Fellowship

Fellow 2018/2019

Haseeb Ahmed

Haseeb Ahmed is een kunstenaar die werkt vanuit een op onderzoek gebaseerde kunstpraktijk. Hij maakt objecten, locatie-specifieke installaties, produceert films en schrijft voor verschillende publicaties. Ahmed werkt vaak gezamenlijk en integreert methodologieën uit de exacte wetenschappen in zijn kunstproductie. Recent werkte hij samen met het Von Karman Instituut voor Vloeistofdynamica, Brussel, aan de creatie van Wind Egg Trilogy, dat kunst, aeronautica, mythe en technologie vermengt om nieuwe narratieven voor het heden te creëren, en aan een solotentoonstelling in het Museum voor Hedendaagse Kunst, Antwerpen, 2018. Ahmed was resident aan de Jan van Eyck Academie, Maastricht, en de Skowhegan School of Painting & Sculpture, Madison, ME, en zijn werk is tentoongesteld in: Museum of Contemporary Art Chicago, Chicago; Göteborg International Biennial for Contemporary Art, Göteborg; Museum Bärengasse Zurich, Zurich; en Symposium Alanica in Vladikavkaz, Vladikavkaz. Hij wordt vertegenwoordigd door Harlan Levey Projects in Brussel. Ahmed geeft les aan de Hogeschool voor de Kunsten Zürich en heeft aan verschillende universiteiten cursussen en workshops verzorgd.

Fellowship onderzoekstraject

How’s the Weather Underground? (Hoe is het weer ondergronds?) is een vraag die ideologische, historische en ecologische zorgen met elkaar verweeft. Deze vraag kan ook anders geformuleerd worden: Welke modellen en gedachtepatronen stellen ons in staat om in dezelfde taal over menselijke politieke activiteit en natuurlijke fenomenen te spreken, en wat zijn daarvan de implicaties? En hoe worden daarnaast de metaforische vermogens van wetenschappelijk onderzoek gebruikt voor politieke uitwerking, en door wie?

Mensen ervaren schommelingen op de aandelenmarkt als schommelingen in temperatuur of vochtigheid, en lezen erover in dezelfde nieuwsmedia. De relatief recente intrede in het geologische tijdperk Antropoceen is gebaseerd op de onlosmakelijke verbondenheid van menselijke activiteit en wereldwijd klimaat, dus hoe kunnen we vormen van vervreemding in kapitalisme aanpakken via deze sociale en inmiddels letterlijke relatie met het weer? Kunstenaar en docent Haseeb Ahmed stelt gedachtepatronen voor die zowel wetenschappelijke als politieke modellen zijn, en verwerkt ze in kunstwerken. Ahmed focust in het bijzonder op veranderlijkheid en een visueel en historisch onderzoek van tijdsbesef als spiraal. Denk aan een orkaan met wolken die draaien rondom het lagedrukgebied, het ‘oog van de storm’ – het centrum is altijd leeg en krijgt slechts vorm door de onstuimigheid waardoor het is omgeven.

Related content

Shela Sheikh: Colonialism, Cultivation, and Nonhuman Witnessing

As part of the Fellowship weekly intensive in November 2017, Fellow Luigi Coppola convenes a number of discussions including a seminar with lecturer and researcher Shela Sheikh on 24 November 2017 to talk about colonialism, cultivation and nonhuman witnessing and resistance to the colonial mode of organizing, appropriating and extracting value. In the afternoon session […]

Arun Saldanha: Reontologising Race and the Post-Colonial Body

BAK 2018/2019 Fellows Jessica de Abreu and Patricia Kaersenhout, along with BAK, convene the January 2019 Fellows Intensive, focusing on the body as an archive, as a form of resistance, and the colonial legacies embodied today. Geographer and theorist Arun Saldanha joins the Fellows to present his work on reontologising race, affect, and ecologies, and […]

Staring with Equality: Interview with Wendelien van Oldenborgh

Wendelien van Oldenborgh visited Japan in late 2017 to participate in “MOT Satellite 2017 Fall – Connecting Scapes,” organized at various locations by the Museum of Contemporary Art Tokyo. Her work was exhibited at the Arts and Science Lab at Tokyo University of the Arts Ueno Campus, where she also held a screening and talk […]

Roet in het Eten Book Launch

As part of Propositions #2: Assemblism, Quinsy Gario presents his new book Roet in het Eten [Spanner in the Works],an anthology of newspaper columns, opinion articles, blog posts on among other things anti-racism, white supremacy and Dutch media landscape written between 2011–2017 and published mainly on the eponymous online platform Roet in het Eten.  

Civilization at the Crossroad: Co-Curated by Lukáš Likavčan

Lukáš Likavčan and Pavel Sterec curate Civilization at the Crossroad: Engineers of Scientific-Technical Revolution at FUTURA gallery, Prague (4 December 2018–17 February 2019), reflecting on research done by philosopher Radovan Richta and his team in the 1960s and “a new Czechoslovakian socialism.” In addition to historical documents and media, the exhibition includes works by artists: […]

Charl Landvreugd Accepted to De Akademie van Kunsten

Congratulations to Charl landvreugd, who has been accepted to the Dutch Akademie van Kunsten! De Akademie aims to interpret the voice of the arts in Dutch society (including politics) and to promote interaction between the arts themselves, art and society, and between science and art. It annually elects new members based on demonstrable artistic achievements.  […]

The Wind Egg

From 15 September 2018–6 January 2019 BAK Fellow Haseeb Ahmed has had a solo show IN SITU: Haseeb Ahmed – The Wind Egg as part of the In Situ series at M HKA, Antwerp. For millennia ancient Egyptian, Aran, Indian, European, and Chinese cultures have conceptualized the wind egg, suggesting that the wind can fertilize […]

Evolutionary Populations: Seeds of a World Waiting to Germinate

With the outbreak of civil war in Syria in 2011, agronomist and phyto-geneticist, Salvatore Ceccarelli was forced to end his 25-year research period in Syria where he had been working with local farmers experimenting with a revolutionary agricultural method that develops participatory plant breeding, a type of breeding done in collaboration with farmers to breed […]

Elizabeth Povinelli: Four Axioms of Critical Theory

Elizabeth A. Povinelli gives a seminar on the four axioms of critical theory during the first Fellowship 2017/2018 gathering on 6 October 2017.

Cinema Olanda at The Black Archives

On 26 November 2017, one day after the opening of the exhibition Black and Revolutionary: The Story of Hermina and Otto Huiswoud, the Amsterdam premiere of Cinema Olanda (2017) took place at Vereniging Ons Suriname and The Black Archives. The film has been part of the installation Cinema Olanda, made by the artist Wendelien van Oldenborgh […]

All Good Things Must Begin: A Conversation Between Audre Lorde and Octavia E. Butler

“All Good Things Must Begin: A conversation between Audre Lorde and Octavia E. Butler” took place at SBC Gallery of Contemporary Art, Montreal, as a space for reading, writing, screening, reflection, and conversation on intersectional feminism, modernist architecture, and science fiction, and forms part of Sepake Angiama’s BAK Fellowship research Her Imaginary. https://www.sbcgallery.ca/sepake-angiama

Seminar with Andrea Phillips

As part of a session convened by 2017/2018 BAK Fellow Otobong Nkanga, educator and political organizer in the arts Andrea Phillips gave a seminar on her current research focus: reorienting contemporary art’s ecology toward producing more emancipatory forms of sharing—not simply about spatial sharing and inclusivity, but also at the level of wage labor.   […]

Take a Risk and Explore: The Visualisation of the Dutch Cleaners’ Movement

Excerpt from the article: On a summer’s day in 2011 a large group of workers gathered at the entrance of the headquarters of the Federation of the Dutch Trade Unions (FNV) in Amsterdam. The workers, all FNV members, were there to show their dissatisfaction with the negotiations for a new general pension agreement. It had […]

Archival Propositions

BAK 2018/2019 Fellows Jessica de Abreu and Yasmine Eid-Sabbagh present at Propositions #7/6: Archive, the final iteration of the public series Propositions #7: Evidentiary Methods. The event also features Ariel Caine (Forensic Architecture, London) and takes place at BAK in the context of the exhibition Forensic Justice (18 October 2018–27 January 2019). This program is […]

Sruti Bala: Decolonizing Theater Studies and the Anecdote

Dr. Sruti Bala leads a discussion on decolonizing Theater and Performance Studies and the use of the anecdote during the Fellows Workshop on 21 November 2018.

Naomie Pieter: The Body in Black Women’s Activism

BAK 2018/2019 Fellows Jessica de Abreu and Patricia Kaersenhout, along with BAK, convene the January 2019 Fellows Intensive, focusing on the body as an archive, as a form of resistance, and the colonial legacies embodied today. Activist and artist Naomie Pieter leads the Fellows in a workshop on the use of the body as a […]

Collective Dictionary: Xenia with Elena Isayev

Elena Isayev is a historian and professor at University of Exeter uses the ancient Mediterranean to explore migration, belonging, displacement and spatial perception. Her research is based on the intersection of Hospitality and Asylum, Potency of Displaced Agency, Common and Public Space. Her interdisciplinary and inter-practice approach has led to collective learning and research beyond the […]

Suely Rolnik: The Spheres of Insurrection

As part of the Fellowship program in November 2017, Wendelien van Oldenborgh convenes and moderates a (Skype) seminar with psychoanalyst, cultural critic, and curator Suely Rolnik. During this seminar, Rolnik discusses her text ”The Spheres of Insurrection: Suggestions for Combatting the Pimping of life” and how microspheric modes of existence are capable of interrupting the […]

Yara Sharif: Architecture of Resistance

As part of a session convened and moderated by 2017/2018 BAK Fellow Ola Hassanain, Yara Sharif gave a seminar (via Skype), discussing, in particular her text  “Cultivating spatial possibilities in Palestine: searching for sub/urban bridges in Beit Iksa, Jerusalem” (by Nasser Golzari and Yara Sharif); and more generally unpacking alternative means to re-read and redraw […]

Seminar with Françoise Vergès

Political scientist, historian, and feminist Françoise Vergès joins the discussion via Skype on how artistic research can contribute to decolonial methodologies. With introduction by Olivier Bouin (director of the Network of French Institutes for Advanced Studies) and 2017/2018 BAK Fellow Pelin Tan.

More Fellows