22 June 2022, 17.30-19.30


The Object’s Interlacing by Kader Attia

Part of the symposium What's to be Repaired

Date: Wednesday 22 June 2022
Time: 17.30–19.30 hrs  (CEST) 
Location: BAK, basis voor actuele kunst, Utrecht


In his film TheObject’s Interlacing (2020), Kader Attia dialogues with different practitioners on the subject of restitution of African cultural artefacts that were violently displaced into western ownership during the era of historical colonialisms. Considered from various contemporary perspectives—philosophical, legal, anthropological, psychoanalytical, and economic, as well as from the viewpoint of collecting and museology—the assembly of voices grapple with restitution as a practice of repair that reaches far beyond the matter of simply returning plundered objects to their place of origin. “When you talk about the return of objects,” one protagonist asks, “where are they going to return to?” Do they return merely as goods or are the immaterial qualities they once held reclaimable? If they are “irreparable,” can this “irreparable repair” become a source of creative reinvention, in spite of persisting colonial asymmetries? The screening is introduced by Maria Hlavajova (BAK General and Artistic Director) and Wietske Maas (BAK Curator of Research and Publications) and is followed by an audience Q&A and drinks. 

More about the symposium

Whats to be repaired? Postcolonial Justice in Postcolonial Europe 
Date: 22–24 June 2022 

Organised by Jamila Mascat (UU), and Krista King (UU), in partnership with BAK, basis voor actuele kunst, Utrecht, and Casco Art Institute. 

In 2001, the UN World Conference against Racism, Racial Discrimination, Xenophobia and Related Intolerance, also known as the Durban Conference was one of the first instances where the countries of the Global North were asked to address and repair the legacy of “the massive human sufferings and the tragic plight of millions of men, women and children as a result of slavery, slave trade, transatlantic slave trade, apartheid, colonialism and genocide.” On that occasion, the Durban Declaration categorised slavery, colonialism, apartheid, and genocide as international crimes against humanity establishing a clear connection between such historical atrocities and contemporary forms of anti-black discrimination, racism, and racial inequalities.

Since Durban, however, calls for colonialism and slavery reparations by decolonial activists, anti-racist advocacies and human rights groups have been met with scepticism by European governments. More recently, after the murder of George Floyd in 2020 and the long wave of Black Lives Matter protests across the globe, international debates on reparations seem to have gathered momentum. Twenty years after Durban, this three-day symposium brings together interdisciplinary academics, experts, and activists to discuss postcolonial reparations as a strategy for fighting postcolonial inequalities, combating structural racism, and decolonising societies in western Europe. 

For the full program, participants, locations, and further updates, please check the event website.  

Screening program

17.30 hrs 
Maria Hlavajova and Wietske Maas 

17.45 hrs 
The Object’s Interlacing (Kader Attia, 2020)

19.10 hrs 

In collaboration with

Suggestions from the archive

Public Program

09 September–29 October 2023

To Watch the War: The Moving Image Amidst the Invasion of Ukraine (2014–2023)/Public Program

To Watch the War: The Moving Image Amidst the Invasion of Ukraine (2014–2023) involves a hybrid off- and online sequence of conversations and screenings around discursive and artistic interventions that reimagine the social implications of watching the war through ways that disrupt, subvert, resist the media’s incessant spectacularization of war.