Lecture

10 December 2005

On Mutation (post–Cold War and new order)

Worse than Cold War? The new paradigm of war is often discussed in comparison to the Cold War, which came to an end over a decade ago. This link is not only due to the proximity of the post-Cold War era. For philosopher Jacques Derrida, the Cold War was the initial stage of what he calls “autoimmunity”—the present crisis of which 9/11 is the symptom—a mechanism of destroying one’s own protection. Apropos Derrida, the production of massive destructive power and military intelligence that now threaten the world have been disseminated and disciplined by the major powers, particularly as the United States has emerged from the Cold War and pursued global sovereignty. Marxist philosopher Antonio Negri also points out that the Cold War introduced novel elements of war, including the superpower nations’ attempts to maintain a permanent status-quo of global order in the name of “just war.” Instead of outright destruction, this type of war aims to “contaminate” society. The current global state of war is a mutation of the Cold War situation, strongly organizing social life and exerting its influence through “biopower.” Taking the Cold War as a comparative parameter to measure how war has been altered in recent history, and how it has consequently infiltrated social structures and the individual, Moscow-based art critic and curator Viktor Misiano, Korean artists-collective YOUNG-HAE CHANG HEAVY INDUSTRIES, and American artist Sean Snyder respond to these new conditions, and through lectures and discussions, consider how artistic practices can respond to and resist these developments.

Suggestions from the archive

Exhibition

31 October–31 December 2004

Cordially Invited, episode 3

Cordially Invited examines the issue of hospitality in relation to a topic of major global, political, and moral consequence today: migration. The project explores these issues through the notion of a cordial invitation, understood here as a symbolic tool which can be used to negotiate between two imaginary, unattainable ideals: the unrestricted right to move across political and economic boundaries, and the unqualified acceptance such rights imply.

Exhibition

Lecture

Lecture

Lecture

Lecture

Lecture Program

12 November–17 December 2005

Undercurrents

Undercurrents is a dynamic, informal forum for reflection about what is behind the contemporary state of warfare. It is developed as an equal parallel to the exhibition Soft Target. War as a Daily, First-Hand Reality.

Summer School

22-26 July 2019

BAK Summer School: Art as Politics

BAK Summer School: Art as Politics brings together those involved in arts, academia, and social action to collectively think through, learn about, and imagine critical, politically-informed artistic practices that grasp and influence our dramatically changing times. Deadline for applications: 1 May 2019.

Lecture

Education Program

11 March–15 April 2019

Course: Art and Politics

The basic course of the BAK School for Art and Politics is organized from 11 March until 15 April 2019. In six weekly sessions, the participants learn about how contemporary art relates to the political in an accessible way. The course is taught by Maria Hlavajova, BAK’s general and artistic director.