Exhibition

23 April–18 June 2006

Unevenly

Exhibition by Haegue Yang

Haegue Yang, Restrained Courage, 2004, video still

Haegue Yang’s exhibition Unevenly challenges the concept of community by exploring, in the artist’s words, a “community of absence.” Whereas the genre of so-called “community-based art” positions itself in the context of communities based on shared geography or ethical, economic, and political interests, the exhibition Unevenly intends to embrace a “community of those who do not have a community.” Thus imagined, such a community, characterized by ongoing self-examination and optimism, would have a heterogeneous composition whose members recognize the transitory and even vulnerable nature of their union.

Over the past eight years, Haegue Yang’s artistic practice has involved highly conceptual, slightly odd, or disquieting rearrangements of ready-made objects or space, and raw photographic representation of the “uneven” and unstable condition of contemporary society. Behind this conceptual and subtle approach, the artist’s poignant social critique unravels the often-invisible matrix where power structures, individual desire, and the longing for engagement with a community collide. The exhibition examines the relationship between art and communal existence, and attempts to illuminate some changes evident in Haegue Yang’s most recent works.

Three video-essays (Unfolding Places, 2004; Restrained Courage, 2004; Wasting Negative Places, 2006), whose personal and introspective narratives deliberate on the implications of place, home, and community, are on view together for the first time. They are accompanied by Yang’s new installation, Series of Vulnerable Arrangements. Comprised of a set of technical devices such as heaters, a humidifier, electric fans, and scent atomizers, the work directly engages the senses in both uncanny and intimate ways. The installation creates an atmosphere that invites the plurality of viewers to inhabit a communal “space.” Another new work entitled Dehors (2006), a slide projection of a series of images from full-page newspaper advertisements for apartment complexes or commercial buildings, succinctly triggers consideration and discussion about what kind of communal space “we” envisage and how we might construct it.

Haegue Yang, born in 1971 in Seoul, lives and works in Frankfurt am Main, Berlin, and Seoul. Recent exhibitions (selection): Cork Caucus, Cork, 2005; Gallery Barbara Wien, Berlin, 2004; Kasse, Shop, Kino und Weiteres, Hessisches Landesmuseum, Darmstadt, 2004; Unfolding, Dépendence, Brussels, 2004; Space and Alterity, Lawrence O’Hana Gallery, London, 2004; Busan Biennale, Busan, 2004; This is not a love letter, Marronier Art Center, Seoul, 2004; Mix Max, Art Sonje Center, Seoul, 2004; Unrealistic to Generalize, Public, Paris, 2003; Demirrorized Zone, De Appel, Amsterdam, 2003; Manifesta 4, Frankfurt am Main, 2002; Tirana Biennale 1, Tirana, 2001.

Research-in-Residence (RIR)

Haegue Yang is the first resident of the new Research-in-Residence (RIR) program. During her residency in Utrecht, Haegue Yang has been engaged in research that developed into an exhibition/project at BAK, basis voor actuele kunst. In addition she actively worked with the students of MAHKU. The Research-in-Residence (RIR) program is a long-term collaborative project by three Utrecht-based partner institutions: BAK, basis voor actuele kunst; MAHKU, the MA program in Fine Art of Utrecht Graduate School of Visual Art and Design; and SWK, Foundation for Working Spaces for Artists.

The exhibition has been made possible with financial support by Arts Council Korea.

Publications

book
Community of Absence: Haegue Yang

conversation
Community of Absence. A Conversation with Haegue Yang

Program

lecture
23.05.2006 19.00 hrs
The Measure of Community

Made possible by

Suggestions from the archive

Exhibitionary

Screening

15 July 2021, 18.30-20.00

Fragments of Repair/Gathering VI: Invisible Bridges

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 15 July 2021, the sixth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s Reason’s Oxymorons (2015) and a conversation between Kader Attia (Berlin) and Stefania Pandolfo (medical anthropologist, Berkeley, CA).

Screening

24 June 2021, 17.30-20.00

Fragments of Repair/Gathering V: The Object’s Interlacing

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 24 June 2021, the fifth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s The Object’s Interlacing (2020), followed by a conversation between Souleymane Bachir Diagne (philosopher New York/Dakar) and Wayne Modest (material culture curator and researcher, Amsterdam/Rotterdam).

Education Program

21 June, 19.00–7 July, 21.00 2021

Course: Art as Politics

An Online Extension of BAK Public Studies

A new edition of the online course Art as Politics, taking place on the following dates: 21, 23, 28 and 30 June & 5 and 7 July 2021. The course, taught by BAK’s Maria Hlavajova, brings those involved and/or interested in art, theory, and social action into collective conversation.