Lecture

12 November 2005

On Documenting (truth and politics)

https://www.youtube.com/watch?v=dNkLm9s6cx4&list=PLKRIMgiirxA7aT11arzChimn9V6bws2v8&index=2&t=0s

“I’ve been told that it’s a documentary, but I don’t know the meaning of that word,” Godard once said talking about one of his “documentary-like” films. This seemingly simple remark touches upon the complexity of documentary approaches in visual arts production. One is faced above all with a paradoxical situation: while we are accustomed to the post-structural denouncement of truth, we also observe the increasing tendency of adopting documentary methods in contemporary arts—“documentarism.” Further, given that the definition of documentary is “presenting facts objectively without editorializing or inserting fictional matter,” the use of documentary elements in the arts is unavoidably problematized in terms of its subjective and rhetorical manner. It is in this context that the complexity arises: Is the word “document” valid any longer in its practical usage? Why “documentation” instead of “staging?” What kind of knowledge does art produce by way of documentary approaches if not facts or truth? If it doesn’t pretend to be objective, how does art deal with the given or found documents? What kind of effects does it achieve? And crucially, does this kind of production involve any political responsibility? Particularly with regard to the subject of war, cultural critic Boris Buden, filmmaker and theoretician Hito Steyerl, and artist Renzo Martens present diverse examples of the use of documents-including their own practices—and critically interpret these questions.

Suggestions from the archive

Exhibitionary

Screening

15 July 2021, 18.30-20.00

Fragments of Repair/Gathering VI: Invisible Bridges

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 15 July 2021, the sixth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s Reason’s Oxymorons (2015) and a conversation between Kader Attia (Berlin) and Stefania Pandolfo (medical anthropologist, Berkeley, CA).

Screening

24 June 2021, 17.30-20.00

Fragments of Repair/Gathering V: The Object’s Interlacing

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 24 June 2021, the fifth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s The Object’s Interlacing (2020), followed by a conversation between Souleymane Bachir Diagne (philosopher New York/Dakar) and Wayne Modest (material culture curator and researcher, Amsterdam/Rotterdam).

Education Program

21 June, 19.00–7 July, 21.00 2021

Course: Art as Politics

An Online Extension of BAK Public Studies

A new edition of the online course Art as Politics, taking place on the following dates: 21, 23, 28 and 30 June & 5 and 7 July 2021. The course, taught by BAK’s Maria Hlavajova, brings those involved and/or interested in art, theory, and social action into collective conversation.