Serie

2 March 2019, 00.00

BAK, basis voor…

  • BAK, basis voor New Women Connectors, gathering on 2 March 2019, photo: Rob Godfried

  • BAK, basis voor New Women Connectors, gathering on 2 March 2019, photo: Rob Godfried

In the series BAK, basis voor…, BAK joins forces with other organizations in addressing shared urgencies and developing propositions for “being together otherwise.” The series was conceived as part of the project Trainings for the Not-Yet, organized by artist Jeanne van Heeswijk and BAK from 14 September 2019–12 January 2020. Trainings for the Not-Yet consists of an exhibition as a series of “community learnings,” performative workshops, artworks, learning objects, and conversations. In the framework of this project, intensive collaborations with (inter)national artists, theorists, and activists take place, as well as collaborations with initiatives and communities based (mainly) in Utrecht.

As part of the series BAK, basis voor…, BAK currently collaborates with Extinction Rebellion Utrecht, New Women Connectors, De Voorkamer, Utrecht and Welkom in Utrecht. 

Upcoming Program
1-2 February 2019
2.Dh5 festival: ‘Defeating Dystopia?’

BAK, basis voor New Women Connectors

2 March 2019
Utrecht for Her: Voices of New Women

12 April 2019
Let’s Mobilize for a Europe We Want: Voices of New Women

BAK, basis voor Yallah Sabaya
Yallah Sabaya (“Come, ladies! Enjoy yourselves!” in Arabic) is a special evening just for women, an evening where dance and music connect women from around the world. All women, from every country or culture, are welcome to meet, chat, and dance. Yallah Sabaya is initiated in 2018 by De Voorkamer, Utrecht en Welkom in Utrecht, Utrecht.

21 June 2019
Yallah Sabaya

27 September 2019
Yallah Sabaya

20 December 2019
Yallah Sabaya

Suggestions from the archive

Learning

10 May, 12.00–12 May, 18.00 2023

Complaint Making: Setting Up Conflict-Positive Spaces for Community Building Praxis

Vishnu would like to share feminist governance tools (FGT) focused on three of many tiers in community building praxis. FGT is based on the values of equity with an emphasis on creating psychologically safe environments, drawing on the use of consent. Decision-making processes, setting up conflict-positive spaces, and complaint-making as diversity work will form the body of this three-day training. Rooted in Vishnu’s autho-ethnographic practice, this work will explore the power dynamics that impact decision-making processes.

Performative

10 May, 12.00–12 May, 18.00 2023

The Diamond Mind II

In this dance training, the people will use a one-minute film of their own movement as material for a booklet—a sixteen page signature—that distributes their presence, their gesture, as an act of EQ. 

Learning

3 May, 12.00–4 May, 18.00 2023

Too Late To Say Sorry? 

A bad apology can ruin a friendship, destroy a community, or end a career. In this workshop, we will investigate the impact of apologies on our relationships and our worlds. Why and how do we make apologies? What can giving and receiving apologies teach us about values and integrity? Should you apologize for something you don’t really feel sorry for? We will explore conflict and how we like to be in conflict with others. We will dive into our own boundaries. We will seek to understand how honoring limits becomes an act of building (or freeing) better worlds capable of holding so many, many more of us.

Learning

28 April, 12.00–29 April, 18.00 2023

Huisje, Boompje, Beestje (D.A.F.O.N.T.)

In this rare masterclass, retired teacher and artist Glenda Martinus teaches participants a thing or two about painting with Microsoft Word. Martinus shares tips, tricks, and secrets on how to use this software to its unexpected potential as a drawing tool. Participants learn how to draw three basic objects—a house, a tree, and an animal—in a seemingly innocent exercise that perhaps contains more layered social commentary. Drawing the worlds we desire does not require expensive tools or education, simply a curiosity to understand how the monster’s tools can topple the house of the master.