Exhibition

23 January–20 March 2005

Gerrit Dekker: About no below, no above, no sides

After more than a fifteen-year-long voluntary withdrawal from the structures of the art world, Gerrit Dekker presents his work in a solo exhibition. Dekker’s deliberate choice not to participate in the mechanisms of the art system was grounded in a sincere desire to distinguish art as a concentrated, intimate creative process from the mechanisms of power. This retreat, however, did not mean abandoning art: on the contrary. Although he no longer referred to himself as a visual artist, Dekker insistently kept engaging with aesthetic practice, exploring its various potentials in everyday life. The title of the exhibition refers to a metaphor Dekker uses when describing a loss of orientation (when there is “no below, no above, no sides”) as a sign of his profound engagement in traveling, meeting people, or producing art. In this context, Dekker “collected” subtle gestures from his experiences: ephemeral situations, personal relationships with people, and remnants of “traveling and staying over” in the form of photographic images, mostly on slides. Stored in a tower built out of grey boxes (the slide-holders), together the images form an archive of non-intrusive, quotidian, strangely familiar moments. The slide tower becomes a starting point for an exhibition that explores potentially new meanings of the past as a prerequisite to begin “moving forward.”

Gerrit Dekker (born 1943, lives and works in Arnhem) presented his work in the project Now What? Dreaming a better world in six parts organized by BAK in 2003. In 1988, it was shown at the Museum of Fine Arts in Chandigarh, India in an exhibition with which he brought the more public period of his work to an end. Gerrit Dekker is also known as the long-time artistic partner of Ben d’Armagnac (1940-1978), with whom he produced numerous works and performances from 1966-1975.

The exhibition has been realized in collaboration with Jan Brand, head of kaAp, the General Studies Department of ArtEZ in Arnhem, Alex de Vries, and Catherine Hennegan (image digitization and editing). The exhibition has been financially supported by ThuisKopie Fonds.

Publications

book
Gerrit Dekker. About no below, no above, no sides

Program

22.02.2005, 20.00 hrs: a conversation between artist Gerrit Dekker and art historian Marga van Mechelen at BAK.

Made possible by

Suggestions from the archive

Exhibitionary

Screening

15 July 2021, 18.30-20.00

Fragments of Repair/Gathering VI: Invisible Bridges

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 15 July 2021, the sixth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s Reason’s Oxymorons (2015) and a conversation between Kader Attia (Berlin) and Stefania Pandolfo (medical anthropologist, Berkeley, CA).

Screening

24 June 2021, 17.30-20.00

Fragments of Repair/Gathering V: The Object’s Interlacing

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 24 June 2021, the fifth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s The Object’s Interlacing (2020), followed by a conversation between Souleymane Bachir Diagne (philosopher New York/Dakar) and Wayne Modest (material culture curator and researcher, Amsterdam/Rotterdam).

Education Program

21 June, 19.00–7 July, 21.00 2021

Course: Art as Politics

An Online Extension of BAK Public Studies

A new edition of the online course Art as Politics, taking place on the following dates: 21, 23, 28 and 30 June & 5 and 7 July 2021. The course, taught by BAK’s Maria Hlavajova, brings those involved and/or interested in art, theory, and social action into collective conversation.