Performance

4-5 November 2017

Faust 3

Have we entered into a pact with the devil?

Bread and Puppet Theater, Faust 3: Have we entered into a pact with the devil?, 2016. Photo: Ronald T. Simon

BAK, Utrecht and Frascati, Amsterdam bring Bread and Puppet Theater—one of the United States’ most celebrated socially engaged theater companies—back to the Netherlands. On Saturday 4 November and Sunday 5 November, Frascati hosts performances of the play Faust 3, written by Bread and Puppet Theater founder Peter Schumann, and produced and performed by Bread and Puppet Theater and local artists with migrant backgrounds.

Founded in 1963, Bread and Puppet Theater is one of the oldest nonprofit, independent theater companies in the US. They perform all over the world, particularly in the open air—in public parks and on the streets— under the slogan “Cheap Art and Political Theater”. Inspired by Goethe’s Faust 1 and 2Faust 3 takes us through a dreamy scape of today’s “proletariat”: from the experiences of refugee migration to the omnipresent threat of guns; from hunger to the contemporary diversity of foodstuffs.

This production of Faust 3 stems from a five-day workshop in which members of the local community joined members of Bread and Puppet Theater to make the puppets and help produce the play, giving this version of Faust 3 a new, local, and individual twist. Characters—represented by the created objects, masks, and puppets—act out a historical narrative that chooses the side of the underdog. Faust 3 raises the question: What pact with the devil are we entering today, and can “the proletariat” still disrupt the established order in 2017? Faust 3 paints a grotesque picture of the world in which we live and weighs the possibilities for alternatives.

The event is a Frascati Session at Frascati and part of BAK’s long-term research project Propositions for Non-Fascist Living.

In collaboration with

Suggestions from the archive

Screening

Screening

Performative Conference

30 June–01 July 2018

Propositions #6: The Temporary Institute for the Contemporary

Propositions #6: The Temporary Institute for the Contemporary marks the culmination of a vibrant and inspiring 2017/2018 pilot year of the BAK Fellowship Program. Through conversations, readings, and performances, the BAK Fellows share insights into their respective artistic research itineraries, as well as their common “collective dictionary” project.

Performance

Guided Tour

Workshop

17 May 2018, 14.00-16.30

Al Maeishah

Workshop by Campus in Camps

As part of the weeklong program Moving Together: Activism, Art and Education – A Week with Angela Davis, 2017/2018 BAK Fellows Isshaq Al-Barbary and Diego Segatto (Campus in Camps) lead a workshop at BAK.

Performative conference

25 November 2017

Assemblism

Propositions #2

Propositions #2: Assemblism is a day-long gathering that addresses the current rise of the new authoritarian world order, and the millions of bodies that have gathered in resistance in liberated autonomous zones, occupied buildings, city squares, prisons, and cultural spaces to collectively enact a different demand for egalitarian society.

Talks and conversations

10 February 2018

Art as Commitment

Propositions #3

Propositions #3: Art as Commitment is the third convening platform in BAK’s long-term research series Propositions for Non-Fascist Living (2017–2020), prompted by the dramatic resurfacing and normalization of historical and contemporary fascisms in our present.

Performative Conference

Performative conference

17 March 2018

Unpacking Aesthetics and the Far Right

Propositions #4

This is the fourth performative conference within the series Propositions for Non-Fascist Living (2017–2020). With contributions by Larne Abse Gogarty, Kader Attia, Angela Dimitrakaki and iLiana Fokianaki, Morgan Quaintance, Ana Teixeira Pinto, Harry Weeks, and Giovanna Zapperi.