Lecture

11 July 2014

Why Biennial?

Beginning with a diagnosis of the conflict zone that is the world today, Maria Hlavajova’s keynote lecture Why Biennial? addresses the urgent need to reevaluate how we think about the biennial. Instead of merely positioning the biennial within the history of exhibitions, curatorial concepts, artistic contributions, and event culture, Hlavajova maintains that it is crucial to ask questions about both how it is governed and how it governs. “As we hear the agonistic voices of artists, activists, and intellectuals intensify these days, from Sydney to St. Petersburg, Istanbul to Bussan, Athens, New York, and elsewhere, the biennial itself seems to have become (anew) a vital site of political contestations, though oft times it is its own politics that is questioned and questionable,” she argues. And while acknowledging that the turmoil in each of these cases arguably has its own rationale, Hlavajova emphasizes that they nevertheless call for continuous, ongoing attention to how the biennial functions as an institution. She proposes that the networked biennial institution can become not just a place for distributing the language of contemporary art within global flows of ideas and capital, but one through which to invest in an individual and collective ethics as well. This would require a political project of continuous instituting alongside, and in negotiation with, changes in society as well as a recognition of the radically shifting texture of “audiences” towards what she calls future publics. These publics are formed alongside the fault lines of global class recompositions, and by placing pressure on the ills of present-day aesthetic and political representation, they are both transformed by—and transform—the times in which we live. To effectively probe the question “Why Biennial?” at this point in history thus requires of us to find alternative tools through reciprocity and the mutualizing of spaces, concerns, resources, and competencies with these social actors. Hlavajova regards the biennial institution as among the best equipped for this task, yet only insofar as it manages to resist dissolution into neoliberal ideology, finding instead ways to constructively combine its flexibility in thinking through unorthodox solutions to present-day challenges with its vigorousness to push these solutions through.

In collaboration with

Suggestions from the archive

Exhibition and public program

BAK basis voor

1-2 February 2020

2.Dh5 Festival – Defeating Dystopia?

The fourteenth edition of the yearly 2.Dh5 festival is coming to BAK basis voor actuele kunst, Utrecht on 1-2 February 2020, with the theme “Defeating Dystopia?” The festival is part of the program series BAK, basis voor…, in which BAK join forces with other organizations in addressing shared urgencies and developing propositions for a future of “being together otherwise.”

Workshop

Public program

18 December 2019, 18.30-21.30

International Migrant Day: a walk by the Basic Activist Kitchen

On Wednesday 18 December, the Basic Activist Kitchen will organize a walk in honor of International Migrant Day, starting at Moskeeplein and ending with a dinner in collaboration with Taste Before You Waste at BAK basis voor actuele kunst, Utrecht. International Migrant Day pays homage to the lives, rights and contributions of migrants to societies […]