Education Program, Exhibition

24 June–03 July 2016

Caulfield, Cauliflower, and other Vegetables (A Possible Dialectics On The Politics Of Misunderstanding)

Kristina Orszaghova (MaHKU), photo

From 24 June to 3 July 2016, BAK’s exhibition space is one of the venues for the MaHKU graduation show Caulfield, Cauliflower, and other Vegetables (A Possible Dialectics On The Politics Of Misunderstanding).

Other venues are the Academiegalerie, Minrebroederstraat 16, Utrecht, and the Universiteitsmuseum, Lange Nieuwstaat 106, Utrecht. The MaHKU is the MA trajectory in Fine Art at HKU University of the Arts, Utrecht, and a long time collaboration partner in Learning Place, BAK’s platform for education and talent development.

Contributions to this exhibition, curated by Markus Miessen, by: Marija Angelovska, Goeun Choi, Stavroulla Gregoriou, Ola Hassanain, Kathy Holowko, Willem Holtrop, Pooja Hukku, Kristina Országhová, KT Rangnick, Constanze Schreiber, Iliana Soriano, and Felipe Zapata Zuluaga.

To mark the exhibition Caulfield, Cauliflower, and other Vegetables, MaHKU launches a publication containing contributions by the participating artists, as well as situating reflections by Markus Miessen, Henk Slager, Timo Feldhaus, and Flaka Haliti. Design by Dongyoung Lee.

In collaboration with

Suggestions from the archive

Panel Discussion

30 September 2023, 16.30-18.30

To the Other Side of the Concrete Wall

A book launch and panel discussion reflecting on the Jina Uprising, one year after its beginning.

Saturday, 30 September, 2023, 16:30–18:30 hrs at BAK, basis actuele kunst, Utrecht Organized by Jina Collective, a Netherlands-based feminist, leftist, anti-capitalist, anti-sexist, and pro-LQBTQIA+ action group that emerged from the Jina Uprising. This event launches a book of translated essays, co-published with BAK, which include some of the first English translations of texts by journalists […]

Public Program

09 September–29 October 2023

To Watch the War: The Moving Image Amidst the Invasion of Ukraine (2014–2023)/Public Program

To Watch the War: The Moving Image Amidst the Invasion of Ukraine (2014–2023) involves a hybrid off- and online sequence of conversations and screenings around discursive and artistic interventions that reimagine the social implications of watching the war through ways that disrupt, subvert, resist the media’s incessant spectacularization of war.