Lecture

11 July 2014

Why Biennial?

Beginning with a diagnosis of the conflict zone that is the world today, Maria Hlavajova’s keynote lecture Why Biennial? addresses the urgent need to reevaluate how we think about the biennial. Instead of merely positioning the biennial within the history of exhibitions, curatorial concepts, artistic contributions, and event culture, Hlavajova maintains that it is crucial to ask questions about both how it is governed and how it governs. “As we hear the agonistic voices of artists, activists, and intellectuals intensify these days, from Sydney to St. Petersburg, Istanbul to Bussan, Athens, New York, and elsewhere, the biennial itself seems to have become (anew) a vital site of political contestations, though oft times it is its own politics that is questioned and questionable,” she argues. And while acknowledging that the turmoil in each of these cases arguably has its own rationale, Hlavajova emphasizes that they nevertheless call for continuous, ongoing attention to how the biennial functions as an institution. She proposes that the networked biennial institution can become not just a place for distributing the language of contemporary art within global flows of ideas and capital, but one through which to invest in an individual and collective ethics as well. This would require a political project of continuous instituting alongside, and in negotiation with, changes in society as well as a recognition of the radically shifting texture of “audiences” towards what she calls future publics. These publics are formed alongside the fault lines of global class recompositions, and by placing pressure on the ills of present-day aesthetic and political representation, they are both transformed by—and transform—the times in which we live. To effectively probe the question “Why Biennial?” at this point in history thus requires of us to find alternative tools through reciprocity and the mutualizing of spaces, concerns, resources, and competencies with these social actors. Hlavajova regards the biennial institution as among the best equipped for this task, yet only insofar as it manages to resist dissolution into neoliberal ideology, finding instead ways to constructively combine its flexibility in thinking through unorthodox solutions to present-day challenges with its vigorousness to push these solutions through.

In collaboration with

Suggestions from the archive

13 March, 19.30–14 March, 22.00 2020

European Forum for Advanced Practices (EFAP) at BAK [WILL NOT TAKE PLACE]

Including two public programs with Paul Goodwin, Ima-Abasi Okon, Abbas Zahedi, Jihan El-Tahri, Irit Rogoff, Florian Schneider, and Maria Hlavajova

[WILL NOT TAKE PLACE | Update 12/3: unfortunately these EFAP presentations will not take place.]

Come to BAK on Friday 13 and Saturday 14 March for two public programs as part of the European Forum for Advanced Practices (EFAP), a self-organized, international gathering of practitioners, scholars, and organizers from transdisciplinary realms of art and education. With, on the Friday, a conversation between Paul Goodwin, Ima-Abasi Okon, and Abbas Zahedi; and on the Saturday a screening and a lecture by Jihan El-Tahri. With introductions by Irit Rogoff, Florian Schneider, and Maria Hlavajova.

Gathering

7 March 2020, 20.00-23.00

BAK, basis voor Yallah Sabaya

Special International Women's Day edition

On Saturday 7 March 2020 BAK, basis voor actuele kunst, Utrecht hosts a special International Women’s Day edition of Yallah Sabaya! Yallah Sabaya (“Come ladies! Enjoy yourselves!” in Arabic) is a special evening where dance and music connect women from all over the world. All women, no matter where they are from, are welcome on […]

Public Studies

19 March, 15.00–21 March, 18.00 2020

Public Studies: Practice as Theory [CANCELLED]

A three day workshop with artist Tony Cokes, in the framework of exhibition Tony Cokes: To Live as Equals

[UPDATE 13 March: We are sad to announce that, in light of the COVID-19 outbreak, this event is now cancelled for 19-21 March – we are looking into postponing it and will update our website and social media as soon as we know more]. As a part of the exhibition Tony Cokes: To Live as […]

Tour