BAK Summer School 2017

17-21 July 2017

BAK Summer School: Art in a Time of Interregnum

  • Learning Place, FORMER WEST: Documents, Constellation, Prospects, Berlijn, 18–24 March 2013, photo: Ernie Buts

The BAK Summer School: Art in a Time of Interregnum is a collaborative and intensive learning week at BAK, basis voor actuele kunst from 17–21 July 2017, organized in partnership with Utrecht Graduate School of Visual Art and Design (MaHKU) and Utrecht Summer School.

An advanced, interdisciplinary course designed for artists, curators, art theorists, academics, MA/MFA level or higher students, and professionals in the fields of art and social change, this summer school begins from the understanding that ours is a time of interregnum—a time of crisis and ongoing transition. Much in the sense of political thinker Antonio Gramsci’s understanding of crisis, these times are rife with a “great variety of morbid symptoms” as ruling structures prove, in their grasping at “coercive force,” to no longer be sustainable; “the old is dying and the new cannot be born.” As social, geopolitical, economic, and technological structures rapidly change, along with the unraveling legacies of western modernity, and with ongoing recompositions of class, global migration, and the endurability of the planet, so transform ideas, practices, and meanings of resistance, coming together, identity, activist and artistic practice, and collectivity and closeness—as well as the notions of artistic production, the (art) institution, and the public. How, then, does art relate to a contemporary as such? How to think art under such circumstances, and how to think about the contemporary with and through art in order to build space for envisioning ways of being together otherwise?

The BAK Summer School: Art in a Time of Interregnum brings together artists, curators, art theorists, and academics to collectively think through, learn about, and imagine critical, politically-informed artistic practices that work to grasp and influence our dramatically changing times. Concepts of the precariat, the challenges of contemporary fascisms, contemporary constructions of “we,” the posthuman, the Anthropocene, etc. are discussed with a thematic inquiry into forms of artistic expression relevant to contemporary destabilizations.

In order to address these questions, the summer school draws upon BAK research conducted within two interrelated projects, FORMER WEST (2008–2016) and Future Vocabularies (2013–2016). The former develops a critical understanding of the legacies of 1989’s radical resistance to power in order to reevaluate the global present and speculate about global futures. The latter attempts to act out concrete propositions that explore shifts in the existing conceptual vocabularies within artistic, intellectual, and activist practices. Artists, curators, activists, and theorists will convene workshops, presentations, study groups, screenings, and lectures.

The summer school takes place from 17–21 July 2017 at BAK in Utrecht, Netherlands. Applications can be submitted via the Utrecht Summer School website by 15 June 2017. The fee for the course and materials, to be paid upon acceptance, is €450. Accommodation by the Utrecht Summer School is an additional €200, for which you can sign up during your application process. Fees exclude meals and travel.

In collaboration with

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Exhibition

18 October 2018–27 January 2019

Forensic Justice

Forensic Justice is an exhibition and a series of public programs with Forensic Architecture, a London-based independent and interdisciplinary research agency comprised of, among others, artists, scientists, lawyers, filmmakers, and architects.

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Exhibition

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Lecture Program

Discursive, Exhibition, Publication

11 January–01 March 2009

The Return of Religion and Other Myths

The Return of Religion and Other Myths is a large-scale multifaceted project, consisting of the exhibition The Art of Iconoclasm, a discourse program taking place in early 2009 titled On Post-Secularism, and the publication of a BAK Critical Reader on the subject in 2009. The project explores the popular assumption of the return of religion to the public sphere, contemporary politics, and the media in the West as a constitutive “myth.”

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Learning

10 February–31 March 2009

Curating (Beyond) Exhibitions: Critical Curatorial Practices and Contemporary Society

Master course organized by Utrecht University and BAK. The course, structured as a series of lectures and seminars, explores the dynamic field of curating vis-ŕ-vis the challenges that artistic and intellectual practices are presented with by contemporary society, and takes the year 1989—which marks the end of the Cold War—as a starting point from which to explore the practice of curating.

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