23 September 2014–01 May 2016

 

Future Collections

Two key Utrecht-based art institutions, BAK and Centraal Museum explore in the course of 2014–2016 various collaborative possibilities and contribute to rethinking the mission of the art institution in today’s rapidly changing global condition.

The collaboration comprises a parallel and mutually entwined series titled Future Vocabularies—Future Collections. While Future Vocabularies (2014–2016) is a discourse-driven research, learning, exhibition, and publication series aimed at rethinking our conceptual vernaculars in face of changing social, economic, and political contexts today, Future Collections examines various modes of embedding such present-day, future-oriented discourse into the key activity of the museum: that of art collecting.

Future Vocabularies—Future Collections departs from an acknowledgment of the present-day global condition, undergirded by the culture of networks (social, digital, religious, and other) and the proliferation of resistance forms and collective initiatives. Observing new politics and alliances in the streets and collective mobilizations across the world, the program asks how artistic, intellectual, and activist practices might help to build an understanding of the changes this new reality brings for the notions of “audience” and the “public.” Future Vocabularies—Future Collections reflects on the consequences these changes bear on the work of a middle-sized discursive art institution and the museum. Rather than taking the research of “future vocabularies” as a thematic exercise on issues of “survival,” “the posthuman,” or “degrowth,” the program mobilizes it as a method of acting in the world today. Accordingly, the two institutions seek ways of mutualizing their respective resources of space, time, competencies, knowledges, finances, and other in order to establish a model of sustainable cooperation with these newly evolving “future publics.”

The collaboration between BAK and Centraal Museum has been made possible by the DOEN Foundation, Amsterdam.

Exhibitions

07.02.–26.04.2015
Anthropocene Observatory

11.04.–21.06.2015
New World Academy Exhibition

30.01.–01.05.2016
Unstated (or, Living Without Approval)

Program

Lecture
23.09.2014
And So We Participate

Performance
01.05.2016
Universal Anthem performed by Zuilens Fanfarecorps

In collaboration with

Made possible by

Suggestions from the archive

Education Program

14 December 2018

Mapping Histories: Conversing on Visuality and Subalternity

workshop by Lisa Ito

On 14 December 2018 art historian and activist Lisa Ito gives a workshop “Mapping Histories: Conversing on Visuality and Subalternity” as part of the Royal Academy of Art Non Linear Narrative master’s program. The workshop is held at BAK in the framework of Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice.

18 April 2019, 19.00-21.00

Special Viewing: Seven Addresses (2019)

Op 18 april 2019 om 19.00 uur is er bij Het Utrechts Archief een speciale openstelling van het werk Zeven adressen (2019) van kunstenaarsduo Sander Breure & Witte van Hulzen. De kunstenaars zijn deze avond aanwezig bij de tentoonstelling. Het werk is onderdeel van de tweedelige tentoonstelling The People Are the City, georganiseerd door BAK, basis voor actuele kunst in het Stadskantoor Utrecht (te zien t/m 2 mei 2019) en Het Utrechts Archief (te zien t/m 5 mei 2019).

Exhibition

30 March–05 May 2019

The People Are the City

The People Are the City is a two-part exhibition which takes place in the public areas of the Municipal Offices of the City of Utrecht and at The Utrecht Archives. The exhibition at the Utrecht City Office reflects on the extraordinary coming together of the people of Utrecht in the collective performance What Is the City but the People? on 15 September last year. The second part of the show, on display at The Utrecht Archives, presents the new work Seven Addresses (2019) by artists’ duo Sander Breure and Witte van Hulzen.

Exhibition

31 October–31 December 2004

Cordially Invited, episode 3

Cordially Invited examines the issue of hospitality in relation to a topic of major global, political, and moral consequence today: migration. The project explores these issues through the notion of a cordial invitation, understood here as a symbolic tool which can be used to negotiate between two imaginary, unattainable ideals: the unrestricted right to move across political and economic boundaries, and the unqualified acceptance such rights imply.

Exhibition

Lecture

Lecture

Lecture

Lecture

Lecture

Lecture Program

12 November–17 December 2005

Undercurrents

Undercurrents is a dynamic, informal forum for reflection about what is behind the contemporary state of warfare. It is developed as an equal parallel to the exhibition Soft Target. War as a Daily, First-Hand Reality.