Reading Group

17 February 2016, 17.00

Reading Anarchism: Richard John Jones reads bædan & Yoonis Osman Nuur reads Emma Goldman

In February 2016, BAK, basis voor actuele kunst hosts three Reading Anarchism events, as part of the exhibition Unstated (Or, Living Without Approval). The installation at BAK contains all anarchist writings currently archived online at theanarchistlibrary.org, printed as uniform volumes. For the duration of the exhibition, visitors may browse this library and print and bind copies of books they would like to read.

Nicoline van Harskamp has invited a total six guests to pick a single book or article from the library, and to present it to and discuss it with a live audience. The guests each have an affinity with the anarchist tradition, but the works they have picked represent very different eras, locations and interpretations.

Richard John Jones reads bædan (2012)

Richard John Jones is an artist who works with textiles and print, performance, film and live broadcast. His work often emphasizes a collaborative and communal production process and derives from research into subcultural or queer expressions and minor-histories. Between 2010 and 2012, he was co-director of the artist-run space Auto Italia South East in London. As this reading will demonstrate, he balances his belief in communalisation, community and positivity with a distinct mistrust in recognition based politics and a fairly nihilistic commitment to queer negativity.

Bædan is the name of an anonymously written and edited journal published since 2012 in three editions entitled Journal of Queer NihilismA Queer Journal of Heresy and Journal of Queer Time Travel. Bædan is a reader of queer negativity calling for nothing less than the total destruction of civilisation. It both provides an overview and radical critique of the theoretical work of Lee Edelman, Guy Hocquenghem, Silvia Federici, Jacques Camette, Judith Butler, Jack Halberstam and many more. Bædan’s readers are referred to as Bædlings which is a reclaiming of a derogatory term from Old English referring to effeminate men, hermaphrodites and pederasts. This same Old English word was the precursor for ‘bad’ in Modern English which replaced ‘evil’ in common usage around 4 centuries ago.

Yoonis Osman Nuur reads Emma Goldman’s What I Believe (1908)

Yoonis Osman Nuur is part of the refugee council of the foundation Here to Support and a member of the Amsterdam-based political movement of refugees called We Are Here, a group of more than 200 people who first organized themselves in 2012. As a human rights activist, Yoonis Osman Nuur fights for the visibility and recognition of these so-called ‘undeportable’ refugees in Dutch society and legal system. To this end, he has appeared on national television and newspapers in the Netherlands, has spoken in the Dutch parliament, and collaborated with artists and students.

Emma Goldman was a Russian-American anarchist in the first half of the 20st century, renowned for her work on women’s rights, antimilitarism, atheism and free speech. She was the founder of the anarchist journal Mother Earth and toured the United States, Russia and Europe with speeches that attracted crowds of thousands. She was imprisoned numerous times as a consequence of her political work, as well as banned from several countries. In Living my Life she describes the many battles in the court, the media and the public that marked her tumultuous life.

Suggestions from the archive

Exhibitionary

Screening

15 July 2021, 18.30-20.00

Fragments of Repair/Gathering VI: Invisible Bridges

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 15 July 2021, the sixth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s Reason’s Oxymorons (2015) and a conversation between Kader Attia (Berlin) and Stefania Pandolfo (medical anthropologist, Berkeley, CA).

Screening

24 June 2021, 17.30-20.00

Fragments of Repair/Gathering V: The Object’s Interlacing

A public program realized in the framework of the multi-part project Fragments of Repair

Taking place on Thursday 24 June 2021, the fifth gathering of Fragments of Repair/Gatherings, consists of a screening of artist Kader Attia’s The Object’s Interlacing (2020), followed by a conversation between Souleymane Bachir Diagne (philosopher New York/Dakar) and Wayne Modest (material culture curator and researcher, Amsterdam/Rotterdam).

Education Program

21 June, 19.00–7 July, 21.00 2021

Course: Art as Politics

An Online Extension of BAK Public Studies

A new edition of the online course Art as Politics, taking place on the following dates: 21, 23, 28 and 30 June & 5 and 7 July 2021. The course, taught by BAK’s Maria Hlavajova, brings those involved and/or interested in art, theory, and social action into collective conversation.