Discursive

10 January 2019, 19.30-21.30

Propositions #7/5: Sense

  • Ecocide in Indonesia, 2016, courtesy Forensic Architecture

  • Samaneh Moafi presenting during Propositions for Non-Fascist Living #7: Evidentiary Methods (Propositions #7/5: Sense), in the framework of the exhibition Forensic Justice by Forensic Architecture, BAK, basis voor actuele kunst, Utrecht, 10 January 2019, photo: Tom Janssen

  • Hilde Brontesma presenting during Propositions for Non-Fascist Living #7: Evidentiary Methods (Propositions #7/5: Sense), in the framework of the exhibition Forensic Justice by Forensic Architecture, BAK, basis voor actuele kunst, Utrecht, 10 January 2019, photo: Tom Janssen

  • Panel discussion during Propositions for Non-Fascist Living #7: Evidentiary Methods (Propositions #7/5: Sense), in the framework of the exhibition Forensic Justice by Forensic Architecture, BAK, basis voor actuele kunst, Utrecht, 10 January 2019, photo: Tom Janssen

Opening times

Thu 10 Jan 2019: 19:30 - 21:30

With Samaneh Moafi (Forensic Architecture, London) and Hilde Brontesma (Milieudefensie, Amsterdam)

Satellite images have become increasingly prevalent in contemporary culture and are a privileged means of representing and understanding the changes that are taking place on our planet on a territorial scale. Yet their smoothness belies the complexity—not to mention the politics—of the underlying photographic apparatus capable of capturing, stitching, and disseminating such images. Taken to represent evidence for climate change, for instance, fields of pixels must be rendered into tangible information. While promising truth, these processes of interpretation lead to spaces of contestation.

Focusing on the evidentiary method of remote sensing, Samaneh Moafi presents Ecocide in Indonesia, 2016, an investigation into the 2015 fires in Kalimantan and Sumatra that consumed over 21,000 square kilometers of forest and peat lands. Hilde Brontesma presents Friends of the Earth Netherlands vs. Royal Dutch Shell, 2008–ongoing, a legal case in which four Nigerian citizens are taking Shell to court over oil spills that had polluted their fields and their fish farming ponds.

Part of Propositions #7: Evidentiary Methods

Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice and part of the BAK series Propositions for Non-Fascist Living (2017–2020)—expands upon the notion of forensic justice in a series of lectures, screenings, and workshops on methodologies for articulating claims within the multidimensional space of aesthetics, law, architecture, politics, and ecology. The series deepens the understanding of works by, or made in collaboration with, Forensic Architecture, including investigations that are not presented in the exhibition. Focusing on techniques and innovative evidentiary methods at the intersection of law, art, politics, and the changing media landscape employed in the forensic practice, the gatherings create a space for dialogue and exchange between concrete cases examined by Forensic Architecture and other ongoing political struggles in the Netherlands and beyond. The series is conceived in collaboration with Nick Axel (architectural theorist, Amsterdam).

Suggestions from the archive

Summer School

22-26 July 2019

BAK Summer School: Art as Politics

BAK Summer School: Art as Politics brings together those involved in arts, academia, and social action to collectively think through, learn about, and imagine critical, politically-informed artistic practices that grasp and influence our dramatically changing times.

Lecture

Education Program

11 March–15 April 2019

Course: Art and Politics

The basic course of the BAK School for Art and Politics is organized from 11 March until 15 April 2019. In six weekly sessions, the participants learn about how contemporary art relates to the political in an accessible way. The course is taught by Maria Hlavajova, BAK’s general and artistic director.

Exhibition

17 March 2018–31 August 2019

Museum as Parliament. The People’s Parliament of Rojava at the Van Abbemuseum

The Van Abbemuseum, Eindhoven opens a space inspired by The People’s Parliament of Rojava, a project of the Democratic Self-Administration in Rojava, Northern-Syria, designed in collaboration with artist Jonas Staal and his New World Summit team. This project would not have been possible without the work of the New World Academy (2013–2016), co-founded by BAK, basis voor actuele kunst, Utrecht, and Staal.

Exhibition

Discursive

Lecture

Lecture

Lecture

Lecture

Lecture, Conversation

Learning

Lecture

Conversation