Workshop

17 May 2018, 14.00-16.30

Al Maeishah

Workshop by Campus in Camps

Courtesy Daily Bruin Archives

As part of the weeklong program Moving Together: Activism, Art and Education – A Week with Angela Davis, 2017/2018 BAK Fellows Isshaq Al-Barbary and Diego Segatto (Campus in Camps) lead a workshop at BAK.

“Al Maeishah” (“the living”, in Arabic) is an egalitarian learning environment in which participants explore and practice hospitality, neighbouring and communal learning as radical political acts.

Capacitiy for the workshop is limited, so please RSVP by sending an email to [email protected] The participation fee for the workshop is €5,-, to be paid at the entrance of BAK. The fee includes entrance to the exhibition First Person Plural: Empathy, Intimacy, Irony, and Anger, which can be visited from 13.00 until 19.00 hrs. The language of the workshop is English.

 

About Moving Together: Activism, Art and Education – A Week with Angela Davis

A weeklong program taking place from 12 until 17 May at various arts, cultural, educational and heritage institutions, and community centers in Amsterdam. Together with esteemed guest Professor Angela Y. Davis, as well as artists, scholars, activists and audience members, we will look into questions of citizenship, communal knowledge sharing, intergenerational activism, and relevant artistic practices.

This weeklong series celebrates the role and importance of black scholarship, cultural production, and activism within our contemporary polarized society. Central to the program is the work of Professor Angela Davis, whose life’s work exemplifies the value of interdisciplinary and intersectional practices of liberation.

Angela Davis’s work spans many decades. She is deeply involved in movements for social justice around the world through her activism and scholarship. Her work as an educator – both at the university and in the larger public sphere – has always emphasized the importance of building communities of struggle for economic, racial, and gender and sexual justice. Angela Davis is joined by her long-term collaborator Professor Gina Dent, whose work on prison abolition, feminism, social justice, and black literature and art contributes to the ongoing struggle for global social justice.

Moving Together aspires to amplify ongoing conversations on refugee, anti-racist, feminist, queer, trans*, anti-border, anti-nationalist, prison abolition, and environmental justice struggles through sharing knowledge and strengthening connections between arts, activism and education.

The full program, ticketing and registration can be viewed on the website: www.movingtogether.info.

Suggestions from the archive

Discursive

18 October 2018–24 January 2019

Propositions #7: Evidentiary Methods

Propositions #7: Evidentiary Methods—the public program in the context of the exhibition Forensic Justice and part of the BAK series Propositions for Non-Fascist Living (2017–2020)—expands upon the notion of forensic justice in a series of lectures, screenings, and workshops on methodologies for articulating claims within the multidimensional space of aesthetics, law, architecture, politics, and ecology.

Exhibition

18 October 2018–27 January 2019

Forensic Justice

Forensic Justice is an exhibition and a series of public programs with Forensic Architecture, a London-based independent and interdisciplinary research agency comprised of, among others, artists, scientists, lawyers, filmmakers, and architects.

Lecture

Lecture

Lecture

Lecture

Lecture

Exhibition

Lecture

Lecture Program

Discursive, Exhibition, Publication

11 January–01 March 2009

The Return of Religion and Other Myths

The Return of Religion and Other Myths is a large-scale multifaceted project, consisting of the exhibition The Art of Iconoclasm, a discourse program taking place in early 2009 titled On Post-Secularism, and the publication of a BAK Critical Reader on the subject in 2009. The project explores the popular assumption of the return of religion to the public sphere, contemporary politics, and the media in the West as a constitutive “myth.”

Lecture

Learning

10 February–31 March 2009

Curating (Beyond) Exhibitions: Critical Curatorial Practices and Contemporary Society

Master course organized by Utrecht University and BAK. The course, structured as a series of lectures and seminars, explores the dynamic field of curating vis-ŕ-vis the challenges that artistic and intellectual practices are presented with by contemporary society, and takes the year 1989—which marks the end of the Cold War—as a starting point from which to explore the practice of curating.