Performative

7 October 2017, 22.45-23.30

Protest Forms: Memory and Celebration (Sonic Version), 2016–ongoing

Performance

Marinella Senatore, Protest Forms: Memory and Celebration (Accoustic Version), 2016–ongoing, performance during Propositions #1: What We Mean on 7 October 2017. Photo: Tom Janssen

What happens when protests “become form”? Does a protest become clearer or stronger through a gesture, a song, a chant in unison? Can the memory of past demonstrations nourish the struggles to come? Help organize new ways of reclaiming the future common good through generations celebrating past achievements?

Marinella Senatore brings together an impromptu assembly of Utrecht-based musicians to test these questions as part of her project Protest Forms (2016–ongoing), previously performed in Rome and New York. It is a modest way of continuing the legacy of the center of world cultures RASA, which formerly inhabited the venue at Pauwstraat 13a in Utrecht, and of connecting it to the site’s current endeavor as a platform for the contemporary.

Part of Propositions #1: What We Mean.

Suggestions from the archive

Exhibition

Screening

2 May 2021, 14.30-16.30

Fragments of Repair/Gathering II: The Body’s Legacies, Pt. 2: The Postcolonial Body (online)

A public program realized in the framework of the multi-part project Fragments of Repair

The second gathering of Fragments of Repair/Gatherings consists of a screening of artist Kader Attia’s work The Body’s Legacies, Pt. 2: The Postcolonial Body (video, 2018, 48 min.), followed by a conversation between Olivier Marboeuf (writer, critic, and curator, Paris) and Ruth Wilson Gilmore (abolitionist scholar and activist, Lisbon).

Public Program