Fellows

Whitney Stark

Propositions #12: Waves Breaking Walls, Futures in Movement

BAK, basis voor actuele kunst, Utrecht, proudly invites you to Propositions #12: Waves Breaking Walls, Futures in Movement, a culmination of the BAK 2019/2020 Fellowship Program. In the course of the past year, the Fellows individually and collectively developed their research engaging with the pressing issues of the contemporary in concert with BAK’s research focus, Propositions for Non-Fascist Living (2017–ongoing). Propositions #12 synthesizes the research and learning trajectory of the Fellowship and addresses it through “an acoustic choreography.” Consisting of a series of experimental scenes presented in four acts, devised by one or more of the Fellows through direct and indirect collaborations, this acoustic choreography includes sonic works, radio plays, music, interviews, conversations, and more. Breaking out of spatial constraints through the use of a radio broadcast, streaming, and collaboration across distance, Propositions #12 can be attended physically at BAK in small groups, listened to online, or tuned into via FM radio.

Read more about the event and find the full program here.

Hosted by BAK and the BAK 2019/2020 Fellows: Mijke van der Drift, Mitchell Esajas, Katia Krupennikova, Diana McCarty, David Muñoz Alcántara, Oleksiy Radynski, Reem Shilleh, Urok Shirhan, Joy Mariama Smith, and Grant Watson. Curator of the BAK 2019/2020 Fellowship Program is Whitney Stark.

More on the BAK Fellowship Program
Since 2017, BAK, basis voor actuele kunst, Utrecht conducts a post-academic Fellowship Program with, at its center, research on reframing and rethinking conditions of the contemporary through politically driven art-making and inquiry. The 10-month Fellowship Program offers 10 research positions per year to Netherlands- and internationally-based practitioners at the intersection of art, theory, and social action. The Fellowship Program develops talent and critical practice in concert with the public projects of BAK, advancing the notion of art as a public sphere and a political space.

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