Performative conference

7 October 2017

Propositions #1: What We Mean

  • Luigi Coppola, Popolazione Evolutiva (Evolutionary Population), Castiglione d'Otranto, Italy, 2016. Photo: F. Quarta Colosso

  • Schiphol airport cleaners prepare their banners and placards during the cleaners’ strike January 2014. Photo: Matthijs de Bruijne

  • Photo: Tom Janssen

  • Wendelien van Oldenborgh, Cinema Olanda, 2017, production still, photo: Daria Scagliola

  • Otobong Nkanga, Preliminary Recipe for a Support System, digital drawing, collage and acrylic on paper, 2016–2017

  • Marinella Senatore, Protest Forms: Memory and Celebration (Accoustic Version), 2016–ongoing, performance during Propositions #1: What We Mean on 7 October 2017. Photo: Tom Janssen

  • Kader Attia, Reflecting Memory, 2016, single-channel HD digital video projection, colour, sound. Photo: Kader Attia, courtesy of the artist, Galleria Continua, Galerie Krinzinger, Lehmann Maupin, and Galerie Nagel Draxler.

  • Hiwa K, Pre-Image (Blind as the Mother Tongue), 2017, digital video, color, sound, courtesy the artist and KOW, Berlin

  • Amy Balkin, PUBLIC SMOG IS NO SUBSTITUTE FOR DIRECT ACTION, billboard, Bonamoussadi, Douala, Cameroon, 2009. (Photo: Benoît Mangin, courtesy of the artist)

  • Tania Bruguera. Awareness Ribbon for Immigrant Respect Campaign, 2011. Awareness campaign. Metal pin, photograph: Camilo Godoy. Courtesy of Immigrant Movement International

  • Yael Bartana, What If Women Ruled the World, 2016, neon, 150.7 x 58.8 cm, Courtesy Annet Gelink Gallery, Amsterdam

  • Angela Dimitrakaki and Antonia Majaca in collaboration with Sanja Iveković, Art Of The Possible: Towards An Antifascist Feminist Front, 2017. Photo: Tom Janssen

  • Ahmet Ogüt during Propositions #1: What We Mean on 7 October 2017, photo: Tom Janssen

  • Danilo Correale, Reverie: On the Liberation from Work, 2017, audio record, each side 21:20 min., installation view

  • Koki Tanaka, Provisional Studies: Workshop #7 How to live together, and sharing the unknown, 2017, action, workshop, and video documentation

  • View of tent settlement in Çınar camp, Diyarbakir, 2016, photo: Pelin Tan

  • Film Poster of Lizzie Borden's Born in Flames, 1983, reprinted in The Independent: Film and Video Monthly, November 1983

  • Ola Hassanain, Back and Forth: Gender Politics and Khartoum, Dialogue 1, 2016, video still. Courtesy the artist

  • Karrabing Film Collective, Night Time Go, 2017

  • Karrabing Film Collective, Wutharr: Saltwater Dreams, 2015, film still

  • Photo: Tom Janssen

  • Pedro Reyes, Manufacturing Mischiefs (Working Title), 2017, Propositions for Non-Fascist Living #1: What We Mean, BAK, basis voor actuele kunst, Utrecht, 7 October 2017, photo: Tom Janssen

Propositions #1: What We Mean begins from an urgency for—and uncertainty about—what living in non-fascist ways could and does mean. The gathering takes place in a makeshift environment amid the renovation of BAK’s new venue. Through impromptu artworks, lectures, readings, discussions, screenings, performances, and explorations of the assembly—of being together—as an art form, Propositions #1: What We Mean practices art as thought and action intervening in the contemporary. Artistic interventions and the screening program remain on view Sunday 8 October 2017.

View the press release

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Book Launch

Education Program

26 October–30 November 2020

Course: Art as Politics [Rerun on Request]

Due to popular demand, BAK Public Studies offers yet another rerun of the online course Art as Politics, taking place on the following dates: 26 October & 2, 9, 16, 23, and 30 November 2020. This digital extension of BAK Public Studies, taught by Maria Hlavajova, is prompted by the urgency to continue collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present.

Exhibition

30 September–11 October 2020

HKU MA Fine Art Graduation Show: If Not Now

From 30 September–11 October 2020, BAK, basis voor actuele kunst, Utrecht hosts If Not Now, the graduation exhibition of the 2018−2020 MA Fine Art class of HKU University of the Arts Utrecht, curated by Katia Krupennikova.