Exhibition

01 October–24 December 2006

Aernout Mik: Raw Footage/Scapegoats

Aernout Mik, Raw Footage, 2006, video stills (images from found documentary material), courtesy Reuters & ITN (ITN Source)

BAK, basis voor actuele kunst presents Raw Footage/Scapegoats, a solo exhibition by Dutch artist Aernout Mik on the experience and depiction of war, and how normality and extremity are interwoven in wartime situations.

In Raw Footage, a two-channel video installation, Mik works with documentary footage for the first time. The installation is made of raw, unedited images of the war in former Yugoslavia, which the artist unearthed after searching for months in the media archives of Reuters and Independent Television News (ITN). In search of other layers of reality, Mik focuses his attention on the war in former Yugoslavia with the aim of subverting the superficial, yet paradoxically spectacular imagery of war we know from mass media. The video installation Scapegoats, on the other hand, is a fiction staged by the artist questioning the contemporary condition in which waging war is a devastating yet ever present feature. The video seems to show a wartime conflict taking place in Western Europe. Groups of soldiers, prisoners, and armed civilians are involved in a continuous power struggle, in which the role of victim and oppressor constantly shifts.

Raw Footage/Scapegoats is produced by the artist and BAK. The project and exhibition are the outcome of a long-term collaboration with the artist. Raw Footage/Scapegoats is realized in partnership with Treaty of Utrecht and is presented within the framework of its multi-part project Kunst in Oorlog.

Program

lecture
31.10.2006
Ralph Rugoff

Suggestions from the archive

Exhibition

Screening

2 May 2021

Fragments of Repair/Gathering II: The Body’s Legacies, Part 2: The Postcolonial Body (online)

The second gathering of Fragments of Repair/Gatherings consists of a screening of artist Kader Attia’s work The Body’s Legacies, Part 2: The Postcolonial Body (video, 2018, 48 min.), followed by a conversation between Olivier Marboeuf (writer, critic, and curator, Paris) and Ruth Wilson Gilmore (abolitionist scholar and activist, Lisbon).

Public Program

Podcast and sound installation

17 April–03 July 2021

Fragments of Repair: Repair & Listen

Throughout the duration of the project Fragments of Repair, Kader Attia engages in creating a new eponymous work in the form of a gradually unfolding podcast and sound installation in twelve parts, titled Repair & Listen. Drawing on transcultural epistemologies and lived experiences, the podcast investigates “repair” as a concrete practice to counter the psychological impact of living through a pandemic. The episodes of the podcast will become available on this page, throughout the duration of Fragments of Repair.