Symposium

28 May 2009

When is Feminism in Art? The Case of Sanja Ivekovic

When is Feminism in Art? The Case of Sanja Iveković, is a one-day symposium co-organized by BAK, basis voor actuele kunst, Utrecht and the Van Abbemuseum, Eindhoven. It takes place on 28 May 2009 from 11.00–18.00 hrs and is organized within the framework of the two-part exhibition by Sanja Ivekovic, Urgent Matters, on view at BAK.

The symposium explores the development of feminist and critical art practices in the “former East” through the case of the remarkably rich body of work of Sanja Iveković. The aim of the symposium is to provide a context through which Iveković’s practice can be engaged with and analyzed in the context of global developments in art, thus contributing to the knowledge and understanding of the history of art in the Central and Eastern European regions through a concrete case of the evolution of a feminist position in a particular cultural and political topography. Invited speakers explore these topics through a discussion of key works in Iveković’s oeuvre and the social, cultural, and political context in which they are situated. Iveković takes part in the panel discussion at the end of the symposium.

Program

11.00–11.15 hrs
Welcome by Charles Esche (director, Van Abbemuseum) and Maria Hlavajova (artistic director, BAK, basis voor actuele kunst)

11.15–12.15 hrs
Keynote lecture by Bojana Pejić (art historian and curator, Berlin)

12.15–12.45 hrs
Discussion and questions from the audience

13.15–14.00 hrs
Natasa Ilic (curator and member of the curatorial collective What, How & for Whom/WHW, Zagreb)

14.00–14.45 hrs
Tom Holert (art historian and cultural critic, Academy of Fine Arts, Vienna)

15.00–15.45 hrs
Katy Deepwell (founder and editor of n.paradoxa: international feminist art journal, London)

15.45 –16.30 hrs
Georg Schöllhammer (writer and editor-in-chief, Springerin, Vienna)

16.45 –17.45 hrs
Panel discussion with the speakers and Sanja Ivekovic, moderated by Charles Esche and Maria Hlavajova

In collaboration with

Suggestions from the archive

Education Program

14 December 2018

Mapping Histories: Conversing on Visuality and Subalternity

workshop by Lisa Ito

On 14 December 2018 art historian and activist Lisa Ito gives a workshop “Mapping Histories: Conversing on Visuality and Subalternity” as part of the Royal Academy of Art Non Linear Narrative master’s program. The workshop is held at BAK in the framework of Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice.

18 April 2019, 19.00-21.00

Special Viewing: Seven Addresses (2019)

Op 18 april 2019 om 19.00 uur is er bij Het Utrechts Archief een speciale openstelling van het werk Zeven adressen (2019) van kunstenaarsduo Sander Breure & Witte van Hulzen. De kunstenaars zijn deze avond aanwezig bij de tentoonstelling. Het werk is onderdeel van de tweedelige tentoonstelling The People Are the City, georganiseerd door BAK, basis voor actuele kunst in het Stadskantoor Utrecht (te zien t/m 2 mei 2019) en Het Utrechts Archief (te zien t/m 5 mei 2019).

Exhibition

30 March–05 May 2019

The People Are the City

The People Are the City is a two-part exhibition which takes place in the public areas of the Municipal Offices of the City of Utrecht and at The Utrecht Archives. The exhibition at the Utrecht City Office reflects on the extraordinary coming together of the people of Utrecht in the collective performance What Is the City but the People? on 15 September last year. The second part of the show, on display at The Utrecht Archives, presents the new work Seven Addresses (2019) by artists’ duo Sander Breure and Witte van Hulzen.

Exhibition

31 October–31 December 2004

Cordially Invited, episode 3

Cordially Invited examines the issue of hospitality in relation to a topic of major global, political, and moral consequence today: migration. The project explores these issues through the notion of a cordial invitation, understood here as a symbolic tool which can be used to negotiate between two imaginary, unattainable ideals: the unrestricted right to move across political and economic boundaries, and the unqualified acceptance such rights imply.

Exhibition

Lecture

Lecture

Lecture

Lecture

Lecture

Lecture Program

12 November–17 December 2005

Undercurrents

Undercurrents is a dynamic, informal forum for reflection about what is behind the contemporary state of warfare. It is developed as an equal parallel to the exhibition Soft Target. War as a Daily, First-Hand Reality.