Exhibition

01 October–24 December 2006

Aernout Mik: Raw Footage/Scapegoats

Aernout Mik, Raw Footage, 2006, video stills (images from found documentary material), courtesy Reuters & ITN (ITN Source)

BAK, basis voor actuele kunst presents Raw Footage/Scapegoats, a solo exhibition by Dutch artist Aernout Mik on the experience and depiction of war, and how normality and extremity are interwoven in wartime situations.

In Raw Footage, a two-channel video installation, Mik works with documentary footage for the first time. The installation is made of raw, unedited images of the war in former Yugoslavia, which the artist unearthed after searching for months in the media archives of Reuters and Independent Television News (ITN). In search of other layers of reality, Mik focuses his attention on the war in former Yugoslavia with the aim of subverting the superficial, yet paradoxically spectacular imagery of war we know from mass media. The video installation Scapegoats, on the other hand, is a fiction staged by the artist questioning the contemporary condition in which waging war is a devastating yet ever present feature. The video seems to show a wartime conflict taking place in Western Europe. Groups of soldiers, prisoners, and armed civilians are involved in a continuous power struggle, in which the role of victim and oppressor constantly shifts.

Raw Footage/Scapegoats is produced by the artist and BAK. The project and exhibition are the outcome of a long-term collaboration with the artist. Raw Footage/Scapegoats is realized in partnership with Treaty of Utrecht and is presented within the framework of its multi-part project Kunst in Oorlog.

Program

lecture
31.10.2006
Ralph Rugoff

Suggestions from the archive

Exhibitionary

Screening

15 July 2021, 18.30-20.00

Fragments of Repair/Gathering VI: Invisible Bridges

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 15 July 2021, the sixth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s Reason’s Oxymorons (2015) and a conversation between Kader Attia (Berlin) and Stefania Pandolfo (medical anthropologist, Berkeley, CA).

Screening

24 June 2021, 17.30-20.00

Fragments of Repair/Gathering V: The Object’s Interlacing

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 24 June 2021, the fifth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s The Object’s Interlacing (2020), followed by a conversation between Souleymane Bachir Diagne (philosopher New York/Dakar) and Wayne Modest (material culture curator and researcher, Amsterdam/Rotterdam).

Education Program

21 June, 19.00–7 July, 21.00 2021

Course: Art as Politics

An Online Extension of BAK Public Studies

A new edition of the online course Art as Politics, taking place on the following dates: 21, 23, 28 and 30 June & 5 and 7 July 2021. The course, taught by BAK’s Maria Hlavajova, brings those involved and/or interested in art, theory, and social action into collective conversation.