Public Editorial Meeting

27-28 February 2015

Who is a “People?” Constructions of the “We”

Following Berlin (2013) and Utrecht (2014), the next FORMER WEST Public Editorial Meeting is hosted by the Department of Art, Goldsmiths College, University of London, London on 27 and 28 February.

The format of the London Public Editorial Meeting consists of a series of presentations and conversations, which serve as entries into a wider trajectory of discussions between writers and the contributing audience. Titled Who is a “People?” Constructions of the “We, it focuses on the notions of “publics” and “the people,” considering them first and foremost as politico-cultural constructions. Among other questions, the meeting asks: How is a “people” constructed and addressed within culture, the commons, politics, and history in the contemporary postmodern malaise? What is the role of the nation-state within global flows of capital and how can “former West” itself be understood as a concept within the postcolonial constellation?

The meeting follows several distinct but intersecting strands of inquiry and attempts also to locate the proposition of “former West” within the context of London—a locale that harbors a long legacy of postcolonial and racialized entanglements. In asking what is actually and historically implied by the West, not least when accompanied by the prefix “former,” the project proposes that it is possible to think beyond Western hegemony and acknowledges its passing. This historicization departs from the symbolic year of 1989—and the end of a bipolar world—positing that relations of identity and identification must be redescribed and reinscribed anew after these events, which continue to bear consequences for how we conceive of peoples and movements in terms of politics, migration, and cultural production.

If the categories of “visitor,” “viewer,” “spectator,” and “consumer” no longer correspond to the societal structures undergoing transformation, or uphold still-redolent forms of colonialism, how might we construct the figures that make up the collective entity of audiences and publics in today’s Europe? And if the insurgent realities and movements of people who demand a qualitatively different access to culture and decision-making constitute lines of new solidarities and commonalities across the wide spectrum of society, does the notion of the “citizen,” then, still hold its ground when used as point of distinction between those who do and do not hold rights and privileges under the nation-state? Is it helpful to think of these new commonalities in terms of “the people?” How else might we determine the notion of “we” in the newly appearing landscape of culture and politics in Europe?

The London FORMER WEST Public Editorial Meeting Who is a “People?” Constructions of the “We” is curated by Boris Buden (writer, cultural critic, and translator, Berlin), Maria Hlavajova (artistic director, BAK, basis voor actuele kunst, Utrecht), Massimiliano Mollona (theorist and writer, London), Andrea Phillips (theorist and organizer, London), and Simon Sheikh (curator and theorist, Berlin and London).

Contributors to the meeting include: Tariq Ali (writer and activist, London), Barby Asante (artist, curator, and educator, London), Dave Beech (artist, writer, and curator, London), Jan Breman (anthropologist, Amsterdam), Bernadette Buckley (writer and academic, Bristol), Elvira Dyangani Ose (curator, London), Melissa Gordon (artist, London), Janna Graham (writer, organizer, and educator, Nottingham), Rastko Mocnik (sociologist, literary theorist, translator, and activist, Belgrade and Ljubljana), Nina Power (philosopher and activist, London), Morgan Quaintance (curator and writer, London), Irit Rogoff (curator and theorist, London), Bev Skeggs (sociologist, London), and Harry Weeks (art historian and researcher, Edinburgh).

The FORMER WEST Public Editorial Meeting: Who is a “People?” Constructions of the “We” is made possible by generous financial support from the European Union’s Creative Europe program.

For more information regarding the meeting, please see here.

Suggestions from the archive

Exhibitionary

Screening

15 July 2021, 18.30-20.00

Fragments of Repair/Gathering VI: Invisible Bridges

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 15 July 2021, the sixth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s Reason’s Oxymorons (2015) and a conversation between Kader Attia (Berlin) and Stefania Pandolfo (medical anthropologist, Berkeley, CA).

Screening

24 June 2021, 17.30-20.00

Fragments of Repair/Gathering V: The Object’s Interlacing

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 24 June 2021, the fifth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s The Object’s Interlacing (2020), followed by a conversation between Souleymane Bachir Diagne (philosopher New York/Dakar) and Wayne Modest (material culture curator and researcher, Amsterdam/Rotterdam).

Education Program

21 June, 19.00–7 July, 21.00 2021

Course: Art as Politics

An Online Extension of BAK Public Studies

A new edition of the online course Art as Politics, taking place on the following dates: 21, 23, 28 and 30 June & 5 and 7 July 2021. The course, taught by BAK’s Maria Hlavajova, brings those involved and/or interested in art, theory, and social action into collective conversation.