Exhibition

02 September–16 December 2007

Küba/Paradise

Kutluğ Ataman, Paradise, 2007, video installation, BAK, basis voor actuele kunst, Utrecht, photo: Victor Nieuwenhuijs

In the exhibition Kutluğ Ataman: Küba/Paradise two major video installations by Kutluğ Ataman are on view. Each work examines a community striving to construct an ideal place in their own way, although from radically different political, social, cultural, and economic points of departure.

BAK is pleased to present the European première of Paradise. The commission and presentation of Paradise is the result of a unique and ambitious international partnership between BAK, basis voor actuele kunst, Treaty of Utrecht, the Harris Museum and Art Gallery, the Orange County Museum of Art, the Vancouver Art Gallery, and Lehmann Maupin Gallery, with assistance from The Institute for the Readjustment of Clocks, Istanbul. The presentation of Küba in Utrecht is generously hosted by Utrecht University.

The exhibition is realized in collaboration with Treaty of Utrecht, within the framework of Kunst in mijn buurt (Art in my neighborhood).

Works

Küba (2004) is a communal portrait of the inhabitants of an area in southern Istanbul known by this name, which emerged towards the end of the 1960s as a hideout for left-wing militants, and gradually became a haven for people with different backgrounds who did not fit the society’s standard definition of a citizen. Ataman spent over two years studying the mental and physical terrain of Küba from within; the result is an assembly of forty individual portraits of its residents. Embedded in an installation of as many domestic television sets, as well as simple cabinets and armchairs of various sizes and styles, the engaging voices speak to us insistently about their sense of belonging, solidarity, freedom, and the contradictions their pursuit of happiness necessarily contains.

Paradise (2007) turns our attention to America—specifically to the Southern California of today. This time, a selection of twenty four citizens is brought together in an “ad-hoc community” to confront us with the notion of paradise as both a vital promise and a banal myth. The installation unfolds on flat-screen monitors mounted on stands arranged in two U-shaped formations, the central figure of which changes every day. Each monitor features a video portrait of a single person, audible through earphones, who shares his or her obsessions with the viewer in a one-to-one encounter.

Publications

newsletter
Kutluğ Ataman: Küba/Paradise


book
Paradise: Kutlug Ataman

In collaboration with

Suggestions from the archive

Sint Maarten Parade

22 October–10 November 2023

BAK at the Sint Maarten Parade 2023

For Sint Maarten Parade 2023, Tools for Action—a non-profit organization that develops artistic interventions for political actions—collaborates with Utrecht-based members of Filipino, Caribbean, and other communities to collectively dream a parade compartment.

Crowdfunding Campaign

09 September–08 December 2023

Join Our Crowdfunding Campaign: Support Freefilmers!

The project To Watch the War: The Moving Image Amidst the Invasion of Ukraine (2014–2023) and the project To Watch the War, In Solidarity are accompanied by a crowdfunding campaign in support of Freefilmers—some of its members are artists and activist filmmakers included in the exhibition and public program.

Panel Discussion

30 September 2023, 16.30-18.30

To the Other Side of the Concrete Wall

A book launch and panel discussion reflecting on the Jina Uprising, one year after its beginning.

Saturday, 30 September, 2023, 16:30–18:30 hrs at BAK, basis actuele kunst, Utrecht Organized by Jina Collective, a Netherlands-based feminist, leftist, anti-capitalist, anti-sexist, and pro-LQBTQIA+ action group that emerged from the Jina Uprising. This event launches a book of translated essays, co-published with BAK, which include some of the first English translations of texts by journalists […]

Public Program

09 September–29 October 2023

To Watch the War: The Moving Image Amidst the Invasion of Ukraine (2014–2023)/Public Program

To Watch the War: The Moving Image Amidst the Invasion of Ukraine (2014–2023) involves a hybrid off- and online sequence of conversations and screenings around discursive and artistic interventions that reimagine the social implications of watching the war through ways that disrupt, subvert, resist the media’s incessant spectacularization of war.