Lecture

11 July 2014

Why Biennial?

Beginning with a diagnosis of the conflict zone that is the world today, Maria Hlavajova’s keynote lecture Why Biennial? addresses the urgent need to reevaluate how we think about the biennial. Instead of merely positioning the biennial within the history of exhibitions, curatorial concepts, artistic contributions, and event culture, Hlavajova maintains that it is crucial to ask questions about both how it is governed and how it governs. “As we hear the agonistic voices of artists, activists, and intellectuals intensify these days, from Sydney to St. Petersburg, Istanbul to Bussan, Athens, New York, and elsewhere, the biennial itself seems to have become (anew) a vital site of political contestations, though oft times it is its own politics that is questioned and questionable,” she argues. And while acknowledging that the turmoil in each of these cases arguably has its own rationale, Hlavajova emphasizes that they nevertheless call for continuous, ongoing attention to how the biennial functions as an institution. She proposes that the networked biennial institution can become not just a place for distributing the language of contemporary art within global flows of ideas and capital, but one through which to invest in an individual and collective ethics as well. This would require a political project of continuous instituting alongside, and in negotiation with, changes in society as well as a recognition of the radically shifting texture of “audiences” towards what she calls future publics. These publics are formed alongside the fault lines of global class recompositions, and by placing pressure on the ills of present-day aesthetic and political representation, they are both transformed by—and transform—the times in which we live. To effectively probe the question “Why Biennial?” at this point in history thus requires of us to find alternative tools through reciprocity and the mutualizing of spaces, concerns, resources, and competencies with these social actors. Hlavajova regards the biennial institution as among the best equipped for this task, yet only insofar as it manages to resist dissolution into neoliberal ideology, finding instead ways to constructively combine its flexibility in thinking through unorthodox solutions to present-day challenges with its vigorousness to push these solutions through.

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Suggestions from the archive

Screening

18 November 2019, 18.00-20.45

Taste Before You Waste: Screening Wasted Waste

The Basic Activist Kitchen X Taste Before You Waste

Taste Before You Waste takes over the Basic Activist Kitchen, inviting you to soup and a screening on Monday 18 November. This program is part of Trainings for the Not-Yet at BAK. Facebook event Film screening: Wasted Waste by Pedro SerraIn his documentary Wasted Waste, Pedro Serra follows a group of freegans in their daily […]

7-10 November 2019

Le Guess Who? at BAK

This year, BAK is one of the festival locations of Le Guess Who?: a festival dedicated to showcasing boundary-crossing music from all over the world, questioning the existing and embraces the unknown. Le Guess Who? 2019 takes place from 7-10 November in Utrecht, The Netherlands. During four days, Le Guess Who? takes over the entire […]

Public program