Lecture-Performance, Performative

7 October 2017, 20.00-20.30

Whatever Floats Our Boats, 2017

Photo: Tom Janssen

Whatever Floats Our Boats sketches a decolonial positioning of Curaçao on the world stage in the twentieth century. Artist and BAK 2017–2018 Fellow Quinsy Gario presents three instances of resistance to colonial and dictatorial practices on and via the Dutch Caribbean island that had international consequences.

Through archival photos, videos, and family stories Gario presents actions of Venezuelan revolutionaries, exiled Portuguese soldiers, and black Curaçao dockworkers that impacted militarization in the Caribbean, the decolonization of Lusophone Africa, and the independence of Surinam. Through images from the archive of the Tropenmuseum, Amsterdam, found archival footage on YouTube, and oral histories, another lens is proposed for looking at the political significance of the island.

Part of Propositions #1: What We Mean.

Suggestions from the archive

Exhibition

Public Program

Podcast and sound installation

17 April–03 July 2021

Fragments of Repair: Repair & Listen

Throughout the duration of the project Fragments of Repair, Kader Attia engages in creating a new eponymous work in the form of a gradually unfolding podcast and sound installation in twelve parts, titled Repair & Listen. Drawing on transcultural epistemologies and lived experiences, the podcast investigates “repair” as a concrete practice to counter the psychological impact of living through a pandemic. The episodes of the podcast will become available on this page, throughout the duration of Fragments of Repair.