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Thomas

representative We Are Here, Amsterdam

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Asian Movie Night: Ushiku

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Performance: Black Quantum Futurism

Performance by Black Quantum Futurism du — Performance by Black Quantum Futurism during the culminating event of the training Community Futurisms, organized in the context of the project Trainings for the Not-Yet, 23 November 2019, BAK, basis voor actuele kunst, Utrecht, photo: Nick Thomas

Unforgetting

Performance by Denise Valentine during U — Performance by Denise Valentine during Unforgetting, a public program part of Trainings for the Not-Yet, 29 September 2019, photo: Thomas Orbon

Training XV

Performance by Black Quantum Futurism

Experimental Curating in the Age of Mobility

New World Academy #2: Collective Struggle of Refugees. Lost. In Between. Together.

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Report (Not Announcement)

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Call the Witness, Roma Pavilion

Call the Witness, installation, Roma Pav — Call the Witness, installation, Roma Pavilion, 54th Venice Biennale, 2011. Photo: Victor Nieuwenhuijs

1st FORMER WEST Congress

FORMER WEST: Documents, Constellations, Prospects

Learning Place, FORMER WEST: Documents, — Learning Place, FORMER WEST: Documents, Constellation, Prospects, Berlin, 18–24 March 2013, photo: Ernie Buts

Palestine & the Commons: Or, Marx & the Musha’a

Marwa Arsanios, Chart for the Usership o — Marwa Arsanios, Chart for the Usership of Land, prints on paper, 2022, installation detail, Usufructuaries of earth, chpater one, exhibition, BAK, basis voor actuele kunst, Utrecht. Ten banners each depiciting a sentence that address the rig

Secret Proof

Hemish Spiritual Pathway (detail), 2019, — Hemish Spiritual Pathway (detail), 2019, drawing

The Clearing: Music, Dysfluency, Blackness, and Time

JJJJJerome Ellis, Self-Portrait, 2021

STAND WITH UKRAINE: A MAKESHIFT READING LIST

Courtesy Sergei Loznitsa

The Clearing Melismatic Palimpsest

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Immortals: On the Ancient Future Lives of Stone and Plastic

Seahorse with Q-tip, Sumbawa, Nusa Tengg — Seahorse with Q-tip, Sumbawa, Nusa Tenggara Barat, Indonesia, 2017, photo: Justin Hofman, courtesy Justin Hofman.

Dearest Xen (Letters to Lichen)

Adriana Knouf, TX-1, 2020, three resin — Adriana Knouf, TX-1, 2020, three resin spheres containing the artist’s hormone replacement medications: one with a fragment of Spironolactone pill, one with a fragment of Vivelle Dot estradiol patch, and one with handmade abaca sculpture. Each s

Transnational Trajectories

Wall chart depicting an international ne — Wall chart depicting an international network of avant-garde magazines from the 1920s in the section “Platforms of the Avant-Garde: Der Sturm in Berlin and Mavo in Tokyo” of Hello World: Revising a Collection, Hamburger Bahnhof—Museum für

The Horizon of National Liberation: Exiting the Neocolonial State

Nina Støttrup Larsen, The Cut, The Pun — Nina Støttrup Larsen, The Cut, The Punch, The Press, 2021, video still detailing an image of a coffee plantation on a 50 CFA franc banknote, 1946–1958.

Modes of Assembly: Art, the People, and the State

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To Live the Coming Death

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Rabih Mroué: A BAK Critical Reader in Artists’ Practice

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New World Academy Reader #2: Collective Struggle of Refugees. Lost. In Between. Together.

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Thomas Hirschhorn

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