Exhibition

31 August–09 October 2013

FORMER WEST: Notes from Berlin

Notes from Berlin, exhibition view

With this makeshift, impromptu composition of artworks and discourse, we share with our Utrecht publics a series of spontaneously assembled impressions—notes as it were—from a major manifestation of BAK’s flagship project FORMER WEST: Documents, Constellations, Prospects, realized earlier in 2013 in collaboration with Haus der Kulturen der Welt in Berlin. Neither an exhibition nor a conference, it entails no order, but rhythms and accidents; no certainty, but a set of propositions; no script, but an invitation to imagine a “what if” scenario—and, with it, the world otherwise…

FORMER WEST (2008–2016) is a long-term research, education, exhibition, and publication project aimed at a critical reinterpretation of post-1989, post-Cold War histories around an imaginary of “formerness,” countering the persistent hegemonies of the so-called West within a global context. In an attempt to alter the narrative of our own time, and reclaim from there the future as a field of possibility, FORMER WEST enables a continuous flow of manifold conversations among artists, theorists, students, activists, and other varied publics.

Suggestions from the archive

Exhibitionary

16 October–29 November 2020

Screening Tony Cokes at Stadhuisbrug, Utrecht

As part of exhibition Tony Cokes: To Live as Equals, Cokes’s video work c.my.skull.2. (Evil.13: Alternate Versions) is screened in public space until 29 November 2020! The work is on view in the window of Stadhuisbrug 5 (until Monday 2 November 2020), and in the window of Utrecht City Hall, Stadhuisbrug 1 (until Sunday 29 November 2020).

Learning

Book Launch

Book Launch

16 October 2020, 19.00-21.00

Book Launch: Deserting from the Culture Wars

The second reader in BAK's BASICS series, published by BAK and MIT Press

On Friday 16 October 2020 BAK presents the book launch for Deserting from the Culture Wars , the second reader in our BASICS series, published by BAK and MIT Press, Cambridge, MA and edited by Maria Hlavajova and Sven Lütticken.