Performative conference

7 October 2017

Propositions #1: What We Mean

  • Luigi Coppola, Popolazione Evolutiva (Evolutionary Population), Castiglione d'Otranto, Italy, 2016. Photo: F. Quarta Colosso

  • Schiphol airport cleaners prepare their banners and placards during the cleaners’ strike January 2014. Photo: Matthijs de Bruijne

  • Photo: Tom Janssen

  • Wendelien van Oldenborgh, Cinema Olanda, 2017, production still, photo: Daria Scagliola

  • Otobong Nkanga, Preliminary Recipe for a Support System, digital drawing, collage and acrylic on paper, 2016–2017

  • Marinella Senatore, Protest Forms: Memory and Celebration (Accoustic Version), 2016–ongoing, performance during Propositions #1: What We Mean on 7 October 2017. Photo: Tom Janssen

  • Kader Attia, Reflecting Memory, 2016, single-channel HD digital video projection, colour, sound. Photo: Kader Attia, courtesy of the artist, Galleria Continua, Galerie Krinzinger, Lehmann Maupin, and Galerie Nagel Draxler.

  • Hiwa K, Pre-Image (Blind as the Mother Tongue), 2017, digital video, color, sound, courtesy the artist and KOW, Berlin

  • Amy Balkin, PUBLIC SMOG IS NO SUBSTITUTE FOR DIRECT ACTION, billboard, Bonamoussadi, Douala, Cameroon, 2009. (Photo: Benoît Mangin, courtesy of the artist)

  • Tania Bruguera. Awareness Ribbon for Immigrant Respect Campaign, 2011. Awareness campaign. Metal pin, photograph: Camilo Godoy. Courtesy of Immigrant Movement International

  • Yael Bartana, What If Women Ruled the World, 2016, neon, 150.7 x 58.8 cm, Courtesy Annet Gelink Gallery, Amsterdam

  • Angela Dimitrakaki and Antonia Majaca in collaboration with Sanja Iveković, Art Of The Possible: Towards An Antifascist Feminist Front, 2017. Photo: Tom Janssen

  • Ahmet Ogüt during Propositions #1: What We Mean on 7 October 2017, photo: Tom Janssen

  • Danilo Correale, Reverie: On the Liberation from Work, 2017, audio record, each side 21:20 min., installation view

  • Koki Tanaka, Provisional Studies: Workshop #7 How to live together, and sharing the unknown, 2017, action, workshop, and video documentation

  • View of tent settlement in Çınar camp, Diyarbakir, 2016, photo: Pelin Tan

  • Film Poster of Lizzie Borden's Born in Flames, 1983, reprinted in The Independent: Film and Video Monthly, November 1983

  • Ola Hassanain, Back and Forth: Gender Politics and Khartoum, Dialogue 1, 2016, video still. Courtesy the artist

  • Karrabing Film Collective, Night Time Go, 2017

  • Karrabing Film Collective, Wutharr: Saltwater Dreams, 2015, film still

  • Photo: Tom Janssen

  • Pedro Reyes, Manufacturing Mischiefs (Working Title), 2017, Propositions for Non-Fascist Living #1: What We Mean, BAK, basis voor actuele kunst, Utrecht, 7 October 2017, photo: Tom Janssen

Propositions #1: What We Mean begins from an urgency for—and uncertainty about—what living in non-fascist ways could and does mean. The gathering takes place in a makeshift environment amid the renovation of BAK’s new venue. Through impromptu artworks, lectures, readings, discussions, screenings, performances, and explorations of the assembly—of being together—as an art form, Propositions #1: What We Mean practices art as thought and action intervening in the contemporary. Artistic interventions and the screening program remain on view Sunday 8 October 2017.

View the press release

Suggestions from the archive

Assembly and Public Forum

Collaboration and Open call

Conversation

16 December 2020, 19.00-21.00

Practicing Tactical Solidarities II: A Roundtable on Mutual Aid, Emergency, and Continuous Care

This locally-focused second edition of Practicing Tactical Solidarities: A Roundtable on Mutual Aid, Emergency, and Continuous Care features artists, organizers, and activists working in Utrecht, many of whom are current BAK Fellows. While addressing changing needs and urgencies in the protracted pandemic reality and its overlapping and related crises, the conversation contends with tactics and lessons in creating mutual aid networks, lasting support systems, and emergency care.

Exhibitionary

16 October, 08.00–29 November, 23.59 2020

Screening Tony Cokes at Stadhuisbrug, Utrecht

As part of exhibition Tony Cokes: To Live as Equals, Cokes’s video work c.my.skull.2. (Evil.13: Alternate Versions) is screened in public space until 29 November 2020! The work is on view in the window of Stadhuisbrug 5 (until Monday 2 November 2020), and in the window of Utrecht City Hall, Stadhuisbrug 1 (until Sunday 29 November 2020).