Lecture

9 December 2006

Unclaimed Knowledge

Artists working within and among various fields of knowledge often focus on information, stories, alternative visions, or events that are not privileged in the dominant discourses of politics, economics, or history. They give this “nonknowledge,” which is “unclaimed” or repressed, a new life in the context of art in works that make use of intricate narratives and complex image composition. Knowing and unknowing are transformed into an artistic object or activity. Yet artist’s diverse methods in dealing with (non)knowledge do not amount to a simple “visual representation” or clarification of the unknown. Instead, artists themselves often work in a space between rationalization and intuition, planning and contingency, exposure and concealment. As philosopher Jacques Rancière has noted, “[…] artistic phenomena are identified by their adherence to a specific regime of the sensible, which is extricated from its ordinary connections and is inhabited by a heterogeneous power, the power of a form of thought that has become foreign to itself: a product identical with something not produced, knowledge transformed into non-knowledge, logos identical with pathos, the intention of the unintentional, etc.”

In their diversity and heterogeneity, these forms of “knowledge/non-knowledge” retain their critical potential and alternative content. Unclaimed knowledge exerts its specific power because of its ambiguity or indecisiveness and not, as in existing knowledge systems, because of its authoritative “truth.” Contemporary art works, both visual and non-retinal (Duchamp) involve the viewer’s active engagement in terms of both form and content. How can this play of knowledge and nonknowledge be circulated and seek an audience? Are contemporary art museums and galleries hospitable spaces for this kind of knowledge to be shared?

Program

Unclaimed Knowledge explores how marginalized knowledge is shaped into new forms (artistic knowledge, non-knowledge) through contemporary art practices, and looks at the particular role of the “visual” in these practices.

14.00 hrs
Discussion group

16.00 hrs
Lectures by and discussion with
Sven Lütticken, art critic and art historian, Amsterdam
Eva Meyer & Eran Schaerf, philosopher and artist, Berlin

19.00 hrs
Break (with optional light meal)

20.00 hrs
Performance by artist Claire Harvey and screening of video documentation of a performance by choreographer Ivana Müller.

Suggestions from the archive

Education Program

29 June–16 July 2020

Course: Art as Politics [Rerun on Request]

Due to popular demand, BAK Public Studies offers a rerun of the online course Art as Politics, taking place on the following dates: 29 June & 2, 6, 9, 13, and 16 July 2020.
This digital extension of BAK Public Studies, taught by Maria Hlavajova, is prompted by the urgency to continue collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present. Please note: this Open Call is now closed and the course is fully booked.

Education Program

8 June, 19.00–25 June, 21.00 2020

Course: Art as Politics [Open Call closed]

An Online Extension of BAK Public Studies

BAK Public Studies offers the new online course Art as Politics. This digital extension of BAK Public Studies is prompted by the urgency to continue collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present.

Dates: Mondays and Thursdays on 8, 11, 15, 18, 22, and 25 June 2020, 19–21 hrs CET. [Please note: this Open Call is now closed and the course is fully booked].

13 March, 19.30–14 March, 22.00 2020

European Forum for Advanced Practices (EFAP) at BAK [NOT TAKING PLACE]

Including two public programs with Paul Goodwin, Ima-Abasi Okon, Abbas Zahedi, Jihan El-Tahri, Irit Rogoff, Florian Schneider, and Maria Hlavajova

[WILL NOT TAKE PLACE | Update 12/3: unfortunately these EFAP presentations will not take place.]

Come to BAK on Friday 13 and Saturday 14 March for two public programs as part of the European Forum for Advanced Practices (EFAP), a self-organized, international gathering of practitioners, scholars, and organizers from transdisciplinary realms of art and education. With, on the Friday, a conversation between Paul Goodwin, Ima-Abasi Okon, and Abbas Zahedi; and on the Saturday a screening and a lecture by Jihan El-Tahri. With introductions by Irit Rogoff, Florian Schneider, and Maria Hlavajova.

Gathering

7 March 2020, 20.00-23.00

BAK, basis voor Yallah Sabaya

Special International Women's Day edition

On Saturday 7 March 2020 BAK, basis voor actuele kunst, Utrecht hosts a special International Women’s Day edition of Yallah Sabaya! Yallah Sabaya (“Come ladies! Enjoy yourselves!” in Arabic) is a special evening where dance and music connect women from all over the world. All women, no matter where they are from, are welcome on […]