Lecture

30 October 2014

Constructing Other Worlds

BAK artistic director Maria Hlavajova gives a talk in Bucharest on 30 October 2014 as a part of the Evening classes series of conferences, screenings, presentations, and discussions, organized by the Salonul de Proiecte curatorial programme.

Constructing Other Worlds

Nearly a century ago, political thinker Antonio Gramsci articulated the notion of crisis as grounded “precisely in the fact that the old is dying and the new cannot be born.” If it is true that we find ourselves at such a historical moment characterized, as Gramsci further anticipated, by a “great variety of morbid symptoms,” how, then, are we to understand the possibilities contained within art vis-à-vis the struggles that define our contemporaneity? As we part from the legacy of the modern, and observe extant hegemonies (paradoxically) tightening and losing their grip at the same time, what is our art to do? How can we—with and through art—trace prospective itineraries pointing towards what we once used to call the “future” and activate the proposition of not only imagining, but constructing, new worlds? In addressing these complex questions from three perspectives—artistic labor, infrastructure, and “future publics”—Maria Hlavajova draws upon her research within two interrelated projects she has engaged with, FORMER WEST (2008–2016) and Future Vocabularies (2014–2016). If the former aims at developing a critical understanding of the legacy of the radical resistance to power in 1989 in order to reevaluate the global present and speculate about global futures, the latter attempts to act out concrete propositions that explore the shifts in our existing conceptual vocabulary within artistic, intellectual, and activist practices.

Salonul de proiecte is a curatorial program initiated by Magda Radu and Alexandra Croitoru, functioning within MNAC Anexa. This program envisages the organization of exhibitions, presentations, and debates focusing on Romanian contemporary art and placing young artists’ productions into a broader generational context.

For more information regarding Salonul de proiecte, see the program’s website here.

Suggestions from the archive

Discursive

18 October 2018–24 January 2019

Propositions #7: Evidentiary Methods

Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice and part of the BAK series Propositions for Non-Fascist Living (2017–2020)—expands upon the notion of forensic justice in a series of lectures, screenings, and workshops on methodologies for articulating claims within the multidimensional space of aesthetics, law, architecture, politics, and ecology.

Exhibition

18 October 2018–27 January 2019

Forensic Justice

Forensic Justice is an exhibition and a series of public programs with Forensic Architecture, a London-based independent and interdisciplinary research agency comprised of, among others, artists, scientists, lawyers, filmmakers, and architects.

Lecture

Lecture

Lecture

Lecture

Lecture

Exhibition

Lecture

Lecture Program

Discursive, Exhibition, Publication

11 January–01 March 2009

The Return of Religion and Other Myths

The Return of Religion and Other Myths is a large-scale multifaceted project, consisting of the exhibition The Art of Iconoclasm, a discourse program taking place in early 2009 titled On Post-Secularism, and the publication of a BAK Critical Reader on the subject in 2009. The project explores the popular assumption of the return of religion to the public sphere, contemporary politics, and the media in the West as a constitutive “myth.”

Lecture

Learning

10 February–31 March 2009

Curating (Beyond) Exhibitions: Critical Curatorial Practices and Contemporary Society

Master course organized by Utrecht University and BAK. The course, structured as a series of lectures and seminars, explores the dynamic field of curating vis-ŕ-vis the challenges that artistic and intellectual practices are presented with by contemporary society, and takes the year 1989—which marks the end of the Cold War—as a starting point from which to explore the practice of curating.