Lecture

3 December 2005

On Rhetoric (language and new warfare)

Given that “arrogance is ingrained in language” (Roland Barthes), the assertive nature of language becomes more apparent and violent in times of war, even more so in what can be identified as “propaganda war.” The syntax of words, terminologies, or interpretations regarding the presentation of war and political conflicts are imposed and legitimized by dominant powers, whereas the complexity of the phenomenon and its conceptions are oppressed. When we hear simplistic expressions such as “axis of evil,” “war on terror (or terrorism),” or “security fence,” we are faced with either being seduced by the euphemisms and made indifferent to their hidden meanings, or have the impulse to denounce and question the signifying context of the terms. Furthermore we cannot dismiss that behind the deceptive language of power, expelled languages often uttered by the marginal, the peripheral, and the foreign exist. Against the regulative and exclusive politics of rhetoric, artists and intellectuals attempt to revive the nuances of language, its banished or hidden meanings, and shed light on its complex connotations, breaking down definitions and revealing strategies of manipulation. In this context, different methodological attempts are introduced and discussed with artists Ayreen Anastas and Rene Gabri and theoretician Bregje van Eekelen through the lens of their practices—from reconstructing new dictionaries, or producing a radio play, to running an ongoing series of discursive activities concerning military conflicts, war, and disaster around the world.

Suggestions from the archive

Exhibitionary

Screening

15 July 2021, 18.30-20.00

Fragments of Repair/Gathering VI: Invisible Bridges

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 15 July 2021, the sixth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s Reason’s Oxymorons (2015) and a conversation between Kader Attia (Berlin) and Stefania Pandolfo (medical anthropologist, Berkeley, CA).

Screening

24 June 2021, 17.30-20.00

Fragments of Repair/Gathering V: The Object’s Interlacing

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 24 June 2021, the fifth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s The Object’s Interlacing (2020), followed by a conversation between Souleymane Bachir Diagne (philosopher New York/Dakar) and Wayne Modest (material culture curator and researcher, Amsterdam/Rotterdam).

Education Program

21 June, 19.00–7 July, 21.00 2021

Course: Art as Politics

An Online Extension of BAK Public Studies

A new edition of the online course Art as Politics, taking place on the following dates: 21, 23, 28 and 30 June & 5 and 7 July 2021. The course, taught by BAK’s Maria Hlavajova, brings those involved and/or interested in art, theory, and social action into collective conversation.