Discursive

10 January 2019, 19.30-21.30

Propositions #7/5: Sense

  • Ecocide in Indonesia, 2016, courtesy Forensic Architecture

  • Samaneh Moafi presenting during Propositions for Non-Fascist Living #7: Evidentiary Methods (Propositions #7/5: Sense), in the framework of the exhibition Forensic Justice by Forensic Architecture, BAK, basis voor actuele kunst, Utrecht, 10 January 2019, photo: Tom Janssen

  • Hilde Brontesma presenting during Propositions for Non-Fascist Living #7: Evidentiary Methods (Propositions #7/5: Sense), in the framework of the exhibition Forensic Justice by Forensic Architecture, BAK, basis voor actuele kunst, Utrecht, 10 January 2019, photo: Tom Janssen

  • Panel discussion during Propositions for Non-Fascist Living #7: Evidentiary Methods (Propositions #7/5: Sense), in the framework of the exhibition Forensic Justice by Forensic Architecture, BAK, basis voor actuele kunst, Utrecht, 10 January 2019, photo: Tom Janssen

With Samaneh Moafi (Forensic Architecture, London) and Hilde Brontesma (Milieudefensie, Amsterdam)

Satellite images have become increasingly prevalent in contemporary culture and are a privileged means of representing and understanding the changes that are taking place on our planet on a territorial scale. Yet their smoothness belies the complexity—not to mention the politics—of the underlying photographic apparatus capable of capturing, stitching, and disseminating such images. Taken to represent evidence for climate change, for instance, fields of pixels must be rendered into tangible information. While promising truth, these processes of interpretation lead to spaces of contestation.

Focusing on the evidentiary method of remote sensing, Samaneh Moafi presents Ecocide in Indonesia, 2016, an investigation into the 2015 fires in Kalimantan and Sumatra that consumed over 21,000 square kilometers of forest and peat lands. Hilde Brontesma presents Friends of the Earth Netherlands vs. Royal Dutch Shell, 2008–ongoing, a legal case in which four Nigerian citizens are taking Shell to court over oil spills that had polluted their fields and their fish farming ponds.

Part of Propositions #7: Evidentiary Methods

Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice and part of the BAK series Propositions for Non-Fascist Living (2017–2020)—expands upon the notion of forensic justice in a series of lectures, screenings, and workshops on methodologies for articulating claims within the multidimensional space of aesthetics, law, architecture, politics, and ecology. The series deepens the understanding of works by, or made in collaboration with, Forensic Architecture, including investigations that are not presented in the exhibition. Focusing on techniques and innovative evidentiary methods at the intersection of law, art, politics, and the changing media landscape employed in the forensic practice, the gatherings create a space for dialogue and exchange between concrete cases examined by Forensic Architecture and other ongoing political struggles in the Netherlands and beyond. The series is conceived in collaboration with Nick Axel (architectural theorist, Amsterdam).

Suggestions from the archive

Education Program

14 December 2018

Mapping Histories: Conversing on Visuality and Subalternity

workshop by Lisa Ito

On 14 December 2018 art historian and activist Lisa Ito gives a workshop “Mapping Histories: Conversing on Visuality and Subalternity” as part of the Royal Academy of Art Non Linear Narrative master’s program. The workshop is held at BAK in the framework of Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice.

18 April 2019, 19.00-21.00

Special Viewing: Seven Addresses (2019)

Op 18 april 2019 om 19.00 uur is er bij Het Utrechts Archief een speciale openstelling van het werk Zeven adressen (2019) van kunstenaarsduo Sander Breure & Witte van Hulzen. De kunstenaars zijn deze avond aanwezig bij de tentoonstelling. Het werk is onderdeel van de tweedelige tentoonstelling The People Are the City, georganiseerd door BAK, basis voor actuele kunst in het Stadskantoor Utrecht (te zien t/m 2 mei 2019) en Het Utrechts Archief (te zien t/m 5 mei 2019).

Exhibition

30 March–05 May 2019

The People Are the City

The People Are the City is a two-part exhibition which takes place in the public areas of the Municipal Offices of the City of Utrecht and at The Utrecht Archives. The exhibition at the Utrecht City Office reflects on the extraordinary coming together of the people of Utrecht in the collective performance What Is the City but the People? on 15 September last year. The second part of the show, on display at The Utrecht Archives, presents the new work Seven Addresses (2019) by artists’ duo Sander Breure and Witte van Hulzen.

Exhibition

31 October–31 December 2004

Cordially Invited, episode 3

Cordially Invited examines the issue of hospitality in relation to a topic of major global, political, and moral consequence today: migration. The project explores these issues through the notion of a cordial invitation, understood here as a symbolic tool which can be used to negotiate between two imaginary, unattainable ideals: the unrestricted right to move across political and economic boundaries, and the unqualified acceptance such rights imply.

Exhibition

Lecture

Lecture

Lecture

Lecture

Lecture

Lecture Program

12 November–17 December 2005

Undercurrents

Undercurrents is a dynamic, informal forum for reflection about what is behind the contemporary state of warfare. It is developed as an equal parallel to the exhibition Soft Target. War as a Daily, First-Hand Reality.