Summer School

18-21 September 2018

Bratislava BAK Summer School: Art in a Time of Interregnum

Opening times

Wed 19 Sep 2018
Thu 20 Sep 2018
Fri 21 Sep 2018
Tue 18 Sep 2018

The Bratislava BAK Summer School: Art in a Time of Interregnum is a collaborative and intensive learning week in Bratislava from 18‑21 September 2018, organized in partnership with Open Studio/ Studio IN – Academy of Fine Arts and Design in Bratislava, APART Collective in Bratislava, and initiated by Kristína Országhová.

An advanced, interdisciplinary course designed for artists, curators, art theorists, academics, university students, and professionals in the fields of art and social change, this summer school begins from the understanding that ours is a time of interregnum—a time of crisis and ongoing transition. Much in the sense of political thinker Antonio Gramsci’s understanding of crisis, these times are rife with a “great variety of morbid symptoms” as ruling structures prove, in their grasping at “coercive force,” to no longer be sustainable; “the old is dying and the new cannot be born.” As social, geopolitical, economic, and technological structures rapidly change, along with the unraveling legacies of western modernity, and with ongoing recompositions of class, global migration, and the endurability of the planet, so transform ideas, practices, and meanings of resistance, coming together, identity, activist and artistic practice, and collectivity and closeness—as well as the notions of artistic production, the (art) institution, and the public. How, then, does art relate to a contemporary as such? How to think art under such circumstances, and how to think about the contemporary with and through art in order to build space for envisioning ways of being together otherwise?

The Bratislava BAK Summer School: Art in a Time of Interregnum brings together artists, curators, art theorists, and academics to collectively think through, learn about, and imagine critical, politicallyinformed artistic practices that work to grasp and influence our dramatically changing times. Concepts of the precariat, the challenges of contemporary fascisms, contemporary constructions of “we,” the posthuman, the Anthropocene, etc. are discussed with a thematic inquiry into forms of artistic expression relevant to contemporary destabilizations.

In order to address these questions, the Bratislava BAK Summer School draws upon BAK research conducted within three interrelated projects: the current four-year trajectory Propositions for Non-Fascist Living (2017–2020), prompted by the dramatic resurfacing of and normalization of fascisms, historical and contemporary; FORMER WEST (2008–2016), which developed a critical understanding of the legacies of 1989’s radical resistance to power in order to reevaluate the global present and speculate about global futures; and Future Vocabularies (2013–2016), which attempted to act out concrete propositions that explore shifts in the existing conceptual vocabularies within artistic, intellectual, and activist practices. Artists, curators, activists, and theorists will convene workshops, presentations, study groups, screenings, and lectures.

The Bratislava BAK Summer School takes place from 18‑21 September 2018 in Bratislava, Slovakia. Applications can be submitted via [email protected] by 18 July 2018 (deadline extended to 23 July 2018) and should consist of the letter of motivation (max. 250 words) and CV. The Bratislava BAK Summer School is open to applicants of all ages from Czech Republic, Austria, Hungary, and Slovakia, 25 of which will be chosen to participate (5 from each Czech Republic, Hungary, and Austria, and 10 from Slovakia, 2 of which are reserved for students of AFAD). No fees are to be paid upon acceptance. The participants are responsible for meals, travel, and accommodation. A list of affordable accomodation options will be provided to accepted participants to assist them in making their arrangements. For any further questions, please contact [email protected] The results will be announced via email by 1 August 2018.

This Bratislava BAK Summer School: Art in a Time of Interregnum is organized by Maria Hlavajova, Artistic Director, Whitney Stark, Curator of Discourse and Publications at BAK, APART Collective, Open Studio/Studio IN – Academy of Fine Arts and Design in Bratislava, and Kristína Országhová. Contributors include artistic director Maria Hlavajova; theorist and researcher Lukáš Likavčan; curator Zuzana Jakalová; curator and art historian Mira Keratová; architect Michal Janák; and journalist and writer Martin M. Šimečka.

The summer school will take place at AFAD Studio IN (Drotárska cesta 44, 811 02 BA), IN/OUT Studio in Nová Cvernovka (Račianska cesta 78, 831 02 BA), tranzit.sk (Beskydská 12, 811 05, BA), AFAD (Hviezdoslavovo nám. 18, 811 02 BA).

Suggestions from the archive

Discursive

24 January 2019

Propositions #7/6: Archive

Sixth gathering of Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice and part of the BAK series Propositions for Non-Fascist Living (2017–2020). Focusing on the evidentiary method of archiving, Ariel Caine presents Ground Truth, 2017–ongoing, a project that provides historical and juridical evidence on behalf of communities in the illegalized Palestinian Bedouin villages in the northern threshold of the Negev/Naqab desert. Jessica de Abreu presents The Black Archives’ work documenting the history of black emancipation movements and individuals in the Netherlands. Yasmine Eid-Sabbagh discusses her research and interventions which address the political implications of a collection of digital photography originating from Burj al-Shamali, a Palestinian refugee camp in Southern Lebanon.

Discursive

10 January 2019

Propositions #7/5: Sense

Fifth gathering of Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice and part of the BAK series Propositions for Non-Fascist Living (2017–2020). Focusing on the evidentiary method of remote sensing, Samaneh Moafi presents Ecocide in Indonesia, 2016, an investigation into the 2015 fires in Kalimantan and Sumatra that consumed over 21,000 square kilometers of forest and peat lands. A staff member of Prakken d’Oliveira presents Friends of the Earth Netherlands vs. Royal Dutch Shell, 2008–ongoing, a legal case in which four Nigerian citizens are taking Shell to court over oil spills that had polluted their fields and their fish farming ponds.

Discursive

15 November 2018

Propositions #7/3: Testify

Third gathering of Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice and part of the BAK series Propositions for Non-Fascist Living (2017–2020). Focusing on the evidentiary method of the testimony, Ana Naomi de Sousa presents Saydnaya, 2016, the reconstruction of a Syrian torture prison of which there are no images. Papa Sakho and Jo van der Spek bring into the discussion the Migrant 2 Migrant Foundation’s ongoing response to the Schipholbrand, the 2005 fire in which eleven migrants died while being trapped in an airport detention complex.

Discursive

1 November 2018, 19.30-21.30

Propositions #7/2: Geosync

Second gathering of Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice and part of the BAK series Propositions for Non-Fascist Living (2017–2020). Focusing on the evidentiary method of what Forensic Architecture calls “Geosync,” Stefan Laxness presents The Ayotzinapa Case, 2017, an investigation into the disappearance of 43 students in Iguala, Mexico, in 2014. Gamze Hızlı and Özlem Zingil of Hafiza Merkezi discuss their recent investigations into human rights violations in Turkey.

Discursive

Discursive

Education Program

03 December 2018–21 January 2019

Course Art and Politics

“Art and Politics” is an inaugural course of a new public school for art and politics organized by BAK, basis voor actuele kunst in Utrecht. In six weekly sessions, the participants learn about how contemporary art relates to the political in an accessible way. The course is taught by Maria Hlavajova, BAK’s general and artistic director.

Exhibition

8-11 November 2018

BAK x Le Guess Who? – Forensic Justice

During the music festival Le Guess Who?, from 8–11 November 2018, festival visitors have free entrance to the exhibition Forensic Justice, with works by Forensic Architecture. This collaboration is part of a new satellite event during Le Guess Who? 2018: ‘Untitled’. The program focuses on all disciplines other than music and is an exploration of other artistic expressions by festival artists, as well as a collection of exhibitions, film screenings and talks that can be visited in Utrecht during the festival weekend.

Exhibition

Discursive

18 October 2018–24 January 2019

Propositions #7: Evidentiary Methods

Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice and part of the BAK series Propositions for Non-Fascist Living (2017–2020)—expands upon the notion of forensic justice in a series of lectures, screenings, and workshops on methodologies for articulating claims within the multidimensional space of aesthetics, law, architecture, politics, and ecology.

Exhibition

18 October 2018–27 January 2019

Forensic Justice

Forensic Justice is an exhibition and a series of public programs with Forensic Architecture, a London-based independent and interdisciplinary research agency comprised of, among others, artists, scientists, lawyers, filmmakers, and architects.

Lecture

Lecture

Lecture

Lecture

Lecture

Exhibition

Lecture