Lecture

12 November 2005

On Documenting (truth and politics)

https://www.youtube.com/watch?v=dNkLm9s6cx4&list=PLKRIMgiirxA7aT11arzChimn9V6bws2v8&index=2&t=0s

“I’ve been told that it’s a documentary, but I don’t know the meaning of that word,” Godard once said talking about one of his “documentary-like” films. This seemingly simple remark touches upon the complexity of documentary approaches in visual arts production. One is faced above all with a paradoxical situation: while we are accustomed to the post-structural denouncement of truth, we also observe the increasing tendency of adopting documentary methods in contemporary arts—“documentarism.” Further, given that the definition of documentary is “presenting facts objectively without editorializing or inserting fictional matter,” the use of documentary elements in the arts is unavoidably problematized in terms of its subjective and rhetorical manner. It is in this context that the complexity arises: Is the word “document” valid any longer in its practical usage? Why “documentation” instead of “staging?” What kind of knowledge does art produce by way of documentary approaches if not facts or truth? If it doesn’t pretend to be objective, how does art deal with the given or found documents? What kind of effects does it achieve? And crucially, does this kind of production involve any political responsibility? Particularly with regard to the subject of war, cultural critic Boris Buden, filmmaker and theoretician Hito Steyerl, and artist Renzo Martens present diverse examples of the use of documents-including their own practices—and critically interpret these questions.

Suggestions from the archive

Assembly and Public Forum

Collaboration and Open call

Conversation

16 December 2020, 19.00-21.00

Practicing Tactical Solidarities II: A Roundtable on Mutual Aid, Emergency, and Continuous Care

This locally-focused second edition of Practicing Tactical Solidarities: A Roundtable on Mutual Aid, Emergency, and Continuous Care features artists, organizers, and activists working in Utrecht, many of whom are current BAK Fellows. While addressing changing needs and urgencies in the protracted pandemic reality and its overlapping and related crises, the conversation contends with tactics and lessons in creating mutual aid networks, lasting support systems, and emergency care.

Exhibitionary

16 October, 08.00–29 November, 23.59 2020

Screening Tony Cokes at Stadhuisbrug, Utrecht

As part of exhibition Tony Cokes: To Live as Equals, Cokes’s video work c.my.skull.2. (Evil.13: Alternate Versions) is screened in public space until 29 November 2020! The work is on view in the window of Stadhuisbrug 5 (until Monday 2 November 2020), and in the window of Utrecht City Hall, Stadhuisbrug 1 (until Sunday 29 November 2020).