Fellowship

Fellow 2019/2020

Joy Mariama Smith

Performance, installation, and movement artist and educator Joy Mariama Smith’s work focuses on issues related to visibility, projected identities, and self-representation in different contexts, and investigates the interplay between the body and its cultural, social, and physical environment. In their* dance, performances, and installations, they create spaces in which the distinction between spectator and participant becomes blurred and visitors are encouraged to reflect on the ways in which they deal with space. They teach at SNDO-School for New Dance Development, Academy of Theatre and Dance, Amsterdam. Their work has been performed internationally, including at Freedom of Movement, Stedelijk Museum, Amsterdam, 2018; If I Can’t Dance Edition VI – Event and Duration, Amsterdam, 2016; SoLow Festival, Philadelphia, 2015; and Ponderosa, Stolzenhagen, 2013. Smith lives and works in The Hague.

 

*They/them/their: third person singular gender-neutral pronoun.

Joy Mariama Smith

Performance, installation, and movement artist and educator Joy Mariama Smith’s work focuses on issues related to visibility, projected identities, and self-representation in different contexts, and investigates the interplay between the body and its cultural, social, and physical environment. In their* dance, performances, and installations, they create spaces in which the distinction between spectator and participant becomes blurred and visitors are encouraged to reflect on the ways in which they deal with space. They teach at SNDO-School for New Dance Development, Academy of Theatre and Dance, Amsterdam. Their work has been performed internationally, including at Freedom of Movement, Stedelijk Museum, Amsterdam, 2018; If I Can’t Dance Edition VI – Event and Duration, Amsterdam, 2016; SoLow Festival, Philadelphia, 2015; and Ponderosa, Stolzenhagen, 2013. Smith lives and works in The Hague.

 

*They/them/their: third person singular gender-neutral pronoun.

Fellowship Research Trajectory

Joy Mariama Smith’s research praxis works with consent and agency as related to the contemporary. Smith begins with an understanding that moving toward a consent-based culture decentralizes hunger for power, and operates and catalyzes an important radical care, nurturance culture. Looking at consent’s relationship to power and privilege, Smith moves into practice-based research in the following areas: embodied consent, implicit consent, and explicit consent. Challenging the “universality” of the notion of consent, Smith looks to histories of consent and agency as well as their current definitions; uses cross-genre excavation to unearth ways to define and access a language of consent in the contemporary socio-political art context; collectively bolsters the theoretical frameworks around consent and agency in more accessible ways by using information and language from sources that already have a clear consent-based culture (e.g., BDSM and kink, Contact Improvisation, Brazilian Jiu-Jitsu, and Modern Circus-Partner Acrobatics); aims to raise awareness around consent and agency by using art and action, and looks at how consent culture exists (or does not) in various institutions. Can a culture of consent be created? If not, how to support an environment that facilitates an emergence of consent culture? What, how, and where does consent live in systems of de-individualized living? Can consent culture be generative? Why, when, and how was consent left out of realizing institutional environments? How to create institutions where emotional intelligence, de-centralized knowledge production, radical care, and empathy serves as frameworks for working through consent?

Consent, Logic, and Loss: Fellows Intensive

In February, the BAK 2019/2020 Fellows come together for another Fellows Intensive. This week experiments with various communication practices being researched by Joy Mariama Smith and Mijke van der Drift, the BAK Fellows who co-convene this intensive along with BAK, and focuses on  consent, and logic and loss. The Fellows spend time together, share and […]

Mad About Study, a Training with Joy Mariama Smith

BAK 2019/2020 Fellow Joy Mariama Smith leads a training as part of Trainings for the Not-Yet (14 September 2019–12 January 2020), an exhibition as a series of trainings, in October 2019 at BAK. The training addresses collective reading and writing, conversations, somatics, movement research, karaoke, and more, culminating in a dance party and public intervention. […]

Consent and Dissolution Loss Boundaries, Rehearsing in Public with the BAK Fellows

On Wednesday 12 February 2020, BAK 2019/2020 Fellows Mijke van der drift and Joy Mariama Smith, along with BAK, co-convene a participatory panel. Along with artist Ahmed El Gendy and poet and activist Nat Raha, they rehearse in public experimental and collective practices that they are trying out in their research. The participatory panel aims to […]

Program

Related content

Charl Landvreugd’s Movt. Nr. 10: Ososma

BAK 2018/2019 Fellow Charl Landvreugd creates a large-scale, solo installation exhibition Movt. Nr. 10: Ososma at CBK Zuidoost, Amsterdam (25/10–13/12/2019). The exhibition is a self-portrait and a critical reflection on cultural hybridity, integral to Landvreugd’s work, research, and current times.


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BAK 2019/2020 Fellows Gather for the First Fellows Intensive!

The BAK 2019/2020 Fellows gathered at BAK in Utrecht for their first of seven Fellows Intensives together. Throughout the week, the Fellows presented their work, motivations, and research; learned about BAK, Utrecht, and each other; ate meals together; planned activities; found unlikely and motivating places of connection; imagined possibilities; shared references, pieces, and publications; met […]

Shela Sheikh: Colonialism, Cultivation, and Nonhuman Witnessing

As part of the Fellowship weekly intensive in November 2017, Fellow Luigi Coppola convenes a number of discussions including a seminar with lecturer and researcher Shela Sheikh on 24 November 2017 to talk about colonialism, cultivation and nonhuman witnessing and resistance to the colonial mode of organizing, appropriating and extracting value. In the afternoon session […]

Staring with Equality: Interview with Wendelien van Oldenborgh

Wendelien van Oldenborgh visited Japan in late 2017 to participate in “MOT Satellite 2017 Fall – Connecting Scapes,” organized at various locations by the Museum of Contemporary Art Tokyo. Her work was exhibited at the Arts and Science Lab at Tokyo University of the Arts Ueno Campus, where she also held a screening and talk […]

Publications