of the International Competition at FIDMarseille. In the same year it won the Prize of the Flemish Community at Festival Filmer à Tout Prix.

Starting time: 19:30 hrs
Language Q&A: English
Language film: French with English subtitles

Tickets:
€7,50 entrance ticket (excluding administration fee)
€5 discount ticket* (excluding administration fee)

Free passes available. The solidarity fund for this event collectively sponsors the attendance of those who otherwise cannot afford an event pass. If possible, we encourage you to make a donation to the solidarity fund via Eventbrite. If you otherwise would be unable to purchase a ticket, we encourage you to reserve a sponsored pass.

Order your ticket here.

Discount: students, CJP, <18 years, seniors

Made possible by

Suggestions from the archive

Learning

10 May, 12.00–12 May, 18.00 2023

Complaint Making: Setting Up Conflict-Positive Spaces for Community Building Praxis

Vishnu would like to share feminist governance tools (FGT) focused on three of many tiers in community building praxis. FGT is based on the values of equity with an emphasis on creating psychologically safe environments, drawing on the use of consent. Decision-making processes, setting up conflict-positive spaces, and complaint-making as diversity work will form the body of this three-day training. Rooted in Vishnu’s autho-ethnographic practice, this work will explore the power dynamics that impact decision-making processes.

Performative

10 May, 12.00–12 May, 18.00 2023

The Diamond Mind II

In this dance training, the people will use a one-minute film of their own movement as material for a booklet—a sixteen page signature—that distributes their presence, their gesture, as an act of EQ. 

Learning

3 May, 12.00–4 May, 18.00 2023

Too Late To Say Sorry? 

A bad apology can ruin a friendship, destroy a community, or end a career. In this workshop, we will investigate the impact of apologies on our relationships and our worlds. Why and how do we make apologies? What can giving and receiving apologies teach us about values and integrity? Should you apologize for something you don’t really feel sorry for? We will explore conflict and how we like to be in conflict with others. We will dive into our own boundaries. We will seek to understand how honoring limits becomes an act of building (or freeing) better worlds capable of holding so many, many more of us.

Learning

28 April, 12.00–29 April, 18.00 2023

Huisje, Boompje, Beestje (D.A.F.O.N.T.)

In this rare masterclass, retired teacher and artist Glenda Martinus teaches participants a thing or two about painting with Microsoft Word. Martinus shares tips, tricks, and secrets on how to use this software to its unexpected potential as a drawing tool. Participants learn how to draw three basic objects—a house, a tree, and an animal—in a seemingly innocent exercise that perhaps contains more layered social commentary. Drawing the worlds we desire does not require expensive tools or education, simply a curiosity to understand how the monster’s tools can topple the house of the master.