Performance

18 May 2017, 15.00

Campus

Sarah Pierce, Campus, 2017, photo: Tom Janssen

As part of the exhibition To Seminar, BAK organizes a series of performances, talks, and public meetings inquiring how learning about, with, and through art can become a collective practice of thinking and acting out imaginaries alternative to those of the crises-ridden contemporary.

On Thursday 18 May 2017 BAK organizes Campus, a series of performances, talks, and public meetings that emerges from Sarah Pierce’s ongoing interest in the college campus as a space of community predicated on shifting levels of presence and participation. This performance has been developed from a workshop that was conducted with a group of DAI students in the presence of an audience. As the group learns the performance, the techniques of teaching, learning, and observation merge with other acts that involve “seeing” and “doing.”

Suggestions from the archive

Exhibition

Screening

2 May 2021

Fragments of Repair/Gathering II: The Body’s Legacies, Part 2: The Postcolonial Body (online)

The second gathering of Fragments of Repair/Gatherings consists of a screening of artist Kader Attia’s work The Body’s Legacies, Part 2: The Postcolonial Body (video, 2018, 48 min.), followed by a conversation between Olivier Marboeuf (writer, critic, and curator, Paris) and Ruth Wilson Gilmore (abolitionist scholar and activist, Lisbon).

Public Program

Podcast and sound installation

17 April–03 July 2021

Fragments of Repair: Repair & Listen

Throughout the duration of the project Fragments of Repair, Kader Attia engages in creating a new eponymous work in the form of a gradually unfolding podcast and sound installation in twelve parts, titled Repair & Listen. Drawing on transcultural epistemologies and lived experiences, the podcast investigates “repair” as a concrete practice to counter the psychological impact of living through a pandemic. The episodes of the podcast will become available on this page, throughout the duration of Fragments of Repair.