Fellowship

As part of the 2nd Tehran Curatorial Symposium: Curator as Translator, January 2019, Katayoun Arian was invited by organizer, Fereshte Moosavi to speak on curatorial activism. Drawing parallels between the role of history, archival practices, activism, and the decolonial turn, she views the space in which the act of translation unfolds to act as a […]

Dr. Sruti Bala leads a discussion on decolonizing Theater and Performance Studies and the use of the anecdote during the Fellows Workshop on 21 November 2018.

BAK 2018/2019 Fellows Jessica de Abreu and Yasmine Eid-Sabbagh present at Propositions #7/6: Archive, the final iteration of the public series Propositions #7: Evidentiary Methods. The event also features Ariel Caine (Forensic Architecture, London) and takes place at BAK in the context of the exhibition Forensic Justice (18 October 2018–27 January 2019). This program is […]

Congratulations to Charl landvreugd, who has been accepted to the Dutch Akademie van Kunsten! De Akademie aims to interpret the voice of the arts in Dutch society (including politics) and to promote interaction between the arts themselves, art and society, and between science and art. It annually elects new members based on demonstrable artistic achievements.  […]

A survey exhibition of Otobong Nkanga’s works is presented for the first time in the US. The exhibition titled To Dig A Hole That Collapses Again opens at the Museum of Contemporary Art (MCA), Chicago from 31 March–9 September 2018.

BAK 2018/2019 Fellows Jessica de Abreu and Patricia Kaersenhout, along with BAK, convene the January 2019 Fellows Intensive, focusing on the body as an archive, as a form of resistance, and the colonial legacies embodied today. Kaersenhout performs The Emotional Body (2018) for the Fellows, as well as guests from HKU University of the Arts, […]

As part of Propositions #2: Assemblism, Quinsy Gario presents his new book Roet in het Eten [Spanner in the Works],an anthology of newspaper columns, opinion articles, blog posts on among other things anti-racism, white supremacy and Dutch media landscape written between 2011–2017 and published mainly on the eponymous online platform Roet in het Eten.  

From 15 September 2018–6 January 2019 BAK Fellow Haseeb Ahmed has had a solo show IN SITU: Haseeb Ahmed – The Wind Egg as part of the In Situ series at M HKA, Antwerp. For millennia ancient Egyptian, Aran, Indian, European, and Chinese cultures have conceptualized the wind egg, suggesting that the wind can fertilize […]

In April 2016, BAK, basis voor actuele kunst, brought to life the Here We Are Academy: a spirited temporary recomposition of a refugee-initiated platform for learning called We Are Here Academy. Established in Amsterdam in 2012, We Are Here is the first large-scale organization of refugees living in limbo in the Netherlands. Through projects organized […]

Inhabiting is an outcome of the collaboration between Al Maeishah (Isshaq Al-Babrbary, Elena Isayev, and Diego Segatto) and the Office of Displaced Designers (ODD), who invited Al Maeishah to implement their research on The Alternative Atlas of Lesvos: An Island for the World. The atlas aims to intersect with those forcibly displaced, with the global web […]

As part of the Fellowship program in November 2017, Wendelien van Oldenborgh convenes and moderates a (Skype) seminar with psychoanalyst, cultural critic, and curator Suely Rolnik. During this seminar, Rolnik discusses her text ”The Spheres of Insurrection: Suggestions for Combatting the Pimping of life” and how microspheric modes of existence are capable of interrupting the […]

Elizabeth A. Povinelli gives a seminar on the four axioms of critical theory during the first Fellowship 2017/2018 gathering on 6 October 2017.

Carolina Martínez speaks with BAK 2018/2019 Fellow Thiago de Paula Souza about his role as a curator of the 10th Berlin Biennale for Rotunda Magazine. From the article: Last month finished the latest Berlin Biennale, developed under the curatorial concept “We don’t need another hero”, where the concepts of power that we drag from imperialism […]

As part of the Fellowship weekly intensive in November 2017, Fellow Luigi Coppola convenes a number of discussions including a seminar with lecturer and researcher Shela Sheikh on 24 November 2017 to talk about colonialism, cultivation and nonhuman witnessing and resistance to the colonial mode of organizing, appropriating and extracting value. In the afternoon session […]

BAK 2018/2019 Fellows Jessica de Abreu and Patricia Kaersenhout, along with BAK, convene the January 2019 Fellows Intensive, focusing on the body as an archive, as a form of resistance, and the colonial legacies embodied today. Geographer and theorist Arun Saldanha joins the Fellows to present his work on reontologising race, affect, and ecologies, and […]

As part of a session convened by 2017/2018 BAK Fellow Otobong Nkanga, educator and political organizer in the arts Andrea Phillips gave a seminar on her current research focus: reorienting contemporary art’s ecology toward producing more emancipatory forms of sharing—not simply about spatial sharing and inclusivity, but also at the level of wage labor.   […]

Wendelien van Oldenborgh visited Japan in late 2017 to participate in “MOT Satellite 2017 Fall – Connecting Scapes,” organized at various locations by the Museum of Contemporary Art Tokyo. Her work was exhibited at the Arts and Science Lab at Tokyo University of the Arts Ueno Campus, where she also held a screening and talk […]

On 26 November 2017, one day after the opening of the exhibition Black and Revolutionary: The Story of Hermina and Otto Huiswoud, the Amsterdam premiere of Cinema Olanda (2017) took place at Vereniging Ons Suriname and The Black Archives. The film has been part of the installation Cinema Olanda, made by the artist Wendelien van Oldenborgh […]

Political scientist, historian, and feminist Françoise Vergès joins the discussion via Skype on how artistic research can contribute to decolonial methodologies. With introduction by Olivier Bouin (director of the Network of French Institutes for Advanced Studies) and 2017/2018 BAK Fellow Pelin Tan.

“All Good Things Must Begin: A conversation between Audre Lorde and Octavia E. Butler” took place at SBC Gallery of Contemporary Art, Montreal, as a space for reading, writing, screening, reflection, and conversation on intersectional feminism, modernist architecture, and science fiction, and forms part of Sepake Angiama’s BAK Fellowship research Her Imaginary. https://www.sbcgallery.ca/sepake-angiama

During  the Venice Biennale of Architecture 2018, The Swamp School will function as a changing, flexible, open-ended infrastructure that supports experiments in design, pedagogy and artistic intelligence. Invited designers and scholars, including BAK Fellow 2017/2018 Pelin Tan, will conduct performative lectures and lead workshops for participants and visitors to the Biennale. On Saturday 26 May 2018, Pelin […]

Excerpt from the article: On a summer’s day in 2011 a large group of workers gathered at the entrance of the headquarters of the Federation of the Dutch Trade Unions (FNV) in Amsterdam. The workers, all FNV members, were there to show their dissatisfaction with the negotiations for a new general pension agreement. It had […]