Learning

10 February–31 March 2009

Curating (Beyond) Exhibitions: Critical Curatorial Practices and Contemporary Society

The Gender Programme and the Department of Art Management and Policy at Utrecht University, together with BAK, basis voor actuele kunst, Utrecht and The Centre for the Humanities at Utrecht University, are pleased to announce a master course Curating (Beyond) Exhibitions: Critical Curatorial Practices and Contemporary Society. The course, structured as a series of lectures and seminars, explores the dynamic field of curating vis-ŕ-vis the challenges that artistic and intellectual practices are presented with by contemporary society, and takes the year 1989—which marks the end of the Cold War—as a starting point from which to explore the practice of curating.

This course is designed both for university students and for people outside academia, such as professionals in the fields of art and curators early in their careers. We welcome students on all levels, although BA students are required to demonstrate their affinity with the subject.

Curating (Beyond) Exhibitions is taught by Maria Hlavajova, artistic director of BAK, who is joined by curators and artists from the Netherlands and abroad. Seminars are led by dr. Marta Zarzycka, lecturer in the Gender Programme and Department of Art Management and Policy at UU. Over the course of eight lectures and eight seminars, the principles of curating artistic projects addressing social and political issues—in particular feminism and gender issues—are considered. Attention is paid to discursive models of public engagement and the relation between the public art space and democratic models or possibilities. Specific approaches and projects, as well as various types of institutions, are discussed.

In collaboration with

Suggestions from the archive

Education Program

14 December 2018

Mapping Histories: Conversing on Visuality and Subalternity

workshop by Lisa Ito

On 14 December 2018 art historian and activist Lisa Ito gives a workshop “Mapping Histories: Conversing on Visuality and Subalternity” as part of the Royal Academy of Art Non Linear Narrative master’s program. The workshop is held at BAK in the framework of Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice.

18 April 2019, 19.00-21.00

Special Viewing: Seven Addresses (2019)

Op 18 april 2019 om 19.00 uur is er bij Het Utrechts Archief een speciale openstelling van het werk Zeven adressen (2019) van kunstenaarsduo Sander Breure & Witte van Hulzen. De kunstenaars zijn deze avond aanwezig bij de tentoonstelling. Het werk is onderdeel van de tweedelige tentoonstelling The People Are the City, georganiseerd door BAK, basis voor actuele kunst in het Stadskantoor Utrecht (te zien t/m 2 mei 2019) en Het Utrechts Archief (te zien t/m 5 mei 2019).

Exhibition

30 March–05 May 2019

The People Are the City

The People Are the City is a two-part exhibition which takes place in the public areas of the Municipal Offices of the City of Utrecht and at The Utrecht Archives. The exhibition at the Utrecht City Office reflects on the extraordinary coming together of the people of Utrecht in the collective performance What Is the City but the People? on 15 September last year. The second part of the show, on display at The Utrecht Archives, presents the new work Seven Addresses (2019) by artists’ duo Sander Breure and Witte van Hulzen.

Exhibition

31 October–31 December 2004

Cordially Invited, episode 3

Cordially Invited examines the issue of hospitality in relation to a topic of major global, political, and moral consequence today: migration. The project explores these issues through the notion of a cordial invitation, understood here as a symbolic tool which can be used to negotiate between two imaginary, unattainable ideals: the unrestricted right to move across political and economic boundaries, and the unqualified acceptance such rights imply.

Exhibition

Lecture

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Lecture Program

12 November–17 December 2005

Undercurrents

Undercurrents is a dynamic, informal forum for reflection about what is behind the contemporary state of warfare. It is developed as an equal parallel to the exhibition Soft Target. War as a Daily, First-Hand Reality.