Lecture, Conversation

28 October 2016, 19.30

Q&A with Nicoline van Harskamp and invited experts

Nicoline van Harskamp, PDGN, 2016, set photograph, photography by Javi Zilbermann

Curator and writer Mihnea Mircan has been commissioned by BAK to write an essay on the occasion of Englishes, the exhibition by Nicoline van Harskamp. This text is published online at bakonline.org. A public reading of the text by Mircan takes place on Friday 28 October 2016, on the occasion of a Q&A with the artist and a number of invited experts, including Ogaday Willers Moore of e-2.org, London, who co-developed the software used for the creation of the language spoken in van Harskamp’s new work PDGN.

The exhibition depicts the development of the plurality of spoken English that displaces the perceived position of primacy occupied by dominant strains of the language. Addressing the political import of this linguistic development, the works point to how our use of language is consistently entrenched in structures of class and power. Challenging these connotations, van Harskamp proposes a dissolution of English into “Englishes,” co-opting it as a common and ever-growing linguistic resource. Englishes thus becomes a site of solidarity—be that through the expressivity of speech or by a claimed common right to edit.

The program begins at 19.30 hrs in the Marnixzaal of the Utrechts Centrum voor de Kunsten, Domplein 4, Utrecht. To accompany the evening’s program, BAK will have extended opening hours to make a visit to the exhibition before the Q&A possible. After the event BAK will also be open for visitors and drinks. The event is free of charge.

Suggestions from the archive

Education Program

14 December 2018

Mapping Histories: Conversing on Visuality and Subalternity

workshop by Lisa Ito

On 14 December 2018 art historian and activist Lisa Ito gives a workshop “Mapping Histories: Conversing on Visuality and Subalternity” as part of the Royal Academy of Art Non Linear Narrative master’s program. The workshop is held at BAK in the framework of Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice.

18 April 2019, 19.00-21.00

Special Viewing: Seven Addresses (2019)

Op 18 april 2019 om 19.00 uur is er bij Het Utrechts Archief een speciale openstelling van het werk Zeven adressen (2019) van kunstenaarsduo Sander Breure & Witte van Hulzen. De kunstenaars zijn deze avond aanwezig bij de tentoonstelling. Het werk is onderdeel van de tweedelige tentoonstelling The People Are the City, georganiseerd door BAK, basis voor actuele kunst in het Stadskantoor Utrecht (te zien t/m 2 mei 2019) en Het Utrechts Archief (te zien t/m 5 mei 2019).

Exhibition

30 March–05 May 2019

The People Are the City

The People Are the City is a two-part exhibition which takes place in the public areas of the Municipal Offices of the City of Utrecht and at The Utrecht Archives. The exhibition at the Utrecht City Office reflects on the extraordinary coming together of the people of Utrecht in the collective performance What Is the City but the People? on 15 September last year. The second part of the show, on display at The Utrecht Archives, presents the new work Seven Addresses (2019) by artists’ duo Sander Breure and Witte van Hulzen.

Exhibition

31 October–31 December 2004

Cordially Invited, episode 3

Cordially Invited examines the issue of hospitality in relation to a topic of major global, political, and moral consequence today: migration. The project explores these issues through the notion of a cordial invitation, understood here as a symbolic tool which can be used to negotiate between two imaginary, unattainable ideals: the unrestricted right to move across political and economic boundaries, and the unqualified acceptance such rights imply.

Exhibition

Lecture

Lecture

Lecture

Lecture

Lecture

Lecture Program

12 November–17 December 2005

Undercurrents

Undercurrents is a dynamic, informal forum for reflection about what is behind the contemporary state of warfare. It is developed as an equal parallel to the exhibition Soft Target. War as a Daily, First-Hand Reality.