Discursive, Performative

7 October 2017, 21.45-22.15

Conversational Tones, 2017

Muziek en visueel debat

Wendelien van Oldenborgh, Cinema Olanda, 2017, production still, photo: Daria Scagliola

Without any wish to undo difference, contradiction, or distance, artist Charl Landvreugd and artist and BAK 2017–2018 Fellow Wendelien van Oldenborgh generate a discourse through a playful “battle” made of musical and visual interactions, with a wide variety of questions, fragments, and choices from their respective and specific idioms: filmmaking, visual arts, theory.

Like Mikhail Bakhtin, the Russian philosopher and critic who coined the term polyphony in literature, has argued, multilingual environments “liberate man by opening up a gap between things and their labels.” Nonequivalence is not a matter for despair, but is rather the impulse to life.

Part of Propositions #1: What We Mean.

Suggestions from the archive

Education Program

23 September–28 October 2019

Course: Art and Politics (BAK Public Studies)

From 23 September until 28 October 2019, BAK organizes the course “Art and Politics.” In six weekly sessions, the participants learn about how contemporary art relates to the political in an accessible way. The course is taught by Maria Hlavajova, BAK’s general and artistic director. Deadline for registrations: 17 September 2019.

Education Program

8-29 October 2019

Course: Instituting Otherwise (BAK Public Studies)

Part of BAK Public Studies, the course Instituting Otherwise, which takes place at BAK, basis voor actuele kunst in Utrecht from 8–29 October 2019, focuses on the possibilities of the (art) institution within and in spite of the current political predicament. The course is taught by Maria Hlavajova, BAK general and artistic director. Deadline for registrations: 2 October 2019.

Education Program

14 December 2018

Mapping Histories: Conversing on Visuality and Subalternity

workshop by Lisa Ito

On 14 December 2018 art historian and activist Lisa Ito gives a workshop “Mapping Histories: Conversing on Visuality and Subalternity” as part of the Royal Academy of Art Non Linear Narrative master’s program. The workshop is held at BAK in the framework of Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice.