Discursive

10 January 2019, 19.30-21.30

Propositions #7/5: Sense

  • Ecocide in Indonesia, 2016, courtesy Forensic Architecture

  • Samaneh Moafi presenteert tijdens Propositions for Non-Fascist Living #7: Evidentiary Methods (Propositions #7/5: Sense), in de context van de tentoonstelling Forensic Justice door Forensic Architecture, BAK, basis voor actuele kunst, Utrecht, 10 januari 2019, foto: Tom Janssen

  • Hilde Brontesma presenteert tijdens Propositions for Non-Fascist Living #7: Evidentiary Methods (Propositions #7/5: Sense), in de context van de tentoonstelling Forensic Justice door Forensic Architecture, BAK, basis voor actuele kunst, Utrecht, 10 januari 2019, foto: Tom Janssen

  • Paneldiscussie tijdens Propositions for Non-Fascist Living #7: Evidentiary Methods (Propositions #7/5: Sense), in de context van de tentoonstelling Forensic Justice door Forensic Architecture, BAK, basis voor actuele kunst, Utrecht, 10 januari 2019, foto: Tom Janssen


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With Samaneh Moafi (Forensic Architecture, London) and Hilde Brontsema (Milieudefensie, Amsterdam)

Satellite images have become increasingly prevalent in contemporary culture and are a privileged means of representing and understanding the changes that are taking place on our planet on a territorial scale. Yet their smoothness belies the complexity—not to mention the politics—of the underlying photographic apparatus capable of capturing, stitching, and disseminating such images. Taken to represent evidence for climate change, for instance, fields of pixels must be rendered into tangible information. While promising truth, these processes of interpretation lead to spaces of contestation.

Focusing on the evidentiary method of remote sensing, Samaneh Moafi presents Ecocide in Indonesia, 2016, an investigation into the 2015 fires in Kalimantan and Sumatra that consumed over 21,000 square kilometers of forest and peat lands. Hilde Brontsema presents Friends of the Earth Netherlands vs. Royal Dutch Shell, 2008–ongoing, a legal case in which four Nigerian citizens are taking Shell to court over oil spills that had polluted their fields and their fish farming ponds.

Part of Propositions #7: Evidentiary Methods

Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice and part of the BAK series Propositions for Non-Fascist Living (2017–2020)—expands upon the notion of forensic justice in a series of lectures, screenings, and workshops on methodologies for articulating claims within the multidimensional space of aesthetics, law, architecture, politics, and ecology. The series deepens the understanding of works by, or made in collaboration with, Forensic Architecture, including investigations that are not presented in the exhibition. Focusing on techniques and innovative evidentiary methods at the intersection of law, art, politics, and the changing media landscape employed in the forensic practice, the gatherings create a space for dialogue and exchange between concrete cases examined by Forensic Architecture and other ongoing political struggles in the Netherlands and beyond. The series is conceived in collaboration with Nick Axel (architectural theorist, Amsterdam).

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Suggestions from the archive

Education Program

29 June–16 July 2020

Course: Art as Politics [Rerun on Request]

Due to popular demand, BAK Public Studies offers a rerun of the online course Art as Politics, taking place on the following dates: 29 June & 2, 6, 9, 13, and 16 July 2020.
This digital extension of BAK Public Studies, taught by Maria Hlavajova, is prompted by the urgency to continue collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present. Please note: this Open Call is now closed and the course is fully booked.

Education Program

8 June, 19.00–25 June, 21.00 2020

Course: Art as Politics [Open Call closed]

An Online Extension of BAK Public Studies

BAK Public Studies offers the new online course Art as Politics. This digital extension of BAK Public Studies is prompted by the urgency to continue collective thinking through, learning about, and imagining critical, politically-informed artistic practices that grasp—and intervene into—the present.

Dates: Mondays and Thursdays on 8, 11, 15, 18, 22, and 25 June 2020, 19–21 hrs CET. [Please note: this Open Call is now closed and the course is fully booked].

13 March, 19.30–14 March, 22.00 2020

European Forum for Advanced Practices (EFAP) at BAK [NOT TAKING PLACE]

Including two public programs with Paul Goodwin, Ima-Abasi Okon, Abbas Zahedi, Jihan El-Tahri, Irit Rogoff, Florian Schneider, and Maria Hlavajova

[WILL NOT TAKE PLACE | Update 12/3: unfortunately these EFAP presentations will not take place.]

Come to BAK on Friday 13 and Saturday 14 March for two public programs as part of the European Forum for Advanced Practices (EFAP), a self-organized, international gathering of practitioners, scholars, and organizers from transdisciplinary realms of art and education. With, on the Friday, a conversation between Paul Goodwin, Ima-Abasi Okon, and Abbas Zahedi; and on the Saturday a screening and a lecture by Jihan El-Tahri. With introductions by Irit Rogoff, Florian Schneider, and Maria Hlavajova.

Gathering

7 March 2020, 20.00-23.00

BAK, basis voor Yallah Sabaya

Special International Women's Day edition

On Saturday 7 March 2020 BAK, basis voor actuele kunst, Utrecht hosts a special International Women’s Day edition of Yallah Sabaya! Yallah Sabaya (“Come ladies! Enjoy yourselves!” in Arabic) is a special evening where dance and music connect women from all over the world. All women, no matter where they are from, are welcome on […]